Burning Rope (track) by Genesis
Burning Rope appears on the following album(s) by Genesis:
- ...And Then There Were Three (track #5) (this album) (1978)
- 1976-1982 (track #22) (compilation) (2007)
- The Story Of Genesis (track #12) (compilation) (1978)
Condition: Good
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Burning Rope ratings
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av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
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Rating | Date updated | Member | Track ratings | Avg. track rating |
---|---|---|---|---|
38 hours ago | matterhornrider | 20,501 | 86/100 | |
06/02/2024 04:46 | AAL2014 | 23,601 | 78/100 | |
04/12/2024 20:32 | LosWochos | 291,384 | 80/100 | |
03/16/2024 18:53 | yes340 | 3,332 | 80/100 | |
02/24/2024 11:38 | doombringer | 4,448 | 77/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 3% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 82.7/100, a mean average of 82.5/100, and a trimmed mean (excluding outliers) of 83.6/100. The standard deviation for this track is 15.5.
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That loooooong drum fill near the beginning is sensational.
The most proggy song on And Then There Were Three, and also one of the best. A very powerful and somewhat uplifting song that tells of breaking free from the pack and following your dreams and aspirations, while also warning not to always be caught up in the future, and instead live for today, as you are not immortal. The glorious imagery is supported well by one of the finest instrumental performances on the album. Banks' piano and synthesizer do most of the driving, but Collins' percussion is exquisite, and Rutherford's guitar is just incredible. The best moment of the song has to be the instrumental bridge, in which Banks' builds in power on both instruments before finally exploding, just as Rutherford begins to belt out a guitar solo so good and so fitting for the song that you forget that it's not Steve Hackett doing it. It's musical euphoria. One of the finest contributions of the three-piece era.
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