Trilogy (track) by Emerson, Lake & Palmer
Trilogy appears on the following album(s) by Emerson, Lake & Palmer:
- Trilogy (track #7) (this album) (1972)
- The Best Of Emerson, Lake & Palmer (track #10) (compilation) (1994)
- The Best Of Emerson Lake & Palmer (track #10) (compilation) (1980)
- The Very Best Of Emerson, Lake & Palmer (track #4) (compilation) (2001)
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Trilogy ratings
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
80/100  | 02/17/2024 10:31 |  doombringer | | 77/100 |
90/100 | 01/23/2024 07:31 | Fevernova | | 82/100 |
90/100 | 12/24/2023 02:23 | MetaKoopa99 | | 91/100 |
90/100 | 07/11/2023 03:10 | FrancK | | 83/100 |
100/100 | 05/07/2023 18:41 | Phmus84 | | 100/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 3% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 82.7/100, a mean average of 83.0/100, and a trimmed mean (excluding outliers) of 84.0/100. The standard deviation for this track is 12.7.
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A good example of ELP's zaniness done right. Trilogy is a fitting name, as the song appears to be cut into three pretty distinct sections. The first is a gorgeous, gentle piano piece, sung beautifully by Lake, among the loveliest I've heard from this band. The second stomps right into the proggy wackiness, performed in 5/4 time, I believe, with Emerson taking center stage. I think the main 5/4 stomp in the background does grate after a little while, but not too badly. Then it's into the third section, which reprises Lake's vocals, as they dance around this sort of swinging extension of the 5/4 melody, with a bluesy outro. Well-performed piece and a highlight of the record.
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