Listed below are the best albums of the 2000s as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 2 hours ago).
"Yes, I've listened to every White Stripes record, the Raconteurs records, and Jack White's solo works... This is White's best record. Horehound's thematic solidarity makes even Elephant sound a little scattered in ideology. In my opinion, it has his career's best grooves (Treat Me Like Your Mothe...""Yes, I've listened to every White Stripes record, the Raconteurs records, and Jack White's solo works... This is White's best record. Horehound's thematic solidarity makes even Elephant sound a little scattered in ideology. In my opinion, it has his career's best grooves (Treat Me Like Your Mother), best riffs (3 Birds), and best guitar solo (Bone House). It's the underdog in his discography when it should be the pinnacle."[+]Reply
"It's Iron Maiden meets Guns 'n Roses meets Skid Row, Motley Crue and Metallica. This is A7X's breakthrough album, and with good reason. The juxtaposition of each track is such that the whole album fits together in a very deliberate way. Once heard, songs like 'Beast and the Harlot,' 'Trashed and ...""It's Iron Maiden meets Guns 'n Roses meets Skid Row, Motley Crue and Metallica.
This is A7X's breakthrough album, and with good reason. The juxtaposition of each track is such that the whole album fits together in a very deliberate way.
Once heard, songs like 'Beast and the Harlot,' 'Trashed and Scattered,' 'Bat Country' and 'Burn it Down' are hard to leave behind. A great 'guitarist's album' there is much to admire in the sweeping fretwork of Vengeance and Gates, and the way the harmonies mesh together and drive the melody of each track tastefully forward.
The most underrated track on the album is probably 'The Wicked End,' which evokes a dark, apocolyptic biblical saga
of sin with a truly epic Danny Elfman-style orchestral breakdown midway through.
Shadows' multi-tracked vocals can make some songs somewhat frustrating to sing along to- he tends to sing over himself with some parts overlapping- but the '80s-style hair metal bravado sets the tone perfectly with Shadows' unmistakable nasal twang letting anybody familiar with the band know instantly that this is definately Avenged Sevenfold.
The late 'Rev' commands the sticks with superhuman flair and class, with some truly mind-melting drum flurries and double bass pedal domination.
All the hallmarks of an exuberant, cocksure and talented young band are woven into every second of this album, and back in 2005 caught the music industry's attention in a huge way. 'City of Evil' remains on many 'best albums of the 2000s' lists today.
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"I understand why someone who is into the earlier releases by Slipknot would find this soft or dull or commercial, but I have to say that I (who to be honest couldn't stand listening to their earlier albums) found this quite enjoyable. I don't consider it great, but there are some very catchy song...""I understand why someone who is into the earlier releases by Slipknot would find this soft or dull or commercial, but I have to say that I (who to be honest couldn't stand listening to their earlier albums) found this quite enjoyable. I don't consider it great, but there are some very catchy songs. Overall, 70/100."[+]Reply
"This album really sounds like an extension of "merriweather post pavilion", and that's the best compliment I think I can attribute to this EP. "what would I want? sky" is as good as any of the best stuff from MPP. "graze" borrows from its song structure starting atmospheric and mesmerizing until ...""This album really sounds like an extension of "merriweather post pavilion", and that's the best compliment I think I can attribute to this EP. "what would I want? sky" is as good as any of the best stuff from MPP. "graze" borrows from its song structure starting atmospheric and mesmerizing until kicking in the party mix at the halfway point."[+]Reply
"Fantastic retro album that really captures that pre psychedelic sixties sound. The sounds of Dusty Springfield and Lulu are all over the record. As a deliberate attempt to make a sixties drenched album, it works brilliantly. Pity she couldn't follow it up."Reply
"Before commenting on the listening process, I have to confess my love for the cover of this album. One might argue that it's a completely irrelevant aspect, but here it's not so much about Its aesthetic value as a standalone piece of art, but more as an accurate representation of what you are abo...""Before commenting on the listening process, I have to confess my love for the cover of this album. One might argue that it's a completely irrelevant aspect, but here it's not so much about Its aesthetic value as a standalone piece of art, but more as an accurate representation of what you are about to hear. It has this refreshing attitude that is typical of the whole album. Even though they are dealing with serious and dark themes, like life on the streets and drugs, they never take themselves too seriously with many punchlines ( "I tried being humble, humble get no respect Now the first sign of trouble, that's a hole up in your neck", or "I could lose it all today, be back the next day Still up in the same way As I left ya, all in three gestures: down, up and aim I can define death better than Webster, wet ya") that hit hard and prove once more the well established axiom that the deepest truths are better told through a joke. But this observation doesn't have to do only with the lyrics, it is reflected on their sound too. They manage the rare combination of sounding rough and chill at the same time, if that makes any sense. Also, it sounds so 2002. I don't mean it in a negative way, it simply has this extra charm due to nostalgia. In terms of rapping, they sound very much alike and it's easy to mix them if you aren't familiar with them. After getting more used to them , I found myself developing a slight preference towards Pusha T.
Noting the most remarkable moments of the album, Grindin' is the obvious one. A monumental beat with a little disco touch that remains irresistible and unmatched. The energy is out the roof. Some other highlights include Pusha T's introduction (the 1st verse of Intro), the horns in Young Boy (there are many instances throughout the album where they add a nice touch, but here they shine the brightest, and the destined for the clubs but with a jazzy twist When the Last Time. On the other hand Ma, I Don’t Love Her stands out as the weak link. Overall, I found the first half better than the second.
If I had to point out some negatives, I didn't find any of the guests particularly awe-inspiring (even though FamLay Freestyle is better than you'd expect considering the absence of both No Malice and Pusha T). The two bonus tracks/Grindin' remixes were an overkill, I don't think they were necessary in any way. I am not sure how I'm feeling about the skits. Usually I don't have such a problem. (As a general rule I tend to enjoy them. On many occassions I have heard someone complaining about a skit and say that he likes an album despite its skits and I find myself thinking that I like it exactly because of them.) Here I fail to see how they add something more to the album."[+]Reply
"Weezer at their silliest. Negative Nancy's will point to a band unwilling to age gracefully or that they have become a satire of themselves. It has enough personality that reminds me of the their first 2 albums. That's refreshing because Make Believe and the Green Album lacked it. Similar to the ...""Weezer at their silliest. Negative Nancy's will point to a band unwilling to age gracefully or that they have become a satire of themselves.
It has enough personality that reminds me of the their first 2 albums. That's refreshing because Make Believe and the Green Album lacked it.
Similar to the debut in tone but if the party was amped up on 2 liters of Mountain Dew and were all 12 years old.
Good not great but more of a return to form than anything else in the 2000's so I like it.
I do find this album to have the most varied responses from fans. I feel like Weezer heads usually consistently agree on good and bad Weezer but the Red Album is all over the map. I hear of people who love it and other's who can't stand it. Interesting, just thought to mention it.
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"I'm honestly really surprised Shiina Ringo doesn't have more recognition from this site. A lot of people call her a J-pop artist, although I think pop rock or simply alternative rock are probably more appropriate; that's not all that important and perhaps me (being primarily a fan of rock music) ...""I'm honestly really surprised Shiina Ringo doesn't have more recognition from this site. A lot of people call her a J-pop artist, although I think pop rock or simply alternative rock are probably more appropriate; that's not all that important and perhaps me (being primarily a fan of rock music) trying to justify to myself why I like her music so much. No matter. This is catchier than just about anything I've ever heard and deserves to be listened to by more people."[+]Reply