DNA Feelings (studio album) by Aïsha Devi
Top albums of 2018 (
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Aïsha Devi bestography
DNA Feelings is ranked as the best album by Aïsha Devi.
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DNA Feelings track list
The tracks on this album have an average rating of 77 out of 100 (all tracks have been rated).
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DNA Feelings rankings
All 11 charts that this album appears in:
| Year | Source | Chart | Rank | Rank Score |
|---|---|---|---|---|
| 2024 |  Hayden | Top 100 Music Albums of 2018 | 30/100 | 4 |
| 2022 |  buzzdainer | Top 89 Music Albums of 2018 | 77/89 | 1 |
| 2021 | badger | Top 71 Music Albums of 2018 | 14/71 | 4 |
| 2021 | stereo_mike | Top 100 Music Albums of 2018 | 14/100 | 4 |
| 2020 |  kadupheming | Top 100 Music Albums of 2018 | 19/100 | 4 |
| 2019 | brun027 | Top 100 Music Albums of 2018 | 24/100 | 4 |
| 2018 | DJ Mag | DJ Mag’s top 50 albums of 2018 | 21/50 | 3 |
| 2018 | Bayern 2 | Die 80 + 1 besten Alben des Jahres 2018 | 55/81 | 2 |
| 2018 | The Vinyl Factory | Our 50 Favourite Albums of 2018 | 30/50 | 2 |
| 2018 | FACT | The 50 best albums of 2018 | 6/50 | 5 |
| 2018 | Bandcamp Daily | Top 99 Music Albums of 2018 | 2/99 | 5 |
| Total Charts: The total number of charts that this album has appeared in. | 11 | |||
| Total Rank Score: The total rank score. | 37 | |||
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DNA Feelings collection
DNA Feelings ratings
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av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
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AV = the site mean average rating.
N.B. The average rating for this album will not be reliable as it has been rated very few times.
Showing latest 5 ratings for this album. | Show all 7 ratings for this album.
| Rating | Date updated | Member | Album ratings | Avg. album rating |
|---|---|---|---|---|
70/100  | 01/25/2023 22:37 | LosWochos | | 75/100 |
65/100 | 10/25/2022 12:54 | jonny5244 | | 63/100 |
85/100 | 11/09/2021 07:19 | badger | | 78/100 |
85/100 | 11/09/2020 22:27 | Hayden | | 72/100 |
70/100 | 11/20/2019 23:55 | buzzdainer | | 79/100 |
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DNA Feelings comments
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Aïsha Devi’s journey as an artist is incredibly poetic, operating as ersatz electro-pop artist Kate Wax until the early 2010s when she got in touch with her Tibetan roots, “killed off” the persona during a Saharan meditation and began making post-human electronica under her own name. This latest effort is a work of sonic cinema, airy and clinical yet still rather charming.
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