The DownBeat Hall of Fame

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RFNAPLES
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Location: Durham, NC, USA
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  • #1
  • Posted: 12/20/2012 02:07
  • Post subject: The DownBeat Hall of Fame
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Legends in jazz, blues and beyond can be elected into the DownBeat Hall of Fame by way of the annual Critics Poll (designated by “C”), Readers Poll (“R”) or Veterans Committee (“V”). It all started in 1952 with the Readers. The Critics got into the game in 1961 and the Veterans Committee began voting in 2008.

The following are in the DownBeat Jazz Hall of Fame:
A–B
Muhal Richard Abrams (C 2010)
Cannonball Adderley (R 1975)
Gene Ammons (V 2012)
Louis Armstrong (R 1952)
Albert Ayler (C 1983)
Chet Baker (C 1989)
Count Basie (R 1958)
Sidney Bechet (C 1968)
Bix Beiderbecke (C 1962)
Ed Blackwell (C 1993)
Art Blakey (R 1981)
Jimmy Blanton (V 2008)
Lester Bowie (C 2000)
Michael Brecker (R 2007)
Clifford Brown (C 1972)
Ray Brown (R 2003)
Dave Brubeck (R 1994)
C–D
Harry Carney (V 2008)
Benny Carter (C 1977)
Betty Carter (C 1999)
John Carter (C 1991)
Ron Carter (R 2012)
Paul Chambers (V 2011)
Charlie Christian (C 1966)
Kenny Clarke (C 1988)
Nat "King" Cole (R 1997)
Ornette Coleman (R 1969)
John Coltrane (R 1965)
Chick Corea (R 2010)
Tadd Dameron (V 2009)
Miles Davis (R 1962)
Paul Desmond (R 1977)
Baby Dodds (V 2010)
Johnny Dodds (C 1987)
Eric Dolphy (R 1964)
E–G
Billy Eckstine (V 2010)
Roy Eldridge (C 1971)
Duke Ellington (R 1956)
Bill Evans (C 1981)
Gil Evans (C 1986)
Maynard Ferguson (R 1992)
Ella Fitzgerald (R 1979)
Erroll Garner (V 2008)
Stan Getz (R 1986)
Dizzy Gillespie (R 1960)
Benny Goodman (R 1957)
Dexter Gordon (R 1980)
Stéphane Grappelli (R 1983)
H–J
Lionel Hampton (R 1987)
Herbie Hancock (R 2005)
Coleman Hawkins (C 1961)
Roy Haynes (C 2004)
Julius Hemphill (C 1995)
Fletcher Henderson (C 1973)
Joe Henderson (R 2001)
Jimi Hendrix (R 1970)
Woody Herman (R 1976)
Andrew Hill (C 2007)
Earl Hines (C 1965)
Milt Hinton (C 2001)
Johnny Hodges (C 1970)
Billie Holiday (R 1961)
Freddie Hubbard (R 2009)
Milt Jackson (R 1999)
Ahmad Jamal (R 2011)
Keith Jarrett (R 2008)
Antonio Carlos Jobim (R 2002)
James P. Johnson (C 1992)
J.J. Johnson (R 1995)
Elvin Jones (C 1998)
Hank Jones (C 2009)
Jo Jones (V 2008)
Philly Joe Jones (V 2010)
Thad Jones (C 1987)
K–M
Stan Kenton (R 1954)
Rahsaan Roland Kirk (C 1978)
Gene Krupa (R 1972)
Steve Lacy (C 2005)
John Lewis (C 2002)
Abbey Lincoln (C 2011)
Jimmie Lunceford (V 2008)
Jackie McLean (C 2006)
Glenn Miller (R 1953)
Charles Mingus (R 1971)
Thelonious Monk (R 1963)
Wes Montgomery (R 1968)
Lee Morgan (R 1991)
Jelly Roll Morton (C 1963)
Paul Motian (C 2012)
Gerry Mulligan (R 1993)
N–P
Fats Navarro (C 1982)
Joe "King" Oliver (C 1976)
Charlie Parker (R 1955)
Jaco Pastorius (R 1988)
Art Pepper (R 1982)
Oscar Peterson (R 1984)
Oscar Pettiford (V 2009)
Bud Powell (R 1966)
Q–S
Sun Ra (C 1984)
Django Reinhardt (C 1971)
Buddy Rich (R 1974)
Max Roach (C 1980)
Red Rodney (R 1990)
Sonny Rollins (R 1973)
Pee Wee Russell (C 1969)
Artie Shaw (C 1996)
Woody Shaw (R 1989)
Wayne Shorter (C 2003)
Horace Silver (R 1996)
Zoot Sims (C 1985)
Frank Sinatra (R 1998)
Bessie Smith (C 1967)
Jimmy Smith (R 2006)
Sonny Stitt (V 2012)
Billy Strayhorn (R 1967)
T-Z
Art Tatum (C 1964)
Cecil Taylor (C 1975)
Jack Teagarden (C 1969)
Clark Terry (R 2000)
Lennie Tristano (C 1979)
McCoy Tyner (R 2004)
Sarah Vaughan (R 1985)
Joe Venuti (R 1978)
Fats Waller (C 1968)
Chick Webb (V 2010)
Ben Webster (C 1974)
Mary Lou Williams (C 1990)
Tony Williams (C 1997)
Teddy Wilson (C 1987)
Lester Young (R 1959)
Frank Zappa (C 1994)
Joe Zawinul (C 2008)
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sheep21



Gender: Male
Australia

  • #2
  • Posted: 12/20/2012 02:19
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I wouldn't have considered FRank Zappa worthy but whatever.
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weedygonsalez





  • #3
  • Posted: 12/20/2012 09:43
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bluesrockdude21 wrote:
I wouldn't have considered FRank Zappa worthy but whatever.

Zappa had such a ridiculous prodigious knowledge of almost every musical style and form, from Classical to Jazz to Rock to Pop to Psych to Prog to Doo Wop to Garage and Avant-Garde and Modern and Musical Theater, that it's almost too easy to be a detractor who focuses only on a perceived flippancy or shallowness from the perspective of a single camp. I highly recommend you go back to his music, dig deeper, and approach it from many more angles.

That is, like, if ya ain't got anything better to do that day.
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