Britpop

Goto page Previous  1, 2
View previous topic :: View next topic
Author Message
Alt-Rocker77




Location: NJ

  • #11
  • Posted: 02/03/2009 00:04
  • Post subject:
  • Reply with quote
I have no problem saying that I thoroughly like Britpop.
Oasis is probably my favorite Britpop group because I feel like they almost channel some of the Beatles' later work( A very good thing)
Back to top
  • Visit poster's website
  • View user's profile
  • Send private message
theharrisonfords





  • #12
  • Posted: 02/03/2009 02:10
  • Post subject:
  • Reply with quote
I love Britpop- but I don't like Oasis that much. They did channel the Beatles latter work, but I think they did it way too much- It became dull after awhile.
Back to top
Byrdsnix





  • #13
  • Posted: 02/06/2009 15:09
  • Post subject:
  • Reply with quote
[quote="theharrisonfords"]I love Britpop- but I don't like Oasis that much. They did channel the Beatles latter work, but I think they did it way too much- It became dull after awhile.[/quote]

Britpop is really a genre that is strongly influenced by the Beatles and the Kinks.
Back to top
  • Visit poster's website
  • View user's profile
  • Send private message
ZebraRock





  • #14
  • Posted: 11/08/2011 00:47
  • Post subject: Britpop
  • Reply with quote
I am American, but for some strange reason grew up listening to British music. Oasis are great, the Stone Roses had some good songs, the Happy Mondays are alright. blur are incredible, I'm only just starting to get into them though. Shame they never really made it in America, 13 is possibly the weirdest album I own.
Funnily enough, I seem to like Post-Britpop (making up my own terms here Wink) better.
For me, Dig Out Your Soul is better than What's the Story.
13 is better than Parklife.
Second Coming is better than the Stone Roses.
So i guess britpop was okay, but the bands that grew and survived it would later produce better work.
I realize that virtually no one agrees with me, but that's okay.
Back to top
  • Visit poster's website
  • View user's profile
  • Send private message
Jimmy Dread
Old skool like Happy Shopper



Location: 555 Dub Street
United Kingdom
Moderator

  • #15
  • Posted: 11/08/2011 12:07
  • Post subject:
  • Reply with quote
Ahh Britpop... don't get me started...

Being in my late teens around the time Britpop exploded here in the UK, all us students were dragged along with the hype and had piss-poor bands like Cast, The Bluetones, Shed Seven, Echobelly, Sleeper et al shoved down our throats by countless hours of student radio programming and the bloody NME. Anyone else remember Marion?

For me, there were two major events that started Britpop - the death of Kurt Cobain, and the release of Blur's Parklife. Ironically one of the best 'Britpop' albums (in terms of celebrating 'little Englandisms' and the quirky nature of 'cool Britannia') was released before this - Blur's "Modern Life Is Rubbish". Albums like The Stone Roses, Screamadelica, Pills 'n' Thrills et al can't be classed as Britpop in the slightest, nor can early Suede - Britpop was more about stapling your nationality and your influences to your chest than being fey and in touch with your inner feelings (although Pulp would tread a fine line between the two, which is partly why they remain relatively credible).

For me the big crime came when bands like Lush and Ride moved away from shoegazing and released truly terrible LPs to cash in on the movement. Then when Oasis came along (and believe me, I was a MASSIVE Oasis fan for about 2/3 years) bands tried their hardest to capitalise - c.f. the likes of Menswear, Northern Uproar. Just as bad was when the likes of John Squire and Andy Bell formed bands like The Seahorses and Hurricane #1 - awful pale impressions of the former greatness they respectively achieved.

So when did it all end? I would wager in 1997 - the year that Labour got back into government (who else remembers Tony Blair schmoozing with Noel Gallagher at No.10?) as it seemed like the 'people had won', the year Blur reinvented themselves with songs that sounded like Pavement offcuts, but more importantly with the release of OK Computer... when panic, mistrust of the system and alienation once again became the norm for the student ennui. Ironically this was also the year of Oasis' Be Here Now and The Verve's Urban Hymns, Bitter Sweet Symphony being the last great Britpop anthem (nicking a sample from an orchestral version of a Rolling Stones' track - Britpop was always about revisionism, c.f. Damon Albarn/Ray Davies on C4's The White Room, Oasis constantly banging on about The Jam and The Beatles).

In summary - Britpop was both a youth movement AND a genre of music. The music was by and large 3rd rate indie bands trying to be relevant. For a while it seemed like 'buying British' was the only way to go. Then the bubble burst, New Labour got entrenched and didn't present any real alternative, and when people realised pretty much all Oasis songs sounded the same (which they themselves played upon - "D'Yer Know What I Mean" having the same chords as "Wonderwall"), everyone got bored and started going back to their bedrooms.

Key Britpop albums (that are actually still worth listening to - this isn't to say I overly like them, however)

Blur - Parklife
Oasis - Definitely Maybe
Supergrass - I Should Coco
Pulp - Different Class
Elastica - S/T
Back to top
  • Visit poster's website
  • View user's profile
  • Send private message
Kiki





  • #16
  • Posted: 11/08/2011 14:03
  • Post subject:
  • Reply with quote
noWaxJim wrote:
Anyone else remember Marion?


Only as the band who took the piss out of the Manic Street Preachers and Richey in a Select inview several months after his disappearance. Confused
Back to top
Kiki





  • #17
  • Posted: 11/08/2011 14:11
  • Post subject:
  • Reply with quote
noWaxJim wrote:
Ahh Britpop... don't get me started...

Being in my late teens around the time Britpop exploded here in the UK, all us students were dragged along with the hype and had piss-poor bands like Cast, The Bluetones, Shed Seven, Echobelly, Sleeper et al shoved down our throats by countless hours of student radio programming and the bloody NME. Anyone else remember Marion?

For me, there were two major events that started Britpop - the death of Kurt Cobain, and the release of Blur's Parklife. Ironically one of the best 'Britpop' albums (in terms of celebrating 'little Englandisms' and the quirky nature of 'cool Britannia') was released before this - Blur's "Modern Life Is Rubbish". Albums like The Stone Roses, Screamadelica, Pills 'n' Thrills et al can't be classed as Britpop in the slightest, nor can early Suede - Britpop was more about stapling your nationality and your influences to your chest than being fey and in touch with your inner feelings (although Pulp would tread a fine line between the two, which is partly why they remain relatively credible).

For me the big crime came when bands like Lush and Ride moved away from shoegazing and released truly terrible LPs to cash in on the movement. Then when Oasis came along (and believe me, I was a MASSIVE Oasis fan for about 2/3 years) bands tried their hardest to capitalise - c.f. the likes of Menswear, Northern Uproar. Just as bad was when the likes of John Squire and Andy Bell formed bands like The Seahorses and Hurricane #1 - awful pale impressions of the former greatness they respectively achieved.

So when did it all end? I would wager in 1997 - the year that Labour got back into government (who else remembers Tony Blair schmoozing with Noel Gallagher at No.10?) as it seemed like the 'people had won', the year Blur reinvented themselves with songs that sounded like Pavement offcuts, but more importantly with the release of OK Computer... when panic, mistrust of the system and alienation once again became the norm for the student ennui. Ironically this was also the year of Oasis' Be Here Now and The Verve's Urban Hymns, Bitter Sweet Symphony being the last great Britpop anthem (nicking a sample from an orchestral version of a Rolling Stones' track - Britpop was always about revisionism, c.f. Damon Albarn/Ray Davies on C4's The White Room, Oasis constantly banging on about The Jam and The Beatles).

In summary - Britpop was both a youth movement AND a genre of music. The music was by and large 3rd rate indie bands trying to be relevant. For a while it seemed like 'buying British' was the only way to go. Then the bubble burst, New Labour got entrenched and didn't present any real alternative, and when people realised pretty much all Oasis songs sounded the same (which they themselves played upon - "D'Yer Know What I Mean" having the same chords as "Wonderwall"), everyone got bored and started going back to their bedrooms.

Key Britpop albums (that are actually still worth listening to - this isn't to say I overly like them, however)

Blur - Parklife
Oasis - Definitely Maybe
Supergrass - I Should Coco
Pulp - Different Class
Elastica - S/T


I love how Supergrass - I Should Coco is put as a key album Very Happy

Great description! Reading it made me wonder what may be in store for the future. The current status quo has been going on too long. Maybe these Occupy Wall St, 99% and Arab Springs will carry on past the year and gradually seep more and more into the sentiment of popular music? Think
Back to top
Display posts from previous:   
Post new topic   This topic is locked: you cannot edit posts or make replies.
All times are GMT
Goto page Previous  1, 2
Page 2 of 2


 

Jump to:  
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum


Similar Topics
Topic Author Forum
[ Poll ] Rec me some Britpop! Guest Music
Britpop Calling theblueboy Music Diaries
[ Poll ] Grunge vs Britpop LedZep Music

 
Back to Top