Top 100 Greatest Music Albums by Antonio-Pedro
"God gave us music so that we, first and foremost, will be guided upward by it. All qualities are united in music: it can lift us up, it can be capricious, it can cheer us up and delight us, nay, with its soft, melancholy tunes, it can even break the resistance of the toughest character. Its main purpose, however, is to lead our thoughts upward, so that it elevates us, even deeply moves us. ... Music also provides pleasant entertainment and saves everyone who is interested in it from boredom. All humans who despise it should be considered mindless, animal-like creatures. Ever be this most glorious gift of God my companion on my life's journey, and I can consider myself fortunate to have come to love it. Let us sing out in eternal praise to God who is offering us this beautiful enjoyment.
- Nietzsche in 1858
This chart needs some work to blossom away, still need to end some notes from my diary, men at work in progress.
Love you all, Antonio Momonio <3
- Chart updated: 02/22/2023 15:15
- (Created: 10/24/2013 19:00).
- Chart size: 100 albums.
There are 164 comments for this chart from BestEverAlbums.com members and Top 100 Greatest Music Albums has an average rating of 93 out of 100 (from 185 votes). Please log in or register to leave a comment or assign a rating.
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This chart is currently filtered to only show albums from the 1990s. (Remove this filter)
"I can't stand this record, it's just a disaster to me." - Jim O'Rourke [First added to this chart: 05/31/2015]
In my first contact with Souvlaki, I remember listening to it 5 times in-a-row, it felt challenging and rewarding after each listen, I was every single time more and more drowned into it, the metaphysical adventures were just about to start. But I started to admire its structure and crafting after seeing the pitchfork documentary for this record, how some sad blokes just decided to pack up their things and, record all that in depth emotion, not something raw and pure, but rather a psychological and elaborated take in teenage relationships and the numerous curves of love. I found myself motivated to share some of my simpler or remarkable moments with it since then, don't really know why, and that's what kept me trying to find the perfect moment with Slowdive, I always felt there would be a perfect timing to fit with this album, because something in this, an unknown mass keeps pulling it over my ears, maybe it's the bittersweet sounding wall of sound that hugs the sculpture of these songs. And then, it just became so overwhelmingly connected with me, that it occupied many of my lonely nights with mellow yellow poems, daydreaming in a bus to school became part of my routine, there was a time I was listening to souvlaki 31 times a month, so I can say I have most of their ethereal and dreamy soundscapes painted in a unconscious part of my mind.
See? I have told a really long story about how I clicked with this record but I couldn't still explain its reason to sound so perfect. And the reason is, there is so much, or maybe there is so little I've still not experienced with souvlaki, that I can't, at this moment, point a reason or a formula to its mysterious melancholic atmosphere, there is still pieces of the music here I haven't collected, there is still details that I haven't noticed. Souvlaki is special, because it maintains it's because it maintains it's blissful unknown substance until today, the search for its essence is more astonishing than the discovery. There is some magical liquid running through my ears every time the opening of "Alison" plays. [First added to this chart: 07/11/2014]
Antonio in 2014' wrote:
It's amazing how radiohead can juggle with the chords , changing and hiding the true progressions , leaving gaping the most classic guitarist, and giving intelligence to the most idiotic punks. I never would like to enjoy this album , because everyone liked, but in a day he could win my love. Even though I'm not a fan of alternative music ( that's my peak), I got to the end of the album , with so many different movements and progressions. having depression, doom and invisible happiness while listening every lost voice or every guitar in the vacuum. In fact , emotions arise every time I hear this album , I know it seems like it is a being made of stone , but it just there to give you good times (well...not too good).It seems like every song is moving like a shadow, but a shadow that sometimes want to make you sad and this shadow sometimes wants to make you indifferent making you feel happy and unhappy at the same time, it is hard to regret a feeling for this shadow sometimes you want to kill it. But it is not bringing any problem. I used to see my father singing " Karma Police" with my godfather, I thought that it was a strange thing,since it was such a depressing song. Today I still don't know why he did it , but i guess that sometimes that depression is so strong that you get to the point of having to share it with someone to not support all the weight. " Exit Music " is another favorite , reminds me of desperation , and final movie scenes,(of course you idiot ... this is the name of the song duhhh. but for me the best is "No surprises", it manages to convey a sense an of lightness and calm at the same time making you forget that time is passing and enjoy your last nap. A new way of making music had been created , playing with it and taking listeners to extremes of feeling and reason.
Now beside my uncontrollable wish to shoot my feet after reading this ridiculous description of my love for this album some years ago, the terrible knowledge of musical theory at the time, and my not-that-bad english at the time, there are many things that have changed in my feelings with the album.
FIrst, this is not a perfect record, and it doesn't deserve a 10 by me (I don't even know if I ever gave a ten to a record...) as much as I love with heart and soul the highs, and the highs are bigger than the Everest for a first-time listener, the lows hit me with a certain disdain face at the times, of course no record could be only made by highs, but the way the lows appear like a totally different tidal wave that the album is emerged into, kinda annoys me. For one side we have "Paranoid Android", that it's a hell of a song; for a really long time I (like the whole record) didn't get what the milk avalanche over this song was about, I thought it was dull and trying way too hard, pretentiously, to sound poetically cold and anxious. But as I developed my taste I began to notice that the way Greenwood and Yorke crafted this whole song was indeed worth my sleepwalk applause, the way that thom unleashes all his depressive and eerie wishes at my ears, along with the guitar pick up, makes up to such a great and rewarding listen. I used to say it build up to nowhere, the song had no center or a base to construct a monumental melody over, but I think there is indeed a route that this song moves, and in the context of the record (I guess that by itself the song wouldn't have all this popular esoteric recognition, but whatever MTV bumped this to hell in the 90s), this song really sets up a high fly in the radar, in a way that it's not essential to the record to survive, but it wouldn't have all this pessimistic and artsy delight that it has to many people so a toast to that
Well, as for the lows there is not many to say, I used to say "Let down" was the definitive slip from this record, and besides being a pretty rosey song, it feels so out of place in this record, what really turns me off (because I'm really just waiting for Karma Police to come on, ok My fault for that). It's residual of their Bends' era that someway got into a unknown body causing into to appear certain characteristics of it, like a virus that like sweat in a chemical reaction dripped into this record. And what about "Fitter Happier"? the interlude that is so encrypted that still divide the opinion on the lovers of this record? Is it really amazing? or just something that concurs to be the first "Vaporwave" song of all time? Well, as I already discussed, or at least tried, before, in which moment the context of all the fuzz the song is inserted into affects in my plane of enjoyment?
It's a interlude, and this is one of the biggest things I'm afraid to deal with, are interludes really necessary? In this case it's not only necessary, but indeed it vanishes all the noisy and edgy force that moved karma police and presents something that is between the barriers of hallucinogenic and paranoiac. Even not being my favorite song, or something I would highlight from this record(hell are we looking to the drawing or the full painting?), Fitter Happier is the perfect description for this record, as if it was the first words from a book, or an epilogue, a dark elegy for the modern times, something that the album slices but not aboard as much as their later records (Hail to the thief being the pinnacle of their complex and cryptic expression). It's not great as a song, but meaningful as a moment.
And there are tunes like "No Surprises", which I got really surprised when I first listened to OK Computer Back and forth, It was one of those songs you know what it is, but your tongue has no knowledge of where, when and why you heard it. And even with all the time that I've been listening to this record, this one song, might be the only one I can still carry the magic that I had with my first listen everytime that hook starts. "No surprises" was a so [First added to this chart: 02/22/2014]
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Top 100 Greatest Music Albums composition
Decade | Albums | % | |
---|---|---|---|
1930s | 0 | 0% | |
1940s | 0 | 0% | |
1950s | 0 | 0% | |
1960s | 5 | 5% | |
1970s | 15 | 15% | |
1980s | 7 | 7% | |
1990s | 15 | 15% | |
2000s | 23 | 23% | |
2010s | 34 | 34% | |
2020s | 1 | 1% |
Artist | Albums | % | |
---|---|---|---|
|
|||
Jim O'Rourke | 4 | 4% | |
Kendrick Lamar | 2 | 2% | |
The Radio Dept. | 2 | 2% | |
Arcade Fire | 2 | 2% | |
Daft Punk | 2 | 2% | |
The Microphones | 2 | 2% | |
New Order | 2 | 2% | |
Show all |
Country | Albums | % | |
---|---|---|---|
|
|||
53 | 53% | ||
25 | 25% | ||
7 | 7% | ||
3 | 3% | ||
3 | 3% | ||
2 | 2% | ||
2 | 2% | ||
Show all |
Top 100 Greatest Music Albums chart changes
Biggest climbers |
---|
Up 29 from 34th to 5th Figure 8 by Elliott Smith |
Up 2 from 3rd to 1st Titanic Rising by Weyes Blood |
Biggest fallers |
---|
Down 1 from 1st to 2nd Eureka by Jim O'Rourke |
Down 1 from 2nd to 3rd Souvlaki by Slowdive |
Down 1 from 5th to 6th Loud City Song by Julia Holter |
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Top 100 Greatest Music Albums ratings
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Showing latest 5 ratings for this chart. | Show all 185 ratings for this chart.
Rating | Date updated | Member | Chart ratings | Avg. chart rating |
---|---|---|---|---|
01/15/2024 12:25 | Untitled | 15 | 84/100 | |
07/27/2022 23:02 | Soencer | 47 | 100/100 | |
11/24/2021 00:27 | DriftingOrpheus | 79 | 91/100 | |
11/23/2021 19:43 | rockbluesfolkjaz | 75 | 87/100 | |
11/23/2021 12:29 | Cytoma | 171 | 90/100 |
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This chart is rated in the top 1% of all charts on BestEverAlbums.com. This chart has a Bayesian average rating of 92.9/100, a mean average of 93.2/100, and a trimmed mean (excluding outliers) of 93.3/100. The standard deviation for this chart is 7.8.
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titanic rising #1 is based
Maybe I should give Titanic Rising a new spin.
Very nice. I like the added info under each choice as well. Explanations and information referring to the choice and the reason picked helps the reader a lot. I've done a few, buy not all. Very sad that that the number one album, "Eureka," can't be found in most places, or anywhere else to purchase or listen, except on youtube.
I just listened to Eureka. Mind-blowing
Great chart and the effort that has gone into the accompanying notes really makes in come alive.
Just want to mention that the greatest list for me is done for now.
One of the best charts! I love Eureka and Long Season very much.
From the albums that I do know and your descriptions on the ones I don't this chart is sick! I'll be listening to a lot of new albums thanks to this chart
A+ 5 stars just for incredibly well written commentary on your fave albums. Lots of time to compile this
Finally time to mine this for recs
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