Top 100 Greatest Music Albums by 
Anti 
Chart of the Day #1346 (June 25, 2015)
Chart of the Day #1564 (January 29, 2016)
Chart of the Day #1920 (January 19, 2017)
Chart of the Day #2385 (May the 4th be with you, 2018)
Chart of the Day #2668 (February 11, 2019)
Chart of the Day #2859 (August 21, 2019)
Chart of the Day #3093 (April 11, 2020)
Chart of the Day #3538 (July 3, 2021)
Chart of the Day #4179 (April 4, 2023)
[March 14th, 2023 Update] I don't think I'll ever be satisfied with this chart. Hell, I just updated it and I'm still not happy with it. There's just so many albums on the edge that can teeter in or fall out. I will always be updating. Maybe one day I will do the 1 artist rule, but for right now, the only significant rule is no compilations featuring entire albums. Using RYM genres with some of my own additions. I'll probably end up overhauling this in a few months anyways...
This gets harder and harder with the more time that passes and listens I accumulate.
As always, continuously tweaking.
Any questions?
- Chart updated: 10/02/2023 22:15
- (Created: 01/26/2014 17:22).
- Chart size: 100 albums.
There are 136 comments for this chart from BestEverAlbums.com members and Top 100 Greatest Music Albums has an average rating of 91 out of 100 (from 194 votes). Please log in or register to leave a comment or assign a rating.
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This chart is currently filtered to only show albums from the 2010s. (Remove this filter)
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Future garage, ambient house, ambient, 2-step
[First added to this chart: 02/11/2021]
0
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Cloud rap, psychedelic trap rap
[First added to this chart: 05/29/2020]
Year of Release:
2018
Appears in:
Rank Score:
997
Rank in 2018:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
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West coast conscious hip-hop, maximalist hip-hop
This album is probably to most difficult for me to discuss because not only is it dense musically, but it focuses on experiences that I will never understand. I am not a black man, therefore I will never fully understand the prejudices black people face. I will never pretend to understand; I just know from a third person perspective. Therefore, I'm kind of hesitant to talk about it because I know I will be missing a lot of the big picture. But that kind of explains my fascination with To Pimp A Butterfly. It offers a snapshot of heightened social tensions circa 2014-15 from a perspective I will never experience. Kendrick lays out the American black experience in such a relentless, passionate, and conscious fashion that you can't help but focus in on the 79 minutes that album commits you to.
2015 saw an increase of trap in the mainstream, but the beats on here are not trap. They are heavily influenced from genres that have historically black origins (jazz, blues, funk, R&B, hip-hop) and crafted in a modern light to make it sound endlessly refreshing. Kendrick's most passionate vocal performances are on here. The track "u" features Kendrick delivery a role-playing verse while sobbing. "Hood Politics" features a young Kendrick with a spiteful flow. The most visceral track on here "The Blacker the Berry" has moments where Kendrick is practically screaming passionately over a gritty boom-bap-styled beat; it's unquestionably my favorite track on here. And the closing track Mortal Man has a great "interview" between Kendrick and Tupac where the producers splice together old Tupac interview clips that roll so seamlessly you'd think he never got killed. It's such an exciting album that it rightly deserves to be a top 10 album on Rate Your Music.
This album is more than a masterpiece in music. It's a historical landmark. No review will ever do it justice. I'll never be able fully understand the experiences Kendrick tries to convey, but I can forever appreciate his art and message. [First added to this chart: 03/16/2015]
This album is probably to most difficult for me to discuss because not only is it dense musically, but it focuses on experiences that I will never understand. I am not a black man, therefore I will never fully understand the prejudices black people face. I will never pretend to understand; I just know from a third person perspective. Therefore, I'm kind of hesitant to talk about it because I know I will be missing a lot of the big picture. But that kind of explains my fascination with To Pimp A Butterfly. It offers a snapshot of heightened social tensions circa 2014-15 from a perspective I will never experience. Kendrick lays out the American black experience in such a relentless, passionate, and conscious fashion that you can't help but focus in on the 79 minutes that album commits you to.
2015 saw an increase of trap in the mainstream, but the beats on here are not trap. They are heavily influenced from genres that have historically black origins (jazz, blues, funk, R&B, hip-hop) and crafted in a modern light to make it sound endlessly refreshing. Kendrick's most passionate vocal performances are on here. The track "u" features Kendrick delivery a role-playing verse while sobbing. "Hood Politics" features a young Kendrick with a spiteful flow. The most visceral track on here "The Blacker the Berry" has moments where Kendrick is practically screaming passionately over a gritty boom-bap-styled beat; it's unquestionably my favorite track on here. And the closing track Mortal Man has a great "interview" between Kendrick and Tupac where the producers splice together old Tupac interview clips that roll so seamlessly you'd think he never got killed. It's such an exciting album that it rightly deserves to be a top 10 album on Rate Your Music.
This album is more than a masterpiece in music. It's a historical landmark. No review will ever do it justice. I'll never be able fully understand the experiences Kendrick tries to convey, but I can forever appreciate his art and message. [First added to this chart: 03/16/2015]
Year of Release:
2015
Appears in:
Rank Score:
37,240
Rank in 2015:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
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Ambient, psychedelic folk
[First added to this chart: 06/10/2019]
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Atmospheric dub techno, ambient dub, ambient techno
[First added to this chart: 09/21/2016]
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Singer-songwriter, contemporary folk
This album is so Ohio and I feel like no one ever focuses on that. Mark has described this album as a "love letter to Ohio," and people still ignore this declaration. It is somewhat understandable that people never consider it since Ohio has a reputation of being a boring state (which is completely false, but that is what the nation believes), but this album is so Ohio that I love it. Being an Ohio native provides me with an additional layer of appreciation that is not necessarily hard to have if you're not from the state, but you just need to do a bit of extra searching to fully understand. There are lines such as:
"And when I grew older I learned to play guitar
While everyone else was throwing around a football
Wearing bright colors the school issued them
Parroting passed down phrases and cheer leading"
that are fairly easy to analyze without Ohioan context, but understanding the area frames this lyric a little more seriously. Mark was raised in Massilon, Ohio, the birthplace of football. The town lives and breathes football. Boys are raised to play the game and are often held back a year to give them an edge for playing high school football. I played a game against their team once and it felt like their town was a cult. Therefore, this lyric alone shows how much of an outlier Mark was growing up because it is somewhat odd for a boy to not grow up playing football in the town.
There are other lyrics referencing Ohio locations- Stubenville, Canton, Brewster, Navarre... what feels like most of Stark County- that provide necessary context for understanding Mark's thoughts are feelings that I would like to write about, but I don't think anyone would care to read if they aren't from Ohio. But it's references like these that make me love this album. Instrumentals and storytelling alone are incredible, but this is a real love letter to Ohio and I'm happy Mark's most acclaimed album under the Sun Kil Moon name is this album right here. [First added to this chart: 06/14/2015]
This album is so Ohio and I feel like no one ever focuses on that. Mark has described this album as a "love letter to Ohio," and people still ignore this declaration. It is somewhat understandable that people never consider it since Ohio has a reputation of being a boring state (which is completely false, but that is what the nation believes), but this album is so Ohio that I love it. Being an Ohio native provides me with an additional layer of appreciation that is not necessarily hard to have if you're not from the state, but you just need to do a bit of extra searching to fully understand. There are lines such as:
"And when I grew older I learned to play guitar
While everyone else was throwing around a football
Wearing bright colors the school issued them
Parroting passed down phrases and cheer leading"
that are fairly easy to analyze without Ohioan context, but understanding the area frames this lyric a little more seriously. Mark was raised in Massilon, Ohio, the birthplace of football. The town lives and breathes football. Boys are raised to play the game and are often held back a year to give them an edge for playing high school football. I played a game against their team once and it felt like their town was a cult. Therefore, this lyric alone shows how much of an outlier Mark was growing up because it is somewhat odd for a boy to not grow up playing football in the town.
There are other lyrics referencing Ohio locations- Stubenville, Canton, Brewster, Navarre... what feels like most of Stark County- that provide necessary context for understanding Mark's thoughts are feelings that I would like to write about, but I don't think anyone would care to read if they aren't from Ohio. But it's references like these that make me love this album. Instrumentals and storytelling alone are incredible, but this is a real love letter to Ohio and I'm happy Mark's most acclaimed album under the Sun Kil Moon name is this album right here. [First added to this chart: 06/14/2015]
Year of Release:
2014
Appears in:
Rank Score:
4,904
Rank in 2014:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
Total albums: 16. Page 2 of 2
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Top 100 Greatest Music Albums composition
| Decade | Albums | % | |
|---|---|---|---|
 |
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|
|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 0 | 0% | |
| 1960s | 6 | 6% | |
| 1970s | 21 | 21% | |
| 1980s | 7 | 7% | |
| 1990s | 30 | 30% | |
| 2000s | 20 | 20% | |
| 2010s | 16 | 16% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
 |
|
|
| Miles Davis | 3 | 3% | |
| The Microphones | 2 | 2% | |
| Natural Snow Buildings | 2 | 2% | |
| My Bloody Valentine | 2 | 2% | |
| ボリス [Boris] | 2 | 2% | |
| Beach House | 2 | 2% | |
| Boards Of Canada | 2 | 2% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
|
|
|
|
|
| |
48 | 48% | |
 |
20 | 20% | |
 |
7 | 7% | |
 |
5 | 5% | |
 |
4 | 4% | |
 |
3 | 3% | |
 |
3 | 3% | |
| Show all | |||
Top 100 Greatest Music Albums chart changes
| Biggest climbers |
|---|
| Up 32 from 48th to 16th Floating Into The Night by Julee Cruise |
| Up 2 from 17th to 15th Get Up With It by Miles Davis |
| Up 2 from 16th to 14th What's Going On by Marvin Gaye |
| Biggest fallers |
|---|
| Down 3 from 7th to 10th The Glow Pt. 2 by The Microphones |
| Down 3 from 14th to 17th Feels by Animal Collective |
| Down 3 from 15th to 18th Dots And Loops by Stereolab |
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Top 100 Greatest Music Albums ratings
91/100 (from 194 votes)
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
Showing latest 5 ratings for this chart. | Show all 194 ratings for this chart.
| Rating | Date updated | Member | Chart ratings | Avg. chart rating |
|---|---|---|---|---|
75/100  | 11/03/2023 13:36 |  Tamthebam | | 85/100 |
 80/100 | 04/04/2023 17:03 | Johnnyo | | 80/100 |
| 100/100 | 04/04/2023 14:37 |  EyeKanFly | | 88/100 |
| 95/100 | 04/04/2023 12:51 | BraddlesHendo | | 91/100 |
| 80/100 | 01/08/2023 21:16 |  MadhattanJack | | 84/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some charts can have several thousand ratings)
This chart is rated in the top 2% of all charts on BestEverAlbums.com. This chart has a Bayesian average rating of 91.3/100, a mean average of 89.9/100, and a trimmed mean (excluding outliers) of 91.6/100. The standard deviation for this chart is 13.7.
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Top 100 Greatest Music Albums comments
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80/100
From Johnnyo 04/04/2023 17:04
Really nice chart
Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)
100/100
From EyeKanFly 04/04/2023 14:39
EyeKanFly 04/04/2023 14:39
I could've sworn I'd commented another time this was Chart of the Day, but this is really a wonderful chart. Not all albums or genres I love, but every single album here is masterfully crafted and excels at what the artists sets out to do. I've taken some recs from here in the past, and as you continue to update, I think I'll continue to do so (Technodelic is the only one of the new additions that I haven't heard yet, excited to try that one out). I also appreciate the genre descriptors, that's a huge help in deciding whether it's of interest to me or not
Helpful? (Log in to vote) | +2 votes (2 helpful | 0 unhelpful)
100/100
From MarquisMarc 08/11/2022 10:02
This chart’s breadth of scope and genre is so exciting, featuring classics as well as some more obscure but achingly beautiful records. Thanks!
Helpful? (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
95/100
From 
seb7 01/21/2022 00:50
seb7 01/21/2022 00:50
THE ULTIMATE RYM USER!!!!!!!!!!!!!!!!!!
very fun chart
Helpful? (Log in to vote) | +2 votes (2 helpful | 0 unhelpful)
From weyesgroove 07/05/2021 06:12
cool chart man
Helpful? (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
100/100
From 
gidgidi 07/02/2021 23:38
gidgidi 07/02/2021 23:38
Great chart!
Helpful? (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
100/100
From tk421ucopy 07/02/2021 20:00
Bravo! Terrific chart. Love the pretense-free comments and insight. Also a huge fan of the "listen to this on a _______, _______ day" bits.
Helpful? (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
100/100
From Fertu 10/12/2020 08:28
Really nice chart. I have discovered a lot of gems by going through your list. Extra points for the added descriptions.
Helpful? (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
90/100
From 
corenfro 04/23/2020 04:02
corenfro 04/23/2020 04:02
Hell yeah great list and great comments on albums.
Helpful? (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
From 
Cargusbralem 04/12/2020 03:44
Cargusbralem 04/12/2020 03:44
Great chart! I love the diversity and the fact that it is mostly comprised of albums with that unique quality to them. I'll be sure to check out those which are new for me.
Helpful? (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
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