Top 100 Greatest Music Albums by RoundTheBend

Here's my old 2013 chart: http://www.besteveralbums.com/thechart.php?c=31041

In 2016 I listened to something like 1,600 albums (selected first from the top 100 of each decade on this site, but then some gems and recommendations) and reassessed what music I truly thought was good in that moment, rating them song for song and averaging out the album. I feel like I only scratched the surface in some areas while in others it was liberating discoveries. Obviously there were some reassessments of known favorites.

Along the way I discovered some prejudices with my own initial gut checks... like I thought I had to put Nevermind in my top 10 (not because of popularity, but because I thought it was a top 10 album) and maybe that is true and maybe it isn't. I realize this process is ever changing, and in 6 months it might change again, but no, I don't need to have my top 10 the gut check what "should" be in my top 10. The mathematical approach I did was both blind and at times shocking. It also wasn't perfect.

Some give me a hard time for liking my "big artists", but ever since I was 14 I kind of made this decision that I like big bands... they have great discographies, and felt other artists failed at creating something with true staying power, even if it was pretty cool for the time. Somehow my favorite aesthetic is that pop (very loose use of this term) group like Nirvana or U2 who can both appeal to the blue collar and the white collar - that sweet sour pop yet not pop, the artist who happens to play in the medium of pop, if you will... or maybe it's the pop artisan who aspires to make great art. To me great art best puts a mirror against humanity and conveys emotions and discusses ideas in powerful/meaningful ways. Great musicians are those who can do it in a beautifully tonal landscape.

I've also decided to go one artist per album on my overall. There's times when I say, why would I not put a 100 album on my list just because I want another artist on my list, who maybe really has an 80 album, then I realized at the end of this project, I wouldn't be able to fit all of my 80 or higher albums on this list... or 5 lists, so here it is 1 album per artist with the lowest score of 86.6.

Well it's 2018 now... I'm ready to revamp again (sometimes I look at it and I'm disappointed and sometimes I look at it and say, yeah, that feels about right), but this time incorporating my review of western music before 1950... WIP that probably will take a year or so... idk.

Starting to add descriptors and genre's from RYM to be a little more conscious of why I love these albums. It's a bit of unconscious competency for me sometimes. I will never use the genre's pop rock, indie rock, singer/songwriter to describe anything but garbage that doesn't have enough style to be unique. Also have decided I need to stop my stream of conscious ramblings and quote more thought out writings about albums. I usually am writing on this site after a 10 hour work day and mostly sound like incoherent ramblings than anything really constructive, even if I know better. I saw someone else do this as well and thought it a nice touch to their chart. If it's in quotes and references a user, it's not my words.

There are 82 comments for this chart from BestEverAlbums.com members and Top 100 Greatest Music Albums has an average rating of 88 out of 100 (from 135 votes). Please log in or register to leave a comment or assign a rating.

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Chamber Folk, Folk Baroque, Folk Rock
poetic (beat poet), melancholic, melodic/soundscape palette, psychedelic

"Simon & Garfunkel's first masterpiece, Parsley, Sage, Rosemary and Thyme was also the first album on which the duo, in tandem with engineer Roy Halee, exerted total control from beginning to end, right down to the mixing, and it is an achievement akin to the Beatles' Revolver or the Beach Boys' Pet Sounds album, and just as personal and pointed as either of those records at their respective bests." - Bruce Eder, AllMusic

Parsley, Sage, Rosemary And Thyme (1966): 100
Bookends (1968): 95
Bridge Over Troubled Water (1970): 93.1
Sounds Of Silence (1966): 80
The Concert In Central Park (1982): 77.1
The Graduate (1968): 75
Wednesday Morning, 3 A.M. (1964): 65
[First added to this chart: 06/01/2011]
Year of Release:
1966
Appears in:
Rank Score:
3,605
Rank in 1966:
Rank in 1960s:
Overall Rank:
Average Rating:
Comments:
5. (=)
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Art Pop, Contemporary Folk, Folk Rock
melancholic, sad, warm, lonely

"...This is tearing nails into the saddest Drake and Cohen songs, and there's nothing wrong with that. This isn't the Beck you expect, the weirdness is seeped in soft ribbons of noise and deadened in a way. But I think after spending so long with Beck's music. I no longer enjoy the "quirk" appeal and Sea Change stands out as one of his best arrangements.

The string sections take it to a whole other level in general. The climax in "Lonesome Tears" is probably every heartbreak song ever made with the cheese milked out and the emotional crescendo turned up to 10..." -Schizima, RYM

Sea Change (2002): 100
Guero (2005): 97.6
Odelay (1996): 94.2
Colors (2017): 91
Mutations (1998): 90.4
The Information (2006): 89.6
Midnite Vultures (1999): 86.3
Morning Phase (2014): 85
Modern Guilt (2008): 84
Mellow Gold (1994): 82
One Foot In The Grave (1994): 70
[First added to this chart: 06/01/2011]
Year of Release:
2002
Appears in:
Rank Score:
5,336
Rank in 2002:
Rank in 2000s:
Overall Rank:
Average Rating:
Comments:
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Ballet, Modernism, Russian Folk
Violent, Avant-Garde, Nature, Mythic

"Certainly, the impact of this legendary event (as well as similarly "colorful" receptions to the work elsewhere) expedited its recognition as an all-around seminal occurrence and achievement in the social history and art of the twentieth century. In understanding early reactions to Rite, it is worth considering that while Stravinsky was at a relatively early stage in his career, a cadre of older, well-known, more traditionally aligned composers -- Strauss, Saint-Saëns, Sibelius, Elgar, and yes, Rachmaninov -- remained active and retained a good deal of currency with audiences. At the same time, the scenario adopted by the Rite collaborators -- Stravinsky, folklorist and artist Roerich, choreographer Nijinsky, impresario Diaghilev -- was far from the usual genteel, sentimental, and romantic themes that had theretofore dominated ballet. This collection of "Scenes from Pagan Russia" (the work's subtitle) concerns itself with an exploration of nature, both human and that of the earth itself, through the rituals of renewal -- ultimately, human sacrifice -- of an earlier, "primitive" society." - Michael Rodman, AllMusic
Year of Release:
1983
Appears in:
Rank Score:
129
Rank in 1983:
Rank in 1980s:
Overall Rank:
Average Rating:
Comments:
7. (=)
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Alternative, Jangle Pop, [mixed bag]
bittersweet, melodic/soundscape palette, political, passionate

The R.E.M. album Kurt Cobain put in his top 50. I couldn't find a great quote that really gets this album. I feel the irony/mockery, yet at the same time sincere pop songs of Stand or Pop Song 89 aren't really understood. The politics in World Leader Pretend and Orange Crush. The emotional powerhouse of Hairshirt, The Wrong Child, or You Are The Everything. It is the perfect mixture of all things R.E.M. or perhaps a culmination of the best of rock music: "Musically, Green quotes a lot of sources. Listen closely and you can hear references to the Doors, Led Zeppelin, Sly Stone and others." - Michael Azerrad, Rolling Stone

Green (1988): 100
Automatic For The People (1992): 96.2
Accelerate (2008): 95.4
Eponymous (1988): 92.5
Monster (1994): 91.6
Murmur (1983): 90.8
Out Of Time (1991): 90
Collapse Into Now (2011): 89.5
New Adventures In Hi-Fi (1996): 87.5
Up (1998):87.5
Around The Sun (2004): 87.3
Fables Of The Reconstruction (1985): 86.8
Document (1987): 86.8
Chronic Town (1982): 85
Reckoning (1984): 84
Lifes Rich Pageant (1986): 83.3
Reveal (2001):79
Dead Letter Office (1987): 70
[First added to this chart: 06/01/2011]
Year of Release:
1988
Appears in:
Rank Score:
3,479
Rank in 1988:
Rank in 1980s:
Overall Rank:
Average Rating:
Comments:
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[genre here is a mess imo - it's not definitively anything...???]
warm, eclectic, rhythmic, poetic

"1986 saw the release of an album that took world music to its ultimate peak of exposure, where Simon created an album about isolation and redemption that transcended world music to become the whole world's eclectic album.

With a mixture of musical styles, including pop, a cappella, and African roots genres, Simon created these magnificent compositions inspired by his journey to South Africa, collaborating with both African and American artists.

What I pay particular attention to on this great album is the bass of each song. The bass works as an unusual template here that I haven't heard this distinctive before - it sort of works as the essence of everything that happens on the album.

The production is also stellar - Simon, working with the best musicians from the black townships, brought a fluid energy and expertise to the soundscape with the help of guitarist Ray Phiri and not to leave out, "Ladysmith Black Mambazo" (who had their career basically based on the popularity of this album).

Here, Simon created an album about isolation and Apartheid and redemption that transcends world music. The bright grooves accompany the sharp, intelligent, strange and funny lyrics which altogether makes this one of my favorite albums of all time." - calsper, BEA

Graceland (1986): 100
You're The One (2000): 92.7
Stranger To Stranger (2016): 90
Negotiations And Love Songs 1971-1986 (1988): 88.1
There Goes Rhymin' Simon (1973):87
Surprise (2006): 86.3
Hearts And Bones (1983): 85
So Beautiful Or So What (2011): 85
Still Crazy After All These Years (1975): 84.5
Paul Simon (1972): 77.2
One-Trick Pony (1980): 76
The Rhythm Of The Saints (1990): 70
[First added to this chart: 07/08/2016]
Year of Release:
1986
Appears in:
Rank Score:
11,812
Rank in 1986:
Rank in 1980s:
Overall Rank:
Average Rating:
Comments:
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Psychedelic Soul, Funk, Pop Soul
hopeful, funky, melodic/soundscape palette, human connection

I would put Stand! here, but honestly feel like this is their best collection of songs and I don't think they were album oriented anyway.

"Sly & The Family Stone’s most enduring accomplishment was to enhance their relentless and progressive funkiness, then to distill it down into a format that was more commercially friendly, getting back to the music within the funk construct … and for that aspect alone, Sly will be remembered for all time, as no one has been able to accomplish this aspect with the grace and harmonic texture that he brought to life.

Now, I’m not saying that James Brown wasn’t good, indeed he was, yet James was never able to apply the essence of what Sly was hearing in his head, even though the two were traveling down the same path when it came to social integrity, justice, freedom and empowerment for black Americans at the time, along with an abiding love of the sounds." - streetmouse, RYM

Greatest Hits (1970): 98.7
Stand! (1969):95
Life (1968): 85
There's A Riot Goin' On (1971): 80
Dance To The Music (1968): 80
A Whole New Thing (1967): 80
Fresh (1973): 80
[First added to this chart: 06/01/2011]
Year of Release:
1981
Appears in:
Rank Score:
89
Rank in 1981:
Rank in 1980s:
Overall Rank:
Average Rating:
Comments:
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Art Rock, Alternative Metal, Chamber Pop
bittersweet, angry, passionate, eclectic

"Finally, I thought, here was our White Album, Physical Graffiti, or The Wall, but we could watch its legend being constructed in real time without all the received wisdom...Mellon Collie's remarkable breadth is the best indication of Corgan's ability to let loose. You could pick five songs at random and still end up with a diverse batch of singles that would make a case for Smashing Pumpkins being the most stylistically malleable multi-platinum act of the 90s. Maybe it wouldn't sell as many copies, but picture an alternate universe where heavy rotation met the joyous, mechanized grind of "Love", "In the Arms of Sleep"'s unabashed antiquated romanticism, the Prince-like electro-ballad "Beautiful", "Muzzle"'s stadium-status affirmations, or the throttling metal of "Bodies"." - Ian Cohen, Pitchfork

Mellon Collie And The Infinite Sadness (1995): 99.2 (adjusted for top 13)
Siamese Dream (1993): 95
Pisces Iscariot (1994): 91.7
Adore (1998): 90
Gish (1991): 88.5
Teargarden By Kaleidyscope (2010): 88
Machina/The Machines Of God (2000): 86
Oceania 2012 (83.4)
Zeitgeist (2007): 79
[First added to this chart: 02/03/2012]
Year of Release:
1995
Appears in:
Rank Score:
15,968
Rank in 1995:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
Buy album United States
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"I mean democracy without the color line"
I only discovered Josh White this year upon digging into 40s music more. Oh man - his guitar tone is the best and that voice is so warm. I love his diction/execution/timing. Instantly a favorite. Wish I would've found sooner. Well and then I listen to these lyrics and learn about him and only the upmost respect. Pretty cool/gutsy history with FDR. Wish this guy's story was told more. I like him more than Lead Belly or even Robert Johnson.

I am lucky to find these old recordings and a bit of me wants to just keep it that way and there's a part of me that wishes the recordings could be restored. - sethmadsen

Acoustic Blues
Concept Album, Protest, Sombre, History

Strange Fruit (1944) - 5
Chain Gang (1940) - 4.5
Folk Songs (1944) - 4.5
Harlem Blues (1940) - 4.5
Josh White Sings Easy (1944) - 4.5
Ballads and Blues (1946) - 4.5
Women Blues (1946) - 4
Ballads and Blues: Vol. II (1947) - 3.5
[First added to this chart: 02/21/2021]
Year of Release:
1941
Appears in:
Rank Score:
175
Rank in 1941:
Rank in 1940s:
Overall Rank:
Average Rating:
Comments:
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East Coast Hip Hop, Conscious Hip Hop, Reggae
Eclectic, Introspective, Smooth, Warm

"The Carnival gathered an ambitious array of personalities into 24 disco-roots-creole dance tracks. Lauryn Hill, Pras, the Neville Brothers, Celia Cruz, Funkmaster Flex, and the New York Philharmonic Orchestra all play on this 74-minute thing...Wyclef’s move from Haiti to Brooklyn (and then New Jersey) was part of a large migration of Haitians to the U.S., prompted by the repressive Duvalier regimes of the ’70s and ’80s. With the Fugees, he fused his immigration story with the DNA of New York’s housing projects and Caribbean sonics. The Carnival is an equally proud transcultural product, attesting to how dislocation and intersection mix people up. Its songs sung in Creole celebrate and affirm Haitian identity, but the album also indicates that most people have claim to multiple heritages, are the inheritors of multiple pasts." - Naomi Zeichner, Pitchfork
[First added to this chart: 06/01/2011]
Year of Release:
1997
Appears in:
Rank Score:
208
Rank in 1997:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
Buy album United States
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Funk Rock, Alternative, Rap Rock
hedonistic, bittersweet, rhythmic, energetic

The spirit of a Los Angeles punk, linking with the beauty of humanity in a way they know how.

"You don’t have to read the Kiedis book to intuit that the Chili Peppers saw nakedness not just as lascivious romp—though, of course, there was that—but as pathway to a more unconscious, unrestrained state. They weren’t total goons; they were into mindfulness, and all that. The album opens with “The Power of Equality,” an explicitly anti-racist missive where Kiedis professes his love for Public Enemy and bellows “Say what I want, do what I can/Death to the message of the Ku Klux Klan.” “The Righteous and the Wicked” intones about a forthcoming environmental apocalypse owing to man’s selfish behavior, with Frusciante’s guitar tone sounding like a dark cloud pumped through a smokestack. Their gestures toward social justice were hardly sophisticated, less a well-reasoned dialogue than a full-throated “Racism fuckin’ sucks,” but that was the point. They were the partially-clothed id, barreling toward the funk and stumbling across inclusiveness along the way...You don’t have to read the Kiedis book to intuit that the Chili Peppers saw nakedness not just as lascivious romp—though, of course, there was that—but as pathway to a more unconscious, unrestrained state. They weren’t total goons; they were into mindfulness, and all that. The album opens with “The Power of Equality,” an explicitly anti-racist missive where Kiedis professes his love for Public Enemy and bellows “Say what I want, do what I can/Death to the message of the Ku Klux Klan.” “The Righteous and the Wicked” intones about a forthcoming environmental apocalypse owing to man’s selfish behavior, with Frusciante’s guitar tone sounding like a dark cloud pumped through a smokestack. Their gestures toward social justice were hardly sophisticated, less a well-reasoned dialogue than a full-throated “Racism fuckin’ sucks,” but that was the point. They were the partially-clothed id, barreling toward the funk and stumbling across inclusiveness along the way...Gutter-minded it seemed, lines like “what I've got you've got to get it put it in you” weren’t sly ways of suggesting he’d like to hug and kiss you. (It’s a reflection on how love—the spiritual, not physical kind—has to be *given *away, taken from a life lesson gifted by the musician and artist Nina Hagen, with whom he was briefly involved.)" - Jeremy Gordon, Pitchfork

Blood Sugar Sex Magik 1991 97.6
Californication 1999 95.6
Stadium Arcadium 2006 94.8
By The Way 2002 94.6
One Hot Minute 1995 91.5
Mother's Milk 1989 89.2
I'm With You 2011 86.9
The Getaway 2016 85.3
The Uplift Mofo Party Plan 1987 82.5
Freaky Styley 1985 81
I'm Beside You 2013 79.7
[First added to this chart: 12/15/2011]
Year of Release:
1991
Appears in:
Rank Score:
8,722
Rank in 1991:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
Total albums: 67. Page 1 of 7

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Top 100 Greatest Music Albums composition

Decade Albums %


1930s 0 0%
1940s 1 1%
1950s 6 6%
1960s 16 16%
1970s 10 10%
1980s 17 17%
1990s 19 19%
2000s 26 26%
2010s 5 5%
2020s 0 0%
Artist Albums %


Santana 1 1%
R.E.M. 1 1%
Green Day 1 1%
Metallica 1 1%
Pink Floyd 1 1%
LCD Soundsystem 1 1%
Jack White 1 1%
Show all
Country Albums %


United States 67 67%
United Kingdom 21 21%
Mixed Nationality 3 3%
Iceland 2 2%
Canada 2 2%
Colombia 1 1%
Jamaica 1 1%
Show all
Compilation? Albums %
No 93 93%
Yes 7 7%
Live? Albums %
No 97 97%
Yes 3 3%
Soundtrack? Albums %
No 98 98%
Yes 2 2%

Top 100 Greatest Music Albums chart changes

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Top 100 Greatest Music Albums ratings

Average Rating: 
88/100 (from 135 votes)
  Ratings distributionRatings distribution Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AV
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.

Showing latest 5 ratings for this chart. | Show all 135 ratings for this chart.

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04/05/2024 10:52 spigelwii  Ratings distributionRatings distribution 2100/100
 
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05/25/2021 09:27 BlueNote  Ratings distributionRatings distribution 8974/100
  
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02/17/2021 05:37 pjohnsongolf  Ratings distributionRatings distribution 27389/100
  
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01/04/2021 14:31 EyeKanFly  Ratings distributionRatings distribution 20788/100

Rating metrics: Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some charts can have several thousand ratings)

This chart is rated in the top 12% of all charts on BestEverAlbums.com. This chart has a Bayesian average rating of 87.8/100, a mean average of 87.3/100, and a trimmed mean (excluding outliers) of 88.0/100. The standard deviation for this chart is 11.4.

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Top 100 Greatest Music Albums comments

Showing latest 10 comments | Show all 82 comments |
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Rating:  
100/100
From 04/05/2024 10:52
A really incredible chart, and a shining example of what we should all be striving for on this site. Very inspirational to me as I continue to rate and review all the music that I've collected over the years.

Oh, and your choices? The first one that jumped out was Get Behind Me Satan as the best White Stripes album. You are OBVIOUSLY a person of excellent taste.
Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)
Rating:  
90/100
From 03/29/2021 14:42
Very eclectic and wide-ranging. I love your choices from the 1950s and the way you don't go overboard on the 1970s like so many charts on this site. Your inclusion of compilation albums was surprising to me... both surprising to see them, and surprisingly good choices.
Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
Rating:  
95/100
From 01/04/2021 14:35
I rated your chart 85/100 back in 2013 and I think I gotta come back and bump that up a bit. I don't personally follow the 1-album-per-artist rule and I'm also not huge on adding compilations, but the amount of thought and effort you've put into the notes for every album here really shows. One thing I love is how even though you've limited yourself to a album per artist, you've also ranked the other albums (at least for the top half or so of the chart). This gives a fuller picture of your preferences, which is really incredible. You get the best of both worlds: diversity of artists PLUS a true ranking of your favorite albums even. There's some fantastic stuff here, lot's in common but also a lot I need to revisit or check out for the first time.
Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
Rating:  
85/100
From 11/27/2020 04:08
Interesting chart! 20 artists in common. Love your notes for Mellon Collie. Some of the best notes for any album on this site. It's my all time favorite album.
Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
From 09/21/2020 03:52
It's an outstanding chart. It would be a crime if I rated your chart any less than perfect.

Our tastes might differ a little and that's the way it should be, what would be the point of user charts if all the users had the same taste in music?

I don't agree with your way of rating albums though. I believe an album should be an experience as a whole. A "great" album has to be able to change your state, mentally. A collection of 10/10 songs isn't necessarily a great album IMHO.
Thanks for sharing!
Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
Rating:  
90/100
From 08/23/2020 13:28
Hard to knock virtually any of your choices (that I've heard). Loved that you ranked other albums by the same band, and find them very different than how I would rank most of them, but appreciate that your perspective is unique. Thx.
Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
From 06/18/2020 03:15
Thanks for all the kind comments. I have updated this charts comments/descriptors, etc. over the past 4 years, but not the rankings/inclusions much. I desperately need to revamp since I have a spreadsheet/took a more deliberate approach on music I like, but wasn't as pencil headed about. I'm just afraid to touch anything... haha.
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Rating:  
100/100
From 06/15/2020 19:03
I don’t think I’ve been here since last year, and I’m honestly a little stunned at all the power pop and alternative...given how much classical and jazz you seem to listen to. But hey, it’s your chart, so kick it your way.
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Rating:  
85/100
From 06/15/2020 12:12
Good work I like it a little bit much of compilations but ok they have great songs on it. So I gone you 85 points.
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Rating:  
95/100
From 10/16/2019 11:41
Points for Mellon Collie and Graceland I’m the top 10. I can’t justify a greatest hits collection on the list though, although those songs are great.
Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)

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Best Ever Artists
1. The Beatles
2. Radiohead
3. Pink Floyd
4. David Bowie
5. Bob Dylan
6. Led Zeppelin
7. The Rolling Stones
8. Arcade Fire
9. The Velvet Underground
10. Kendrick Lamar
11. Nirvana
12. Neil Young
13. The Smiths
14. Miles Davis
15. The Beach Boys
16. Kanye West
17. Pixies
18. R.E.M.
19. Jimi Hendrix
20. Bruce Springsteen
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