Top 100 Music Albums of the 2010s by 
DriftingOrpheus 
- Chart updated: 04/09/2024 03:45
- (Created: 04/02/2020 03:56).
- Chart size: 100 albums.
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Natalie Mering is a bit of a nostalgic, in the finest way possible. This doesn't seem to be a blinding nostalgia that reflects the allure of contemporary music. This is a kind that serves as the heartbeat of her work, a tender nucleus that she builds around with expert craftsmanship (or craftwomanship). It's not hard to see what her strengths are. She wields a voice powerful enough to disrupt fault lines and agitate prospective avalanches. In short, she's a beautiful singer who's designed an album perfectly engineered around her vocal dexterity. Weyes Blood's fourth record is entitled Titanic Rising, which is fitting considering many of the tracks here call upon the past, through both Mering's personal experience and her music's sonic disposition. The result is a dreamy, aqueous take on different kinds of love, self-satisfaction and loss. The album art refers to Mering's creative subconscious from the comfort of her bedroom. The metaphor couldn't be more appropriate given that the young songstress' portrays her innermost sentiments flawlessly and with vivid explicitness on Titanic Rising.
The LP begins with A Lot's Gonna Change, a track that starts with a series of fragile piano key strikes. The track quickly escalates with the introduction of Mering's stirring voice. Her voice washes over every inkling of the track like a soothing breeze, starkly opposite of bracing drumbeats. The track finishes amongst lush backing vocals that play off of Mering's sympathies, "Let me change my words, show me where it hurts." The track exemplifies the term "grand opening" and provides a blueprint for ambitious soundscapes to follow. Second track Andromeda, the first single off of the album, sports a western-tinge blended with psychedelia, embodying equal parts Dolly Parton and Iron Butterfly. If you haven't listened to the track, please take a moment to imagine that sonic cocktail in your mind. Mering laments, "Treat me right, I'm still a good man's daughter, let me in if I break, and be quiet if I shatter." The song paints a portrait of unrealistic expectation and subsequent emotional investment. Sixth track, Movies, stands as the album's artistic centerpiece. It's also the most pioneering cut from Weyes Blood so far, submerged in synthesizer arpeggios that are just as delectable as they are alien. The vocals lacerate the wall of electronics with ease as she announces, "I'm bound to that summer, big box office hit, making love to a counterfeit." The poetry points to an endless wave of typicality when it comes to romance and a distinct longing for a love-affair fit for the silver screen. The track ends with a cello barrage capping the whimsical, serene track supported by Mering's heavenly bellows. The penultimate, Picture Me Better, is a likely candidate for the most straight-forward cut of the lot. The instrumentation is heavily stripped back incorporating pacifying strings that play shyly behind Mering's vocals. Her hair-raising falsettos quickly supplant the strings and aid the notion that she could create transfixing serenades if rendered acapella. The song itself is a poignant memorial to a friend lost to suicide's destruction. "If I could have seen you just once more, tell you how much you are adored, there's no point anymore," she details. The track winds down into a final instrumental entitled Nearer to Thee, a reference to the final song played during the demise of the unsinkable ship.
Titanic Rising's artistic vision is crystalline and unalloyed. The thematic framework is a thunderous damnation of monotony and all things ordinary relating to modern life and romance. It's a testament to the artist's admiration of true love in its purest form. Furthermore, the album is a musical mission statement pleading the listener to refuse social conventionality. As emotional as the record is, it's also a vehemently liberating experience. Much of its power is drawn from the sun-dwarfing brightness of its vocal standard-bearer. These tracks are crafted around Natalie's Mering's voice as opposed to common music-making methodology. After all, a traditional approach would just be too run-of-the-mill for Weyes Blood. We can thank her ambition, emotional insight and angelic vocal register for her ever-growing collection of winsome work.
"Lost and tangled up in you,
Everyone knows you just did what you had to,
Burning much more than ever before,
Burning down the door,
It's a wild time to be alive."
-Wild Time
Standout Tracks:
1. A Lot's Gonna Change
2. Andromeda
3. Picture Me Better
92.5 [First added to this chart: 04/25/2020]
The LP begins with A Lot's Gonna Change, a track that starts with a series of fragile piano key strikes. The track quickly escalates with the introduction of Mering's stirring voice. Her voice washes over every inkling of the track like a soothing breeze, starkly opposite of bracing drumbeats. The track finishes amongst lush backing vocals that play off of Mering's sympathies, "Let me change my words, show me where it hurts." The track exemplifies the term "grand opening" and provides a blueprint for ambitious soundscapes to follow. Second track Andromeda, the first single off of the album, sports a western-tinge blended with psychedelia, embodying equal parts Dolly Parton and Iron Butterfly. If you haven't listened to the track, please take a moment to imagine that sonic cocktail in your mind. Mering laments, "Treat me right, I'm still a good man's daughter, let me in if I break, and be quiet if I shatter." The song paints a portrait of unrealistic expectation and subsequent emotional investment. Sixth track, Movies, stands as the album's artistic centerpiece. It's also the most pioneering cut from Weyes Blood so far, submerged in synthesizer arpeggios that are just as delectable as they are alien. The vocals lacerate the wall of electronics with ease as she announces, "I'm bound to that summer, big box office hit, making love to a counterfeit." The poetry points to an endless wave of typicality when it comes to romance and a distinct longing for a love-affair fit for the silver screen. The track ends with a cello barrage capping the whimsical, serene track supported by Mering's heavenly bellows. The penultimate, Picture Me Better, is a likely candidate for the most straight-forward cut of the lot. The instrumentation is heavily stripped back incorporating pacifying strings that play shyly behind Mering's vocals. Her hair-raising falsettos quickly supplant the strings and aid the notion that she could create transfixing serenades if rendered acapella. The song itself is a poignant memorial to a friend lost to suicide's destruction. "If I could have seen you just once more, tell you how much you are adored, there's no point anymore," she details. The track winds down into a final instrumental entitled Nearer to Thee, a reference to the final song played during the demise of the unsinkable ship.
Titanic Rising's artistic vision is crystalline and unalloyed. The thematic framework is a thunderous damnation of monotony and all things ordinary relating to modern life and romance. It's a testament to the artist's admiration of true love in its purest form. Furthermore, the album is a musical mission statement pleading the listener to refuse social conventionality. As emotional as the record is, it's also a vehemently liberating experience. Much of its power is drawn from the sun-dwarfing brightness of its vocal standard-bearer. These tracks are crafted around Natalie's Mering's voice as opposed to common music-making methodology. After all, a traditional approach would just be too run-of-the-mill for Weyes Blood. We can thank her ambition, emotional insight and angelic vocal register for her ever-growing collection of winsome work.
"Lost and tangled up in you,
Everyone knows you just did what you had to,
Burning much more than ever before,
Burning down the door,
It's a wild time to be alive."
-Wild Time
Standout Tracks:
1. A Lot's Gonna Change
2. Andromeda
3. Picture Me Better
92.5 [First added to this chart: 04/25/2020]
Year of Release:
2019
Appears in:
Rank Score:
5,420
Rank in 2019:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
74
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86.2
[First added to this chart: 04/04/2024]
Year of Release:
2019
Appears in:
Rank Score:
1,880
Rank in 2019:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
Buy album
- #Sponsored
81.6
[First added to this chart: 01/13/2021]
Year of Release:
2019
Appears in:
Rank Score:
1,148
Rank in 2019:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
Buy album
- #Sponsored
81.4
[First added to this chart: 06/05/2020]
Year of Release:
2019
Appears in:
Rank Score:
1,176
Rank in 2019:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
Buy album
- #Sponsored
78.7
[First added to this chart: 05/21/2020]
Buy album
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78.5
[First added to this chart: 05/21/2020]
Year of Release:
2019
Appears in:
Rank Score:
1,731
Rank in 2019:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
Buy album
- #Sponsored
78
[First added to this chart: 06/06/2020]
Year of Release:
2019
Appears in:
Rank Score:
252
Rank in 2019:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
Buy album
- #Sponsored
77.2
[First added to this chart: 02/29/2024]
Total albums: 8. Page 1 of 1
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Top 100 Music Albums of the 2010s composition
| Year | Albums | % | |
|---|---|---|---|
 |
 |
|
|
| 2010 | 15 | 15% | |
| 2011 | 10 | 10% | |
| 2012 | 9 | 9% | |
| 2013 | 12 | 12% | |
| 2014 | 7 | 7% | |
| 2015 | 15 | 15% | |
| 2016 | 11 | 11% | |
| 2017 | 6 | 6% | |
| 2018 | 7 | 7% | |
| 2019 | 8 | 8% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
 |
|
|
| Swans | 8 | 8% | |
| Deerhunter | 4 | 4% | |
| The National | 4 | 4% | |
| Beach House | 4 | 4% | |
| Run The Jewels | 3 | 3% | |
| Tim Hecker | 3 | 3% | |
| Kanye West | 3 | 3% | |
| Show all | |||
Top 100 Music Albums of the 2010s chart changes
| Biggest climbers |
|---|
| Up 1 from 91st to 90th The Gate by Swans |
| Up 1 from 90th to 89th Leaving Meaning. by Swans |
| Up 1 from 89th to 88th Apparitional by Blitzkid |
| Biggest fallers |
|---|
| Down 8 from 83rd to 91st Father Of The Bride by Vampire Weekend |
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DriftingOrpheus (2024)Top 100 Music Albums of the 2010s ratings
90/100 (from 5 votes)
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
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N.B. The average rating for this chart will not be reliable as it has been rated very few times.
Showing all 5 ratings for this chart.
| Rating | Date updated | Member | Chart ratings | Avg. chart rating |
|---|---|---|---|---|
 100/100  | 10/08/2021 13:17 | tanman089 | | 100/100 |
| 100/100 | 07/20/2021 15:01 |  Larcx13 | | 86/100 |
| 100/100 | 04/28/2021 19:06 |  Rhyner | | 99/100 |
| 100/100 | 11/08/2020 23:16 | DJENNY | | 100/100 |
| 95/100 | 10/22/2020 01:20 | leniad | | 85/100 |
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