Top 100 Greatest Music Albums by 
Romanelli 
With production credits (because producers are important, too). Also track listings, label info and short reviews written by yours truly. I hope this chart is helpful, entertaining, and at least interesting.
- Chart updated: 04/12/2024 14:15
- (Created: 06/01/2012 04:29).
- Chart size: 100 albums.
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1972-POLYDOR
Produced By TOM DOWD
1. Ain't Wasting Time No More
2. Les Brers In A Minor
3. Melissa
4. Mountain Jam
5. One Way Out
6. Trouble No More
7. Stand Back
8. Blue Sky
9. Little Martha
3 songs (the last 3) were recorded with Duane Allman before he was killed in a mororcycle accident. The effect of losing him would be felt throughout their long career, which continued until 2014. After Eat A Peach, they had one more great album in them. Eat A Peach is almost a classic, and would be better had they released a single instead of a double album. "Mountain Jam", (which, along with 2 other tracks, are from the famous Fillmore East concert. At the end of the Fillmore album, you can hear the beginning of this song as "Whipping Post" fades out.) clocks in at a whopping 33 minutes, and takes some doing to listen to all the way through. But it was a necessary part of the album.
Otherwise, this is great. The first 3 tracks were recorded without Duane, and are as good as anything they did with him. "One Way Out" and "Trouble No More" are also from Fillmore, and the last 3 with Duane, particularly Dicky Betts' "Blue Sky", are excellent.
A band picking up and moving on from tragedy. Not for the last time, either. [First added to this chart: 05/31/2012]
Produced By TOM DOWD
1. Ain't Wasting Time No More
2. Les Brers In A Minor
3. Melissa
4. Mountain Jam
5. One Way Out
6. Trouble No More
7. Stand Back
8. Blue Sky
9. Little Martha
3 songs (the last 3) were recorded with Duane Allman before he was killed in a mororcycle accident. The effect of losing him would be felt throughout their long career, which continued until 2014. After Eat A Peach, they had one more great album in them. Eat A Peach is almost a classic, and would be better had they released a single instead of a double album. "Mountain Jam", (which, along with 2 other tracks, are from the famous Fillmore East concert. At the end of the Fillmore album, you can hear the beginning of this song as "Whipping Post" fades out.) clocks in at a whopping 33 minutes, and takes some doing to listen to all the way through. But it was a necessary part of the album.
Otherwise, this is great. The first 3 tracks were recorded without Duane, and are as good as anything they did with him. "One Way Out" and "Trouble No More" are also from Fillmore, and the last 3 with Duane, particularly Dicky Betts' "Blue Sky", are excellent.
A band picking up and moving on from tragedy. Not for the last time, either. [First added to this chart: 05/31/2012]
Year of Release:
1972
Appears in:
Rank Score:
2,228
Rank in 1972:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
17
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1970-ATLANTIC
Produced By CROSBY, STILLS, NASH & YOUNG
1. Carry On
2. Teach Your Children
3. Almost Cut My Hair
4. Helpless
5. Woodstock
6. Déjà Vu
7. Our House
8. 4 + 20
9. Country Girl: Whiskey Boot Hill/Down, Down, Down/Country Girl (I Think You’re Pretty)
10. Everybody I Love You
As if having a supergroup with David Crosby, Stephen Stills and Graham Nash wasn’t unfair enough…they had to go and add in Neil Young for their second album. The CSN (&Y) franchise was so successful that they were able to put together a full greatest hits album after only two records. They had a successful debut album, then played at Woodstock, were already stars in their previous bands, and in 1970, they could do no wrong. Déjà Vu divides the songwriting pretty evenly, with each member contributing two songs each. The remaining two songs consist of a cover (Joni Mitchell’s “Woodstock”) and “Everybody I Love You”, co-written by Stills and Young. The inclusion of Young on the album has been often overstated. While “Helpless” is one of his greatest songs, his other contribution, the mini-suite “Country Girl”, may be the album’s weakest track. And he only appears on half of the songs on the album, making Déjà vu really more of a CSN project with Neil as more of a guest than anything else. But even so, his presence definitely adds an edge to the songs he does play on.
But what really makes this work is that the two songs each from the other members are all exceptional. Stills hits big with “Carry On”, a perfect song for all that harmony, but also with the stunning “4 + 20”, which may be his most beautiful track. Crosby’s “Almost Cut My Hair” is a bluesy rocker buoyed by Young’s stinging guitar, while the title track is proof of his understated genius. And Nash adds his pop sensibility with the charming “Our House” and the neat “Teach Your Children”, which features solid pedal steel work by Jerry Garcia. As an album, Déjà Vu kicks off the 70’s in fine fashion, and showcases not only the strengths of the individual members, but also their ability to sing so strongly and seemingly effortlessly together. This, alongside their debut, is all of the CSN you’ll ever really need…it would be seven years before their next studio effort, by which time Stills had dried up as a writer and the distance between the three made them sound less cohesive. But at the turn of the 70’s, there was no one who did it better than these guys. [First added to this chart: 05/31/2012]
Produced By CROSBY, STILLS, NASH & YOUNG
1. Carry On
2. Teach Your Children
3. Almost Cut My Hair
4. Helpless
5. Woodstock
6. Déjà Vu
7. Our House
8. 4 + 20
9. Country Girl: Whiskey Boot Hill/Down, Down, Down/Country Girl (I Think You’re Pretty)
10. Everybody I Love You
As if having a supergroup with David Crosby, Stephen Stills and Graham Nash wasn’t unfair enough…they had to go and add in Neil Young for their second album. The CSN (&Y) franchise was so successful that they were able to put together a full greatest hits album after only two records. They had a successful debut album, then played at Woodstock, were already stars in their previous bands, and in 1970, they could do no wrong. Déjà Vu divides the songwriting pretty evenly, with each member contributing two songs each. The remaining two songs consist of a cover (Joni Mitchell’s “Woodstock”) and “Everybody I Love You”, co-written by Stills and Young. The inclusion of Young on the album has been often overstated. While “Helpless” is one of his greatest songs, his other contribution, the mini-suite “Country Girl”, may be the album’s weakest track. And he only appears on half of the songs on the album, making Déjà vu really more of a CSN project with Neil as more of a guest than anything else. But even so, his presence definitely adds an edge to the songs he does play on.
But what really makes this work is that the two songs each from the other members are all exceptional. Stills hits big with “Carry On”, a perfect song for all that harmony, but also with the stunning “4 + 20”, which may be his most beautiful track. Crosby’s “Almost Cut My Hair” is a bluesy rocker buoyed by Young’s stinging guitar, while the title track is proof of his understated genius. And Nash adds his pop sensibility with the charming “Our House” and the neat “Teach Your Children”, which features solid pedal steel work by Jerry Garcia. As an album, Déjà Vu kicks off the 70’s in fine fashion, and showcases not only the strengths of the individual members, but also their ability to sing so strongly and seemingly effortlessly together. This, alongside their debut, is all of the CSN you’ll ever really need…it would be seven years before their next studio effort, by which time Stills had dried up as a writer and the distance between the three made them sound less cohesive. But at the turn of the 70’s, there was no one who did it better than these guys. [First added to this chart: 05/31/2012]
Year of Release:
1970
Appears in:
Rank Score:
5,465
Rank in 1970:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
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1990-AMERICAN
Produced By GEORGE DRAKOULIAS
1. Twice As Hard
2. Jealous Again
3. Sister Luck
4. Could I've Been So Blind
5. Seeing Things
6. Hard To Handle
7. Thick N' Thin
8. She Talks To Angels
9. Struttin' Blues
10. Stare It Cold
The debut album from The Black Crowes came from almost nowhere...The Georgia Satellites had already come from that place four years earlier. But The Black Crowes had more swagger, and they had better songs. And on this album, they reached a commercial peak that they would never again get close to, but they would become more adventerous and improve on the blueprint they drew up here. The big single was a smart Otis Redding cover ("Hard To Handle), and they also scored with "Jealous Again" and "She Talks To Angels".
"Stare It Cold" and "Seeing Things" are standouts, giving a glimpse at how much better they would become after this album,. and after replacing guitarist Jeff Cease with Marc Ford. This is a fine debut album that would be quickly overshadowed by their next two albums. It's the real return of Southern rock, years after the Skynyrd plane crash effectively ended it. [First added to this chart: 05/31/2012]
Produced By GEORGE DRAKOULIAS
1. Twice As Hard
2. Jealous Again
3. Sister Luck
4. Could I've Been So Blind
5. Seeing Things
6. Hard To Handle
7. Thick N' Thin
8. She Talks To Angels
9. Struttin' Blues
10. Stare It Cold
The debut album from The Black Crowes came from almost nowhere...The Georgia Satellites had already come from that place four years earlier. But The Black Crowes had more swagger, and they had better songs. And on this album, they reached a commercial peak that they would never again get close to, but they would become more adventerous and improve on the blueprint they drew up here. The big single was a smart Otis Redding cover ("Hard To Handle), and they also scored with "Jealous Again" and "She Talks To Angels".
"Stare It Cold" and "Seeing Things" are standouts, giving a glimpse at how much better they would become after this album,. and after replacing guitarist Jeff Cease with Marc Ford. This is a fine debut album that would be quickly overshadowed by their next two albums. It's the real return of Southern rock, years after the Skynyrd plane crash effectively ended it. [First added to this chart: 05/31/2012]
Year of Release:
1990
Appears in:
Rank Score:
1,280
Rank in 1990:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
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1972-REPRISE
Produced By ELLIOT MAZER, NEIL YOUNG, JACK NITZSCHE & HENRY LEWY
1. Out On The Weekend
2. Harvest
3. A Man Needs A Maid
4. Heart Of Gold
5. Are You Ready For The Country?
6. Old Man
7. There's A World
8. Alabama
9. The Needle And The Damage Done
10. Words (Between The Lines Of Age)
If you have been locked in a broom closet for your entire life and have never heard of Neil Young, then let me introduce you to Harvest. This is Neil's best selling album, his most popular, and a great place to start with one of rock's greatest solo acts. Harvest follows in the same vein as its predecessor, After The Golod Rush from 1970, but it's more in the middle of the folk rock road. His biggest (and most overplayed) hits are here: "Old Man" and "Heart Of Gold" will forever haunt solo acoustic players who play requests. These two songs are graced by the backup vocals of James Taylor and Linda Ronstadt. "The Needle And The Damage Done" is a quick 2 minute acoustic live track that lives forever. And his friends from CSN are here: he's joined by Crosby & Nash on "Are You Ready For The Country", Crosby & Stills on "Alabama", and Stills & Nash on "Words".
Harvest is a great album. It is unfortunate that two songs (the somehow hilarious "A Man Needs A Maid" and "There's A World") are buried by the London Symphony Orchestra. But this is a great introduction to Neil. And everyone should be well versed in Neil. [First added to this chart: 05/31/2012]
Produced By ELLIOT MAZER, NEIL YOUNG, JACK NITZSCHE & HENRY LEWY
1. Out On The Weekend
2. Harvest
3. A Man Needs A Maid
4. Heart Of Gold
5. Are You Ready For The Country?
6. Old Man
7. There's A World
8. Alabama
9. The Needle And The Damage Done
10. Words (Between The Lines Of Age)
If you have been locked in a broom closet for your entire life and have never heard of Neil Young, then let me introduce you to Harvest. This is Neil's best selling album, his most popular, and a great place to start with one of rock's greatest solo acts. Harvest follows in the same vein as its predecessor, After The Golod Rush from 1970, but it's more in the middle of the folk rock road. His biggest (and most overplayed) hits are here: "Old Man" and "Heart Of Gold" will forever haunt solo acoustic players who play requests. These two songs are graced by the backup vocals of James Taylor and Linda Ronstadt. "The Needle And The Damage Done" is a quick 2 minute acoustic live track that lives forever. And his friends from CSN are here: he's joined by Crosby & Nash on "Are You Ready For The Country", Crosby & Stills on "Alabama", and Stills & Nash on "Words".
Harvest is a great album. It is unfortunate that two songs (the somehow hilarious "A Man Needs A Maid" and "There's A World") are buried by the London Symphony Orchestra. But this is a great introduction to Neil. And everyone should be well versed in Neil. [First added to this chart: 05/31/2012]
Year of Release:
1972
Appears in:
Rank Score:
13,227
Rank in 1972:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
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1978-ELEKTRA
Produced By ROY THOMAS BAKER
1. Good Times Roll
2. My Best Friend's Girl
3. Just What I Needed
4. I'm In Touch With Your World
5. Don't Cha Stop
6. You're All I've Got Tonight
7. Bye Bye Love
8. Moving In Stereo
9. All Mixed Up
Ah, The Cars. You'd be hard pressed to find 5 people who list them as their favorite band...and you'd also have a hard time finding 5 people who hate them. Their debut came from nowhere in 1978, and gave us all a glimpse of what New Wave should have been like, before it actually happened. The album plays like a greatest hits disc, with everything from start to finish being familiar. They didn't overdo the keyboards, they put on a hefty helping of guitar, and they got the robotic vocal thing just right. Songs like "Good Times Roll" are stiff and overly clean...and they groove at the same time. How did they do it? We may never know.
This is still The Cars disc to have. They had some ups and downs in their career, but they never matched this album. It's a good time from start to finish. [First added to this chart: 05/31/2012]
Produced By ROY THOMAS BAKER
1. Good Times Roll
2. My Best Friend's Girl
3. Just What I Needed
4. I'm In Touch With Your World
5. Don't Cha Stop
6. You're All I've Got Tonight
7. Bye Bye Love
8. Moving In Stereo
9. All Mixed Up
Ah, The Cars. You'd be hard pressed to find 5 people who list them as their favorite band...and you'd also have a hard time finding 5 people who hate them. Their debut came from nowhere in 1978, and gave us all a glimpse of what New Wave should have been like, before it actually happened. The album plays like a greatest hits disc, with everything from start to finish being familiar. They didn't overdo the keyboards, they put on a hefty helping of guitar, and they got the robotic vocal thing just right. Songs like "Good Times Roll" are stiff and overly clean...and they groove at the same time. How did they do it? We may never know.
This is still The Cars disc to have. They had some ups and downs in their career, but they never matched this album. It's a good time from start to finish. [First added to this chart: 05/31/2012]
Year of Release:
1978
Appears in:
Rank Score:
6,104
Rank in 1978:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
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Produced by Cody Dickinson.
[First added to this chart: 08/09/2016]
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1991-DGC
Produced By BUTCH VIG
1. Smells Like Teen Spirit
2. In Bloom
3. Come As You Are
4. Breed
5. Lithium
6. Polly
7. Territorial Pissings
8. Drain You
9. Lounge Act
10. Stay Away
11. On A Plain
12. Something In The Way
Is Nevermind an unbelievably great album, or the best example of right place at the right time ever? Regardless of the answer to the former, the latter is undeniably true. The music landscape of 1991 was a wasteland of power ballads by day glow wearing long hairs with their underwear on the outside of their clothes, Michael Jackson cavorting with child actors and panthers, and the wind of change in the air (not just the Scorpions song) that would usher in a whole new sound and change what we listened to overnight…thankfully. And even though Pearl Jam’s album Ten was released a month before this, it was “Smells Like Teen Spirit” that ended the madness, made flannel cool again, and made listening to music a whole lot better. In one five minute song, Guns ‘N’ Roses, Skid Row, Poison, and everything we now know as classic rock was made irrelevant, and all of the great music that had been bubbling underneath the surface for years was set free to be heard by an entire generation that had grown weary of their parents taste in music.
Nevermind is so much more, though. The sheer energy of the band, in particular Kurt Cobain, is enormous, and shines through on every single track on the album. The use of Pixies-like dynamics and Cobain’s emotional snarl made this group of exceptionally well written, yet simple songs, the perfect music at the perfect time. So, is Nevermind an unbelieveably great album? I say yes. One track after the other, listening through this shows that they were really on to something big, that the songwriting was top notch, and that the sound was the perfect soundtrack for the new music generation. One review stated, “Anyone who hates Nevermind is just trying to be cool, and needs to be trying harder”. It’s true. And it still sounds amazing today. Nevermind is timeless, even if the band that made it wasn’t. This is the rarest of things: a perfect rock album that was released at the exact right moment in time. This is as perfect as an album can get. [First added to this chart: 05/31/2012]
Produced By BUTCH VIG
1. Smells Like Teen Spirit
2. In Bloom
3. Come As You Are
4. Breed
5. Lithium
6. Polly
7. Territorial Pissings
8. Drain You
9. Lounge Act
10. Stay Away
11. On A Plain
12. Something In The Way
Is Nevermind an unbelievably great album, or the best example of right place at the right time ever? Regardless of the answer to the former, the latter is undeniably true. The music landscape of 1991 was a wasteland of power ballads by day glow wearing long hairs with their underwear on the outside of their clothes, Michael Jackson cavorting with child actors and panthers, and the wind of change in the air (not just the Scorpions song) that would usher in a whole new sound and change what we listened to overnight…thankfully. And even though Pearl Jam’s album Ten was released a month before this, it was “Smells Like Teen Spirit” that ended the madness, made flannel cool again, and made listening to music a whole lot better. In one five minute song, Guns ‘N’ Roses, Skid Row, Poison, and everything we now know as classic rock was made irrelevant, and all of the great music that had been bubbling underneath the surface for years was set free to be heard by an entire generation that had grown weary of their parents taste in music.
Nevermind is so much more, though. The sheer energy of the band, in particular Kurt Cobain, is enormous, and shines through on every single track on the album. The use of Pixies-like dynamics and Cobain’s emotional snarl made this group of exceptionally well written, yet simple songs, the perfect music at the perfect time. So, is Nevermind an unbelieveably great album? I say yes. One track after the other, listening through this shows that they were really on to something big, that the songwriting was top notch, and that the sound was the perfect soundtrack for the new music generation. One review stated, “Anyone who hates Nevermind is just trying to be cool, and needs to be trying harder”. It’s true. And it still sounds amazing today. Nevermind is timeless, even if the band that made it wasn’t. This is the rarest of things: a perfect rock album that was released at the exact right moment in time. This is as perfect as an album can get. [First added to this chart: 05/31/2012]
Year of Release:
1991
Appears in:
Rank Score:
41,997
Rank in 1991:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
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2002-THIRD MAN
Produced By JACK WHITE
1. Seven Nation Army
2. Black Math
3. There's No Home For You Here
4. I Just Don't Know What To Do With Myself
5. In The Cold, Cold Night
6. I Want To Be The Boy To Warm Your Mother's Heart
7. You've Got Her In Your Pocket
8. Ball And Biscuit
9. The Hardest Button To Button
10. Little Acorns
11. Hypnotize
12. The Air Near My Fingers
13. Girl, You Have No Faith In Medicine
14. Well It's True That We Love One Another
I'm not really quite sure what I was thinking in 2002, but I was surely not listening to what I should have been. This includes Elephant by The White Stripes, a split up couple pretending to be brother and sister all dressed in blood red and white and tearing up the music world with the biggest sounding two man band you've ever seen. Elephant leads off with the stunning "Seven Nation Army" and never slows down.
Jack White is a fine songwriter and frontman, with a rare presence that shines through on record. Elephant is a great album, and if you haven't discovered the Whites yet, this is the place to start. You won't be disappointed. [First added to this chart: 05/31/2012]
Produced By JACK WHITE
1. Seven Nation Army
2. Black Math
3. There's No Home For You Here
4. I Just Don't Know What To Do With Myself
5. In The Cold, Cold Night
6. I Want To Be The Boy To Warm Your Mother's Heart
7. You've Got Her In Your Pocket
8. Ball And Biscuit
9. The Hardest Button To Button
10. Little Acorns
11. Hypnotize
12. The Air Near My Fingers
13. Girl, You Have No Faith In Medicine
14. Well It's True That We Love One Another
I'm not really quite sure what I was thinking in 2002, but I was surely not listening to what I should have been. This includes Elephant by The White Stripes, a split up couple pretending to be brother and sister all dressed in blood red and white and tearing up the music world with the biggest sounding two man band you've ever seen. Elephant leads off with the stunning "Seven Nation Army" and never slows down.
Jack White is a fine songwriter and frontman, with a rare presence that shines through on record. Elephant is a great album, and if you haven't discovered the Whites yet, this is the place to start. You won't be disappointed. [First added to this chart: 05/31/2012]
Year of Release:
2003
Appears in:
Rank Score:
12,720
Rank in 2003:
Rank in 2000s:
Overall Rank:
Average Rating:
Comments:
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1990-MUTE
Produced By DEPECHE MODE & FLOOD
1. World In My Eyes
2. Sweetest Perfection
3. Personal Jesus
4. Halo
5. Waiting For The Night
6. Enjoy The Silence
7. Policy Of Truth
8. Blue Dress
9. Clean
During the 1980’s, I never quite got Depeche Mode. After all, it was cheesy synth dance music, and the younger me was all about guitars, dammit. Then, at the dawn of the 90’s, came Violator, and a whole new understanding of what Depeche Mode was really all about. There was nothing soft or cheesy about what was happening on this album, and it was immediately apparent that this band had grown a lot from the days of lite pop songs like “Just Can’t Get Enough” that had ruled the waves of KROQ. THIS Depeche Mode was serious, could really play, was growing fast, and more than anything else, had real and powerful songwriting at their disposal. A band that had featured very little to no guitars during the 80’s now had guitarist Martin Gore as their principal songwriter, adding a depth to their music that had been sorely missed in their early days. For me, Violator changed the way I saw Depeche Mode forever…both for future and for past releases. From afterthought to a seriously great band in one album for me. Sometimes things just work out for the best.
Not to say that Violator isn’t a dance record. And the fact is, it was the album that put them on the charts in the United States. It’s a pop record. It’s a pop gem. From the opening synth of “World In My Eyes”, you get right away that it’s also a pretty dark record. Before you know it, you’re rocking to the exceptional “Personal Jesus”, and basking in the glory of great songs like “Enjoy The Silence”, “Halo”, and “Policy Of Truth”. Together with Black Celebration and Music For The Masses, Violator marks the end of a great trilogy of albums that was the peak of Depeche Mode. And despite the critical mixed bag of reviews it got (some dismissed it as a straight pop album, which is absurd), this is the one album by this band you should definitely end up with. Violator is as close to perfection as they ever got, and it’s one that you should definitely own. Dismiss this as pop if you must…but I say it would be a much better world if all pop aspired to be like Violator. [First added to this chart: 11/06/2014]
Produced By DEPECHE MODE & FLOOD
1. World In My Eyes
2. Sweetest Perfection
3. Personal Jesus
4. Halo
5. Waiting For The Night
6. Enjoy The Silence
7. Policy Of Truth
8. Blue Dress
9. Clean
During the 1980’s, I never quite got Depeche Mode. After all, it was cheesy synth dance music, and the younger me was all about guitars, dammit. Then, at the dawn of the 90’s, came Violator, and a whole new understanding of what Depeche Mode was really all about. There was nothing soft or cheesy about what was happening on this album, and it was immediately apparent that this band had grown a lot from the days of lite pop songs like “Just Can’t Get Enough” that had ruled the waves of KROQ. THIS Depeche Mode was serious, could really play, was growing fast, and more than anything else, had real and powerful songwriting at their disposal. A band that had featured very little to no guitars during the 80’s now had guitarist Martin Gore as their principal songwriter, adding a depth to their music that had been sorely missed in their early days. For me, Violator changed the way I saw Depeche Mode forever…both for future and for past releases. From afterthought to a seriously great band in one album for me. Sometimes things just work out for the best.
Not to say that Violator isn’t a dance record. And the fact is, it was the album that put them on the charts in the United States. It’s a pop record. It’s a pop gem. From the opening synth of “World In My Eyes”, you get right away that it’s also a pretty dark record. Before you know it, you’re rocking to the exceptional “Personal Jesus”, and basking in the glory of great songs like “Enjoy The Silence”, “Halo”, and “Policy Of Truth”. Together with Black Celebration and Music For The Masses, Violator marks the end of a great trilogy of albums that was the peak of Depeche Mode. And despite the critical mixed bag of reviews it got (some dismissed it as a straight pop album, which is absurd), this is the one album by this band you should definitely end up with. Violator is as close to perfection as they ever got, and it’s one that you should definitely own. Dismiss this as pop if you must…but I say it would be a much better world if all pop aspired to be like Violator. [First added to this chart: 11/06/2014]
Year of Release:
1990
Appears in:
Rank Score:
12,631
Rank in 1990:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
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1973 – MCA
Produced By AL KOOPER
1. I Ain’t The One
2. Tuesday’s Gone
3. Gimme Three Steps
4. Simple Man
5. Things Goin’ On
6. Mississippi Kid
7. Poison Whiskey
8. Free Bird
While The Allman Brothers Band were reeling from the deaths of key band members and no longer the force of Southern rock they once were, Lynyrd Skynyrd, from Jacksonville, Florida, was rising to take their place. But while The Allmans were the prototypical jam band, Skynyrd was (“Free Bird” aside) more about shorter songs and a more radio friendly sound. Ronnie Van Zant was a strong presence at the front of the band, and the three lead guitars were no joke…Gary Rossington, Allen Collins and Ed King (from Strawberry Alarm Clock, of all places) were exceptional players. This, their debut album, shows that Skynyrd started off at the top of their game, and had it not been for the over-exposure of “Free Bird” and a bit too much production from Al Kooper, it could have been perfect, or close to it. Lots to love on this album, for sure.
This album contains three bonafide classics. “Simple Man”, despite Kooper having overdone it on the keyboards, is a beautiful and surprisingly mature song from such a young band. “Tuesday’s Gone” is a flawless song. And like it or not, “Free Bird” is amazing, from the slow, heartfelt singing of Van Zant to the soaring guitar jam at the end. After that, “Gimme Three Steps”, “Mississippi Kid”, and the politically charged “Thing’s Goin’ On” are great fun. “I Ain’t The One” and “Poison Whiskey” are lesser tracks, but they still belong here. The playing throughout is great, from Billy Powell’s powerful piano to the three guitar attack to the air tight rhythm section. All supporting the calm, stoic and powerful vocals of Van Zant. Not a perfect album, but a sure sign that Skynyrd was going to be a force to be reckoned with for years to come. [First added to this chart: 11/09/2014]
Produced By AL KOOPER
1. I Ain’t The One
2. Tuesday’s Gone
3. Gimme Three Steps
4. Simple Man
5. Things Goin’ On
6. Mississippi Kid
7. Poison Whiskey
8. Free Bird
While The Allman Brothers Band were reeling from the deaths of key band members and no longer the force of Southern rock they once were, Lynyrd Skynyrd, from Jacksonville, Florida, was rising to take their place. But while The Allmans were the prototypical jam band, Skynyrd was (“Free Bird” aside) more about shorter songs and a more radio friendly sound. Ronnie Van Zant was a strong presence at the front of the band, and the three lead guitars were no joke…Gary Rossington, Allen Collins and Ed King (from Strawberry Alarm Clock, of all places) were exceptional players. This, their debut album, shows that Skynyrd started off at the top of their game, and had it not been for the over-exposure of “Free Bird” and a bit too much production from Al Kooper, it could have been perfect, or close to it. Lots to love on this album, for sure.
This album contains three bonafide classics. “Simple Man”, despite Kooper having overdone it on the keyboards, is a beautiful and surprisingly mature song from such a young band. “Tuesday’s Gone” is a flawless song. And like it or not, “Free Bird” is amazing, from the slow, heartfelt singing of Van Zant to the soaring guitar jam at the end. After that, “Gimme Three Steps”, “Mississippi Kid”, and the politically charged “Thing’s Goin’ On” are great fun. “I Ain’t The One” and “Poison Whiskey” are lesser tracks, but they still belong here. The playing throughout is great, from Billy Powell’s powerful piano to the three guitar attack to the air tight rhythm section. All supporting the calm, stoic and powerful vocals of Van Zant. Not a perfect album, but a sure sign that Skynyrd was going to be a force to be reckoned with for years to come. [First added to this chart: 11/09/2014]
Year of Release:
1973
Appears in:
Rank Score:
4,212
Rank in 1973:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
Total albums: 100. Page 2 of 10
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Top 100 Greatest Music Albums composition
| Decade | Albums | % | |
|---|---|---|---|
 |
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|
|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 0 | 0% | |
| 1960s | 12 | 12% | |
| 1970s | 22 | 22% | |
| 1980s | 13 | 13% | |
| 1990s | 26 | 26% | |
| 2000s | 21 | 21% | |
| 2010s | 6 | 6% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
 |
|
|
| The Beatles | 4 | 4% | |
| The Band | 3 | 3% | |
| Drive-By Truckers | 3 | 3% | |
| Jason Isbell And The 400 Unit | 2 | 2% | |
| Whiskeytown | 2 | 2% | |
| The Jimi Hendrix Experience | 2 | 2% | |
| Pink Floyd | 2 | 2% | |
| Show all | |||
Top 100 Greatest Music Albums chart changes
| Biggest climbers |
|---|
| Up 5 from 66th to 61st Music From Big Pink by The Band |
| Biggest fallers |
|---|
| Down 1 from 61st to 62nd All Things Must Pass by George Harrison |
| Down 1 from 62nd to 63rd Being There by Wilco |
| Down 1 from 63rd to 64th At Last! by Etta James |
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Top 100 Greatest Music Albums ratings
89/100 (from 174 votes)
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
Showing latest 5 ratings for this chart. | Show all 174 ratings for this chart.
| Rating | Date updated | Member | Chart ratings | Avg. chart rating |
|---|---|---|---|---|
 100/100  | 03/29/2024 22:06 |  CassidyInc | | 100/100 |
| 90/100 | 06/11/2023 18:03 |  pedro1976 | | 84/100 |
| 100/100 | 06/03/2023 12:17 |  Schribes | | 99/100 |
| 80/100 | 03/06/2023 07:30 | Moondance | | 84/100 |
| 90/100 | 11/16/2022 17:06 | conallmalone | | 88/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some charts can have several thousand ratings)
This chart is rated in the top 6% of all charts on BestEverAlbums.com. This chart has a Bayesian average rating of 88.6/100, a mean average of 87.4/100, and a trimmed mean (excluding outliers) of 88.8/100. The standard deviation for this chart is 12.5.
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Top 100 Greatest Music Albums comments
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100/100
From CassidyInc 03/29/2024 22:06
CassidyInc 03/29/2024 22:06
Neat chart, but the write ups and historical perspective you've included for many of these albums make it something special. I had a good chuckle when I finally arrived to Loveless, the album I was most excited to hear your thoughts on, and there was nothing there!
Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)
80/100
From Moondance 03/06/2023 07:40
What I found most intriguing is where you actually argue in your comments why an album isn't that great - which is an unusual way to create a greatest 100 chart. A bit too US-orientated for my liking and too many so-so bands. Good to see one album each from Australia & New Zealand.
Helpful? (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)
95/100
From samora 10/25/2022 14:15
Great chart, with impressive comments; very inspirational!
Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)
90/100
From leniad 07/12/2022 00:28
would appreciate more variety from coutries, genres
Helpful? (Log in to vote) | +2 votes (2 helpful | 0 unhelpful)
85/100
From Albumlover6789 02/03/2022 23:20
Lots of new music to discover here
Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)
85/100
From 
rockbluesfolkjaz 10/19/2021 18:18
rockbluesfolkjaz 10/19/2021 18:18
There's a lot of excellent choices here. Many of which I'll be listening to as well. Thanks for this list!
Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)
95/100
From Johnnyo 07/18/2021 16:41
Stunning chart. I own 83 of the albums in your chart so it's inevitable that I'm going to love it. Also love the notes. Great addition.
Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)
100/100
From henrygreen0203 05/04/2021 18:55
Nothing but great records here!
Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)
100/100
From 
KitchenSink 01/19/2021 23:03
KitchenSink 01/19/2021 23:03
perfect soundtrack to being the only guy left in the rural middle-of-nowhere bar at 4AM (this may sound backhanded but I assure you it's high praise)
Helpful? (Log in to vote) | +2 votes (2 helpful | 0 unhelpful)
100/100
From 
Mercury 01/14/2021 02:55
Mercury 01/14/2021 02:55
Still Crazy (good) after all these years.
Helpful? (Log in to vote) | +2 votes (2 helpful | 0 unhelpful)
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