My Overall Chart: 101-200 by Romanelli
- Chart updated: 5 days ago
- (Created: 11/20/2012 01:44).
- Chart size: 100 albums.
There are 9 comments for this chart from BestEverAlbums.com members and My Overall Chart: 101-200 has an average rating of 86 out of 100 (from 24 votes). Please log in or register to leave a comment or assign a rating.
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Produced By JIMMY PAGE & ROBERT PLANT
1. Nobody’s Fault But Mine
2. Thank You
3. No Quarter
4. Friends
5. Yallah
6. City Don’t Cry
7. Since I’ve Been Loving You
8. The Battle Of Evermore
9. Wonderful One
10. Wah Wah
11. That’s The Way
12. Gallows Pole
13. Four Sticks
14. Kashmir
When drummer John Bonham died in 1980, Led Zeppelin was no more. The three surviving members had briefly reunited twice during the 80’s for one off concerts, both of which went very badly. But in 1994, when Robert Plant was offered an MTV Unplugged special, the wheels were set in motion to include Jimmy Page as part of the deal. The result was this live album, recorded in August of 1994. It is not, technically, a Led Zeppelin reunion, as bassist John Paul Jones was not only not included, he was not even told about the project. He was upset with the pair that they had done so, and then called the album No Quarter, a Zeppelin song on which Jones was the primary writer. The majority of the album is acoustic (unplugged), with live string players and Middle Eastern musicians. The album contains reworked Zeppelin songs, and four Eastern influenced songs that fit nicely with the band songs. The result is less than Zeppelin of course, but still a satisfying journey.
Unlike the brief 80’s reunions, this project finds Plant’s voice in great shape, and Page in fine guitar form. “Gallows Pole”, “Thank You”, and “Nobody’s Fault But Mine” are the highlights, along with “Wonderful One”, a non Zeppelin song that sounds like it could have come right off of the third album. But the main event is “Kashmir”, a twelve and a half minute finale that brings down the house, and that shows that both men are still capable of greatness. Some of the songs don’t fare as well in the unplugged setting, but, overall, No Quarter is a satisfying reunion of two giants of hard rock presenting their material in a new way, giving the songs a freshness that would not be there had it just been a Led Zeppelin live album. The pair went on to record one studio album before calling it a day again in 1998, but at least they did this. It’s not Zeppelin, but it is something completely different…a bold and smart move on their part. [First added to this chart: 09/14/2017]
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Produced By MICHAEL BEINHORN
1. Somebody To Shove
2. Black Gold
3. Runaway Train
4. Keep It Up
5. Homesick
6. Get On Out
7. New World
8. April Fool
9. Without A Trace
10. Growing Into You
11. 99%
12. The Sun Maid
Soul Asylum was always the annoying little brother of Minneapolis bands...they could never hold a candle to Husker Du and The Replacements. But in 1992, they sure tried. "Runaway Train" was a huge hit, and it turned singer David Pirner into what Sheryl Crow is today...everywhere. This is the bands best album, and it's not a terrible outing...there are times when they sound very good. But a lot of dumb lyrics and the monotony of "Runaway Train" drag this down to nothing more than ordinary. Which is too bad, because this is an album that you really want to like, but it never quite takes you there. Average stuff at best. Add points if "Runaway Train" really does it for you.
Soul Asylum regrouped for one album in 2004 with Tommy Stinson of The Replacements stepping in after the death of bassist Karl Mueller. Dan Murphy has been a mainstay in Golden Smog. [First added to this chart: 12/22/2012]
Produced By JAMES MERCER & JOE CHICCARELLI
1. Sleeping Lessons
2. Australia
3. Pam Berry
4. Phantom Limb
5. Sealegs
6. Red Rabbits
7. Turn On Me
8. Black Wave
9. Spilt Needles
10. Girl Sailor
11. A Comet Appears
12. Nothing At All
13. Spilt Needles (Alternate Version)
Hailing from Portland, Oregon by way of Albuquerque, The Shins, led by James Mercer, released their third album (and their last on Sub Pop), Wincing The Night Away in 2007. It had been four years since the follow up, Chutes Too Narrow, and it would be another five years before their next effort, 2012’s Port Of Morrow. It’s not that they take that long to record (Wincing was done in a year), but they just don’t seem to be in any kind of a hurry. And while Chutes Too Narrow sounded like a band hungry for the next level, Wincing The Night Away sounds more like a band content with having reached it. The album is still very good, although a bit more uneven than the previous two, and its best songs stand up well alongside the best of the bands work.
The high points here are easy to spot: “Phantom Limb”, “Australia”, “Turn On Me”, and “Sea Legs” are very strong, as is the bonus track “Nothing At All”. On the other hand, tracks like “Pam Berry” and “Black Wave” can be annoying, and give the album its uneven quality. Still, The Shins are a great sounding band, and while Wincing The Night Away is not as strong as Chutes Too Narrow or Oh, Inverted World, there’s still enough here to recommend it. On their current pace, they may not release another one until the end of the decade, at which time no one will remember them anymore, but The Shins have been a bright light in the rock world, and their work has been strong enough to make them a favorite of the new millennium. (The last four tracks are Japanese bonus tracks.) [First added to this chart: 10/14/2013]
Produced By GUY STEVENS
1. London Calling
2. Brand New Cadillac
3. Jimmy Jazz
4. Hateful
5. Rudie Can't Fail
6. Spanish Bombs
7. The Right Profile
8. Lost In The Supermarket
9. Clampdown
10. The Guns Of Brixton
11. Wrong 'Em Boyo
12. Death Or Glory
13. Koka Kola
14. The Card Cheat
15. Lover's Rock
16. Four Horsemen
17. I'm Not Down
18. Revolution Rock
19. Train In Vain
The Clash were one of the leading lights of punk, thanks to their self titled debut album. What they had on the others (The Sex Pistols, The Ramones) was a keen political sense. And, it turned out, much more talent than their contemporaries. London Calling is a masterpiece. Diving head first into not only punk, but reggae, rock, and blues, The Clash makes this set of exceptional songs an album that still sounds great today, and that earned them (for a short time) the label of the Best Rock Band In The World. Punk would never be the same, as The Clash expanded the sound and made smart music. The title track remains a hit today, as does "Train In Vain"...a song the band disliked enough to not list on the album credits.
After this, the decline was slow, but they never reached this height again. But London Calling is their masterwork, a true classic album, and maybe the best punk album of all time. [First added to this chart: 12/18/2012]
Produced By TERRY MELCHER
1. Mr. Tambourine Man
2. I'll Feel A Whole Lot Better
3. Spanish Harlem Incident
4. You Won't Have To Cry
5. Here Without you
6. The Bells Of Rhymney
7. All I Really Want To Do
8. I Knew I'd Want You
9. It's No Use
10. Don't Doubt Yourself, Babe
11. Chimes of Freedom
12. We'll Meet Again
Bonus Tracks
13. She Has A Way
14. I'll Feel A Whole Lot Better (Alternate Version)
15. It's No Use (Alternate Version)
16. You Won't Have To Cry (Alternate Version)
17. All I Really Want To Do (Single Version)
18. You And Me
The Byrds were a great band only for four years...but they were quite prolific years. The band is still written off to this day as a Bob Dylan cover band, and to be fair, they did cover him a lot (4 times on this album). But, especially on the first two albums, The Byrds had a secret weapon...Gene Clark mostly stood onstage and wobbled a tambourine for most of his two year tenure with the band, but his songwriting dominated the Byrds output early on. He wrote "I'll Feel A Whole Lot Better" and "You Won't Have To Cry" and "I knew I'd Want You", and several others on the second album. The Byrds, early on, had plenty of their own material.
Mr. Tambourine Man is one of the better debut albums in rock. It gave Dylan his biggest hit with the title track, and started the whole folk-rock movement. They had great vocals, with Roger McGuinn, David Crosby, Chris Hillman and Clark, they had McGuinn's jangly 12-string guitar, they had songs. By 1969, The Byrds were only a shadow of what they once were, but in 1965, there was not a whole lot better. [First added to this chart: 04/19/2013]
Produced By ANDY WALLACE & JEFF BUCKLEY
1. Mojo Pin
2. Grace
3. Last Goodbye
4. Lilac Wine
5. So Real
6. Hallelujah
7. Lover, You Should've Come Over
8. Corpus Christi Carol
9. Eternal Life
10. Dream Brother
1. Forget Her
2. Dream Brother (Alternative Take)
3. Lost Highway
4. Alligator Wine
5. Mama, You've Been On My Mind
6. Parchman Farm Blues
7. The Other Woman
8. Kanga-Roo
9. I Want Somebody Badly (With Shudder To Think)
10. Eternal Life (Road Version)
11. Kick Out The Jams (Live At Columbia Radio Hour)
12. Dream Brother (Nag Champa Mix)
Like his father, Tim, Jeff Buckley was blessed with a beautiful expressive voice. Also like his father, he died way too young. Grace is Buckley's debut, and his only real full album. And it's beautiful. His range is incredible, and his ability to sing pretty much anything he wants is staggering. His original songs all work, and the cover versions, particularly Leonard Cohen's "Hallelujah" and the Nina Simone track "Lilac Wine" sound like Buckley's own. Grace is a perfect album, and you should own this.
As for the Legacy Edition (hence the 2nd disc), unless you want the DVD which features the making of Grace and 5 videos, save money and find the original single disc. The bonus disc has a few moments, but this is pretty much stuff that wasn't supposed to have seen the light of day. Mostly covers, and mostly just weird. If you can listen to all 14 excruciating minutes of his take on Big Star's "Kanga-Roo", then you're a better man than I am. The rating below is for the original album only...again, skip the bonus disc. [First added to this chart: 06/03/2016]
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My Overall Chart: 101-200 composition
Decade | Albums | % | |
---|---|---|---|
1930s | 0 | 0% | |
1940s | 0 | 0% | |
1950s | 0 | 0% | |
1960s | 12 | 12% | |
1970s | 18 | 18% | |
1980s | 13 | 13% | |
1990s | 33 | 33% | |
2000s | 22 | 22% | |
2010s | 2 | 2% | |
2020s | 0 | 0% |
Artist | Albums | % | |
---|---|---|---|
|
|||
The Beatles | 5 | 5% | |
Led Zeppelin | 3 | 3% | |
Son Volt | 3 | 3% | |
Uncle Tupelo | 2 | 2% | |
Neil Young | 2 | 2% | |
Creedence Clearwater Revival | 2 | 2% | |
The Who | 2 | 2% | |
Show all |
My Overall Chart: 101-200 chart changes
Biggest climbers |
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Up 5 from 12th to 7th No Depression by Uncle Tupelo |
Biggest fallers |
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Down 1 from 7th to 8th Willy And The Poor Boys by Creedence Clearwater Revival |
Down 1 from 8th to 9th The Wall by Pink Floyd |
Down 1 from 9th to 10th Untitled (Led Zeppelin IV) by Led Zeppelin |
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My Overall Chart: 101-200 ratings
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
Showing latest 5 ratings for this chart. | Show all 24 ratings for this chart.
Rating | Date updated | Member | Chart ratings | Avg. chart rating |
---|---|---|---|---|
09/24/2018 01:13 | DJENNY | 4,409 | 100/100 | |
08/15/2018 05:46 | Purplepash | 1,303 | 88/100 | |
08/14/2018 21:09 | CharlieBarley | 478 | 94/100 | |
08/14/2018 17:52 | ForegroundNoise | 475 | 87/100 | |
08/14/2018 17:32 | desh79 | 1,281 | 93/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some charts can have several thousand ratings)
This chart has a Bayesian average rating of 86.5/100, a mean average of 84.6/100, and a trimmed mean (excluding outliers) of 86.7/100. The standard deviation for this chart is 14.9.
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My Overall Chart: 101-200 favourites
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My Overall Chart: 101-200 comments
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Very nice extra chart. Expands your musical tastes and the notes are good. Good to see Led Zep and good to see the Semisonic album too.
A ranking of 100 better albums is very complicated.
I don't know if a ranking of 1000 better albums is meaningful. I'm not sure.
But some good choices in this chart.
Difficult to judge withou talking the first 100 in account at the same, when the site in not really designed for it. Like the intent and like lots of the albums though.
you have 5 or 6 Led Zeppelin albums in first 40… I think some of them could've been in first 100… Back in Black, Sg. Pepper and Highway 69 too. But I appreciate your work, I mean best 1000 albums, great.
Tons of excellent albums.
Nice to see you made a great chart outside your top 100!
Wow This Chart Made Me Think About Waht Type Of Songs The Society Ignores.But They Are fu**ing Good Even Those Idiots Can't See Excellent Chart
We have very different tastes, but I admire your willingness to go beyond 100. Nice to see "Highway 61 Revisited" finally show up.
Very nice chart!
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