Listed below are the best albums of the 1970s as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 1 hour ago).
"What strikes me about this album is how LISTENABLE it is. While the songs certainly qualify as prog rock, they never fall into the trap of being overly complex and challenging for the sake of it, a criticism that can be made of many of the legendary prog rock groups such as ELP or King Crimson (n...""What strikes me about this album is how LISTENABLE it is. While the songs certainly qualify as prog rock, they never fall into the trap of being overly complex and challenging for the sake of it, a criticism that can be made of many of the legendary prog rock groups such as ELP or King Crimson (not to mention later Yes).
As it is, The Yes Album is an exceptionally enjoyable album to listen to. The vocals of Jon Anderson, as well as Steve Howe and Chris Squire in harmony, are a treat to hear. The instrumentation is, of course, excellent.
The standout tracks to me are Starship Trooper and I've Seen All Good People, which expertly mix quite distinct musical sections into cohesive wholes. Both songs have beautiful openings and truly epic conclusions, with Trooper's gradual intensification and I've Seen All Good People's descending key changes being particularly hair-raising moments.
90/100"[+]Reply
"In 1972 Steely Band, when their debut album "Can't Buy a Thrill" was released, the group was a real band and not just Becker / Fagan with handpicked back-up musicians. The lead vocals are not all sung by Donald Fagen, who leaves some of them to singer David Palmer. In fact two of the very best so...""In 1972 Steely Band, when their debut album "Can't Buy a Thrill" was released, the group was a real band and not just Becker / Fagan with handpicked back-up musicians.
The lead vocals are not all sung by Donald Fagen, who leaves some of them to singer David Palmer. In fact two of the very best songs, "Brooklyn" and "Dirty Work" are sung by Palmer. Other core members at this point were guitarists Jeff "Skunk" Baxter and Denny Dias with Jim Hodder on drums.
The songs are generally very cacthy and melodic, with "Do it Again" and "Reelin 'in the Years" both making it the top-twenty in the charts.
The music can, at some points be compared with country-rock bands like The Eagles or America, but with more musical refinements. Virtually all songs can be called classics, and the album definitely belongs among the group's most successful.
The rhythmic side, which has always been a very important part of the group-profile, is apparent with the infectious beats of "Do It Again", "Only a Fool" and "Brooklyn."
"Fire in the Hole" is a song pointing more towards future directions - a rather complex melody, which is really very melodic and song likely to grow on you. One song, "Midnight Cruiser" sung by drummer Jim Hodder, almost sounds like a James Taylor song.
All in all a terrific debut album, which still has appeal and charm, and with Becker and Fagens songwriting already at a very high level - more commercial, perhaps, than what would later come. "[+]Reply
"I purchased Tubular Bells in 1983, ten years after the release of the album but I didn't even have a turntable on which to listen to it. I can't remember exactly why I bought it other than seeing the cover at a record shop and thinking it looked really cool. Perhaps the attendant at the store men...""I purchased Tubular Bells in 1983, ten years after the release of the album but I didn't even have a turntable on which to listen to it. I can't remember exactly why I bought it other than seeing the cover at a record shop and thinking it looked really cool. Perhaps the attendant at the store mentioned "It's the music from The Exorcist" (which of course it isn't true, rather some of the album was chosen by William Friedkin for the centerpiece and soundtrack of the film ... though oddly enough, the creepy part, the "caveman" isn't in the film at all), and maybe I thought that sounded like it might be fun too. But I can't say for sure. I just know that the first time I ever heard the album was during an acid trip party with some friends. It didn't turn out to be such a fun night, especially once Pilty showed up ... but it seems like that horror connection turned into a kind of love affair between Pilty and me, as I get the biggest kick out of singing along with him when his part comes along. And so I can say that I truly enjoy the "caveman"part.
Most of Side One is unparalleled fabulousness. The exception being the finale with Viv Stanshall. For the life of me I cannot understand why people think the finale is so good. It's just a silly self-aggrandizement and annoyingly repetitive. I'm not knocking how impressive it is in how Mike plays all those instruments, nor dismissing the fact that he plays the really fast, finger-bending bass line throughout the finale in a single take! It's just that, with the exception of the last minute or so of that bit, I could totally do without it. In fact, IMHO we could cut everything from 19:45 - 23:16 and finish off with the remnants of the bells (et al), and the ladies voices and that'd be a good Side One.
When Side Two starts out, it sounds like little light creatures dancing upon the clouds, or the sounds of vines growing over the mouth of a jungle cave. Then it goes into all sorts of bits and pieces strung together (similar to how it's done on Side One), and then into the bizarro bagpipes sound, leading up to those creepy tribal/Celtic drums and heeeeere comes Pilty!
The final portion on Side Two (Sailor's Hornpipe) I could kind of complain about as it seems really out of place, and more like a filler, BUT, it also acts as a reprieve from the nightmarish visit of the caveman, even though there's the calm part that immediately follows Pilty. So SH acts as a kind of comic relief in a way. I always refer to it as the Popeye segment.
While the Edgar Winter Group created "Frankenstein" by metaphorically stitching together bits and pieces of disparate, unfinished pieces, Mike Oldfield creates as entire album by such means. And both work very well.
I play this album/CD at least once per year. And when I do play it, I'll often loop it through several times. Either that or I'll play Tubular Bells II next, or maybe Ommadawn ... which I'll end up playing probably 3 or 4 times in a row. And then it'll get stuck in my head ... again.
Tubular Bells is one of my top ten favourite albums ever.
* An oddball note: For some reason, almost every time, during the Side One finale, which I still let run through even though I don't give a hoot about it (I just like continuity) when Viv Stanshall says "Grand piano" my left cheek, just under my eye, jumps a little -- like a nervous twitch. Strange, eh?"[+]Reply
"Elvis Costello's debut album is a classic. I'll admit, it's not the album that got me into him, but more recently, as I've entered adulthood, started to work part-time and my frustration with romance has grown, this album has really climbed for me. Welcome to the Working Week is my anthem for whe...""Elvis Costello's debut album is a classic. I'll admit, it's not the album that got me into him, but more recently, as I've entered adulthood, started to work part-time and my frustration with romance has grown, this album has really climbed for me. Welcome to the Working Week is my anthem for when I'm frustrated with my dead-end job, while Miracle Man and No Dancing speak to me as a sexually frustrated, awkward young guy. Also love Sneaky Feelings (reminds me of a close friend), and Less than Zero. Meanwhile Alison and Watching the Detectives are among my favourite Costello songs period, the latter boasting some of the most dizzying lyrics ever written. Not the man's crowning masterpiece, but still a masterpiece."[+]Reply
"This is regarded as Joni's 2nd best album. It is all that & more it is hard for me to separate this and my favourite Joni album Hejira but this is also my 2nd best Joni album. It is full of great songs the first 3 tracks being an example of Joni at her best. Overall the album has a jazzy feel to ...""This is regarded as Joni's 2nd best album. It is all that & more it is hard for me to separate this and my favourite Joni album Hejira but this is also my 2nd best Joni album. It is full of great songs the first 3 tracks being an example of Joni at her best. Overall the album has a jazzy feel to it which she would further explore in her next 3 albums. "[+]Reply
"Ian Curtis killed himself after listening to The Idiot, maybe if he had listened to this one, he'd still be kicking it. Now the Idiot is a good album, but this one just kicks with life, Iggy's on fire and the band are just fanning the flames. Falls apart slightly near the end, but ends with a goo...""Ian Curtis killed himself after listening to The Idiot, maybe if he had listened to this one, he'd still be kicking it.
Now the Idiot is a good album, but this one just kicks with life, Iggy's on fire and the band are just fanning the flames. Falls apart slightly near the end, but ends with a good closer. Almost perfect
Top Three Tracks
Lust For Life
The Passenger
Tonight "[+]Reply
"Despite being divided into multiple 'sections', Reich's minimalist masterpiece is performed in one take, and so has the curious property of being seemingly immobile and yet constantly washing over you. Listening to the strings undercut the vocals on Section VII has a desperate urgency that is dif...""Despite being divided into multiple 'sections', Reich's minimalist masterpiece is performed in one take, and so has the curious property of being seemingly immobile and yet constantly washing over you. Listening to the strings undercut the vocals on Section VII has a desperate urgency that is difficult to put into words. Reich's music somehow makes you feel you've heard this a million lifetimes before and will hear it a million lifetimes over again all without uttering a single lyric.
Most of this is copied from the description of the album in my overall chart, do check it out if you have the time!!"[+]Reply