Listed below are the best albums of the 2020s (so far) as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 2 hours ago).
"To absolutely no one's surprise, Squid continues to be the premier post punk band churning out great records these days. What a gift Cowards is."Reply
"The slow burn buzz around this band continues to grow and with this album number 4 for good reason If you are enjoying this album check out their 2018 ‘Shadow on Everything’ release it’s just as good with that rich gothic vibe in spades"Reply
"Julia Holter's had quite a strange career. After slowly working towards a more accessible sound and building mainstream critical approval, culminating in 2015's Have You In My Wilderness, she followed this up with the sprawling and uncompromising (and also totally brilliant) Aviary 3 years later....""Julia Holter's had quite a strange career. After slowly working towards a more accessible sound and building mainstream critical approval, culminating in 2015's Have You In My Wilderness, she followed this up with the sprawling and uncompromising (and also totally brilliant) Aviary 3 years later. It's been a long wait for a record since then and with that track record it's been tough to get a sense of what kind of direction would be next. We find out on Soemthing in the Room She Moves, a quieter album which follows all of Holter's fascinations into a minimal direction. Tracks are often long and repetitive, building atmosphere instead of playing as direct as prior releases. There's a lot that's familiar but as a collected work there's not much I've heard that's like it.
Holter is perhaps only second to MF DOOM in her interest in how the actual sounds of words can create strange shapes in music. As an example, on Spinning she tears apart all of the lyrics into paired up monosylables, giving them the exact same rhythm as the 1-2 of the instrumentation. The effect is that you become totally surrounded by the simple rhythm, it's all you can focus on. This ultra staccato approach is used a number of times across the record but it's far from the only technique Holter uses. Marteria is more classically put together, with words almost blending together, it would fit nicely on Aviary and Sun Girl makes use of repetition to the point that the title loses its sense of meaning and the title track alternates between a similar approach to Spinning and an elongating of certain syllables, I don't think I've heard a voice sound this much like an instrument. The record probably pushes things a bit far on Meyou, a track that sounds like Meredith Monk performing after leaving all her instruments at home, there's some nice harmonies but not nearly enough to fill 6 minutes. The record overall feels a little long for something that requires so much patience and attention, maybe a more slender 8 track release would have worked better?"[+]Reply
"Ya know....I was so stoked to hear Frusciante back in the lineup again, and hence I was really excited about what this legendary band could conjure for this album. I've tried to give this a good listen and not get caught up in the hype. I've gotta say - the musicianship (especially the chemistry ...""Ya know....I was so stoked to hear Frusciante back in the lineup again, and hence I was really excited about what this legendary band could conjure for this album. I've tried to give this a good listen and not get caught up in the hype. I've gotta say - the musicianship (especially the chemistry between Fusciante, Flea and Chad and their individual brilliance) is outstanding at times, but there are a couple of things that prevent this from being a great album. I'd at least say it's a good album, especially in the first half. Firstly, Keidis...previously I loved his gibberish (worked especially well with the funk)...it just fit in perfectly, and even then amongst the random indiscernible nonsense there were metaphors that you would love, and could at least subconciously relate to. Not so much the case here... I think largely in this album the songwriting is just not on the same level as when these guys were on fire (eg. BSSM and Californication) - to be expected at this stage in their career sadly. It started off so promisingly with the first two tracks and I think it fluctuates in quality from there. There's absolutely no doubt the other trio have matured over the journey and have reached new heights with their respective instruments. I think Flea shines the most on this album. Secondly, as some have indicated - this has too many songs and it feels at times like they were stretched for ideas and just jammed on them - really it becomes a bit tiresome listening right through. Having said all that - there are some great moments, the quality of the production is great and the Chili Peppers were clearly having fun, so it keeps you coming back."[+]Reply
"Very infectious album from ghost, leaning heavily on their arena-rock /pop-ish brand of metal. Its novelty is in the addition of 80's inspired synthesizer sounds. It's a lot more "fun" sounding then their previous project. As a comparison, it reminds me a lot of what "turbo" represents in judas p...""Very infectious album from ghost, leaning heavily on their arena-rock /pop-ish brand of metal.
Its novelty is in the addition of 80's inspired synthesizer sounds.
It's a lot more "fun" sounding then their previous project.
As a comparison, it reminds me a lot of what "turbo" represents in judas priest's discography.
4/5.
Like it a lot."[+]Reply