Listed below are the best albums of 2009 as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 5 hours ago).
"A combination of the neko heard on "blacklisted" and "fox confessor brings the flood" is on display here. "people got a lot of nerve" and "this tornado loves you" might just be the best 2 songs from any album. This album shows many sides to neko, from the poetic side "I'm an owl on the sill in th...""A combination of the neko heard on "blacklisted" and "fox confessor brings the flood" is on display here. "people got a lot of nerve" and "this tornado loves you" might just be the best 2 songs from any album. This album shows many sides to neko, from the poetic side "I'm an owl on the sill in the evening" to her girl power attitude "the next time you say forever I will punch you in your face" to her ironic side "I'm a maneater / and still you're surprised when I eat ya". I think the nursery bells of "middle cyclone" are a nice touch and her cover of "never turn your back on mother earth" beautifully fits the album and feels like it was made for her to sing. Chirping frogs withstanding, this is yet another very good neko album. (It also doesn't hurt that she had the best album art of the year.)"[+]Reply
"Probably my favorite album of the past 5 years. My one and only issue is that they claim they don't like Joy Division, despite sounding a fair bit like a poppier, more modern Joy Division ..."Reply
"No indie dance album will make you groove all the way through it like Music for Men by Gossip. Nearly all the elements are there: The lead vocalist will shake you to the bone. The backing band keeps a steady groove, with just the right amount of synths and studio magic, and a hefty dose of post-p...""No indie dance album will make you groove all the way through it like Music for Men by Gossip.
Nearly all the elements are there: The lead vocalist will shake you to the bone. The backing band keeps a steady groove, with just the right amount of synths and studio magic, and a hefty dose of post-punk ragged guitar to move it along.
The crucial missing element is a lack of emotional connection and lyrical content to keep bringing up back. These songs are so littered with cliches that you can sing along without knowing all the words. The lack of a ballad may also be responsible for this. With such a soulful retro-style voice, there could have been some killer mid-tempo ballads akin to Amy Winehouse here, especially at the end. Despite this flaw, it's still a solid outing.
Recommended.
Condensed to a 7" Single:
A-Side: Heavy Cross
B-Side: Dimestore Diamond"[+]Reply
"The production and samples are tight. Check out the laid-back guitar-lick sample on "pyrex vision" or cooing woos on "new wu". (the opening "have mercy" sample reminds me of messiah's "21st century jesus".) The delivery is often commanding and in-your-face like opening song "house of flying dagge...""The production and samples are tight. Check out the laid-back guitar-lick sample on "pyrex vision" or cooing woos on "new wu". (the opening "have mercy" sample reminds me of messiah's "21st century jesus".) The delivery is often commanding and in-your-face like opening song "house of flying daggers". Ghostface hits as hard as "fishscale". But raekwon can also pull back smoove like on the praying track "have mercy". In a year where I didn't hear much rap/hip-hop and what I did hear didn't impress much, raekwon stood out."[+]Reply
"I wasn't a big fan of Thrice until I heard this album. When I did, I thought, there is hope for American rock in the 2000s. Also notable releases by the band are Major/Minor and The Alchemy index, which almost made this list instead because of its concept: The 4 classical elements of Fire/Water a...""I wasn't a big fan of Thrice until I heard this album. When I did, I thought, there is hope for American rock in the 2000s. Also notable releases by the band are Major/Minor and The Alchemy index, which almost made this list instead because of its concept: The 4 classical elements of Fire/Water and Air/Earth."[+]Reply
"while it does present some new sounds for Phil, they ultimately seem like a rehashing of old ideas. The last two tracks do seem to bring something new to the equation though"Reply
"Okay, let me tell you exactly why this is a 9/10. As I said in my review of Monkey Business: the philosophy in pop is that the goal is enjoyment and that no method to reach that goal should be looked down upon. And while on MB they did that by fucking ripping everyone ever off; on this record the...""Okay, let me tell you exactly why this is a 9/10.
As I said in my review of Monkey Business: the philosophy in pop is that the goal is enjoyment and that no method to reach that goal should be looked down upon. And while on MB they did that by fucking ripping everyone ever off; on this record they do that by shamelessly grabbing every new instrument and effect within reach without thinking twice about “morality”. If Chuck Berry and Elvis Presley listened to the status quo which said the electric guitar is morally wrong, rock ‘n’ roll never would’ve existed. Twenty years later those rockers did the same by trying to boycott synths, because they forgot the discussion in the ‘50s and ‘60s, or they thought it was just about electric guitars rather than the fact that new is never automatically bad and in the case of music it’s never bad, unless you’re killing random animals and recording it as music. Fast forward another 30 years and the kids that grew up with synthpop are okay with synths, but “hmmm, let’s think about whether auto tune is morally wrong to use... it’s not like history has shown time and time again that you’re just ostracizing people who make actual original and good music”.
A genre is always doomed to regress into elitism in a couple of decades and it will always look like they have valid points, because they pretty much control the status quo at that point.
Culture does what it does, and fact is: culture keeps changing as long as scientific innovation keeps existing, and the government is not actively trying to control culture. And the people who take the initiative of making use of that innovation are the ones that make art, and they will inevitably receive hate from the status quo, and receive love from - as Robert Christgau likes to put it - “just plain people”.
Okay, but the Peas are not the first one to make use of auto tune. We had Cher, but she used it merely as an effect after making the song; daft punk and Kylie Minogue were probably the first to employ it in a way that it shows that they thought about what the effect did and how it could be used best; T-Pain, Lil Wayne and Snoop Dogg used it pretty much only to replace a talk box or because they can’t sing; Uffie was the first to rap to it; Kanye West was the first to make a style of it that is enjoyable enough for a full album (it’s a new genre if you ask me); The Black Eyed Peas were the second to do so. They gave an original spin to it the same way Black Sabbath gave an original spin to Jimi Hendrix’ sound, which is worth a 9/10 in my eyes.
The way they transposed Fergie’s vocals is as rock ‘n’ roll as the way Little Richard screams to introduce a solo and then smashes the same chord for 16 times. Of course, Little Richard had more skills then, but relative to the culture then (jazz was the elite then), what he was doing showed little skill. And the same goes for The Beatles - have you read Quincy Jones’ recent interview? Rock ‘n’ roll was a departure from the focus that jazz had on skill and the focus that classical music had on complexity, and I notice people have forgotten that."[+]Reply
"Shamefully underrated album, in my opinion it was one of the best of the year. It's the prodigy's best album since the fat of the land and with loads of great catchy energetic dance songs it makes it a great listen."Reply
"This along with Albert Hammond Jr.'s albums gives me hope that even if the Strokes eventually splinter apart there will still be good music to be had from them. This is a very good album that is up there in quality with the strokes' work."Reply