"AMSP is an album that "makes sense" in Radiohead discography at this point of their career, it's the "maturity chapter". It sounds like a lesson at the end of a parable: after 100 stories of cybernetic monsters under the bed, it's time to get naked and deal with a more human melancholy. Then AMSP...""AMSP is an album that "makes sense" in Radiohead discography at this point of their career, it's the "maturity chapter". It sounds like a lesson at the end of a parable: after 100 stories of cybernetic monsters under the bed, it's time to get naked and deal with a more human melancholy. Then AMSP is an important album for radiohead fans as well, given the sense of identification they have with this fantastic band. But has AMSP a similar importance for the world of popular music in general? I don't think so, it hasn't it in terms of impact (nothing new) nor in terms of quality (good songs but no standout). It's like..uhm..the first album of beatles, venerated as important because..yeah, it's the first album of an enormous band, but is not as important in pure terms of music.
I can't find anything THAT special among these tracks. However it is certainly a really pleasurable listening. I particularly like the liquid effect in piano and orchestration sounds, I mean, that almost Monet painting style in songs like "Glassy eyes" or "the numbers". It's like to see the sound of music reflected on lake water. For example, the wonderful middle section of Decks Dark makes me think of japanese suminagashi tecnique.
Apart of this, I enjoy the album because I'm emotionally linked to Radiohead, but there aren't particular peaks in innovation or songwriting. Some songs sound adventorous because of a great production, especially full stop and daydreaming, but their substance is far less interesting, and there's no much to explore in them. Often there are great music moments in not-that-great tracks (you know, the end of track 10)
I'm satisfied of Radiohead, this sober pop is intelligent for a band of their age. However, I think that the core of contemporary popular music is elsewhere
Now give me your "unhelpful" just because I don't love this album 8-) "Reply
"Putting it mildly, it is extremely difficult to comment an album after his composer has just died so unexpectedly. However I don't personally think that his death will influence our judging over this piece of art, since it IS part of his project itself. 'Blackstar' wouldn't have even existed with...""Putting it mildly, it is extremely difficult to comment an album after his composer has just died so unexpectedly. However I don't personally think that his death will influence our judging over this piece of art, since it IS part of his project itself. 'Blackstar' wouldn't have even existed without the terrible pain Bowie was passing through: he did it exactly because of his illness, just like the truest of artists he felt he needed to tell the world what he was experiencing. Throughout the record, Bowie just seems to be reflecting over his life, his past and the sense of it all. Very few artists, philosophers or whatever in the history confronted themself literally face to face with death,and I have to admit sometimes it is really disquieting (like when he sings "look up here, i'm in heaven [...]. I've got nothing left to lose"), in the positive sense of the term, if there's any. Musically, it's strange and particular, jazz and electronic influenced (demonstrating that he was still getting along with the times, even after nearly 50 years of activity, restless). It's deep and never disappointing, emotional and rich, complex and for sure not money-orientated (how could it have been?), showing that Bowie was and always will be the truest music chamaleon, an artist capable of nearly everything but always looking forward.
This is the lesson i've learned from his music: always innovate, don't waste your time staring at the past but keep on doing what you think is better, without being stopped by anybody.
Thank you David, thank you for everything. May you rest in peace. "Reply
"Blonde is brilliant. That might even be the extent to which I can give my thoughts on this album. That is all. It is just a brilliant album. Ocean takes us on an emotional, dreamy adventure into his own world, and introduces us to a new class of music. The sound of Blonde is experimental without ...""Blonde is brilliant. That might even be the extent to which I can give my thoughts on this album. That is all. It is just a brilliant album.
Ocean takes us on an emotional, dreamy adventure into his own world, and introduces us to a new class of music. The sound of Blonde is experimental without being too experimental, a sonorous and vivid sound scape that molds around his distinctive voice, the focal point of the album.
That soundscape is also carefully built by the songs as the album progresses. Little details, like the odd line or sound, construct the feeling of Blonde with supreme delicacy. And it pays off; interlude tracks like 'Be Yourself' and 'Facebook Story' help to set you up for the real stand-out tracks like 'Solo' and 'Nights'. Once you manage to crack into the mindset of Blonde, this album will make sense, and you'll see the level of quality and genius on show here.
Some have complained that it's too slow and that there isn't enough distinction here - they're missing the point. This album is a journey, and it's able to flow from track to track with sublime ease. This is an incredibly easy album to listen to, yet it has a deep complexity that I haven't witnessed for a long time.
It also obliges you to listen to it multiple times. And you absolutely should - you'll be able to see its strongest points for what they are: some of the best music of this decade, perhaps even ever.
I have no doubt that Blonde is going to be a companion to me for many years to come. It amazes me how much music can captivate you, but it seems to be Frank Ocean's main talent. Despite it being his second full release, he is flaunting talent that we haven't seen in a long time.
And even with how brilliant Blonde is, I still think there's so much more to come. Watch this space; it's only going to get more amazing from here.
92/100"Reply
"got the recalled version on vinyl but couldn't bring myself to open the precious. so I bought another one so that I could have my sealed recalled copy and listen to it too. but I can't bring myself to open this one either.... ?????? ....my preciouses...."Reply
"I'm only one listen in but this is easily Danny's best. I love XXX but there are a few duds on that album, this is all killer no filler. His flow is as crazy as always and on tracks like Ain't It Funny he's spitting faster than I've ever heard him. His rhymes are as interesting and clever as ever...""I'm only one listen in but this is easily Danny's best. I love XXX but there are a few duds on that album, this is all killer no filler. His flow is as crazy as always and on tracks like Ain't It Funny he's spitting faster than I've ever heard him. His rhymes are as interesting and clever as ever, I love the Coltrane/Spokane rhyme though I forget what song it's on. Best of all is the frenzied vibe - this really is what I'd picture a Joy Division rap album to sound like. I fully expect to raise my rating to 100 eventually, Danny somehow exceeded even my expectations. AOTY at this point."Reply
"More death? Fuck’s sake. This time we’re dealing with Nick Cave’s grief after the loss of his son, and it’s heartrending. The usual swagger and bombast in his voice has gone, and we’re left listening to him breathe sharply in between tears. I’ll admit I haven’t seen the documentary that went alon...""More death? Fuck’s sake. This time we’re dealing with Nick Cave’s grief after the loss of his son, and it’s heartrending. The usual swagger and bombast in his voice has gone, and we’re left listening to him breathe sharply in between tears. I’ll admit I haven’t seen the documentary that went along with this, but it seems like the music tells enough of the story on its own.
Best track: Distant Sky. It will bring you to your knees if you haven’t heard it already. The female singer brings in an inspired contrast to Cave’s own wavering voice."Reply
"Some wonderful moments, some not so. The more melodic and accessible the songs, the better. Still, it is a brave record and it doesn't out stay it's welcome and I'm sure it has yet to fully hit me yet. A challenging album, which I hope will reward me with a great record, but I'm not quite there y...""Some wonderful moments, some not so. The more melodic and accessible the songs, the better. Still, it is a brave record and it doesn't out stay it's welcome and I'm sure it has yet to fully hit me yet. A challenging album, which I hope will reward me with a great record, but I'm not quite there yet. A few more listens maybe? "Reply
"What a lot of you have to understand about this album is that Ye is describing his current lifestyle in a stream of consciousness fashion, and I understand that it comes off as disconnected and all over the place. You only have to go as far as the title of the album to explain why everything is s...""What a lot of you have to understand about this album is that Ye is describing his current lifestyle in a stream of consciousness fashion, and I understand that it comes off as disconnected and all over the place. You only have to go as far as the title of the album to explain why everything is so jumbled. This album is Kanye's life, a life that is interesting, crude, beautiful, and everchanging. He is somewhat crazy, but also a genious. Each song alone can be considered amazing, but all together is confusing and disjointed. Kanye is balancing a lot of things in his life as well as in his mind, and the changing thoughts of insanity, strange fantasies(such as the Taylor or asshole line that everyone is shaming), family and god are constantly circling in his brain. These ideas can be somewhat arranged properly with the original 3 Act structure of the tracklist, but certain lines within songs are still randomly placed. I think kanye intentionally took that original order, and mixed it up in an order that still connected musically in some sense, but not thematically. Other posts have also talked about how this keeps the listener interested when the songs are not connected or similar against each other, to create a contrast. This contrast can be seen as a strength once you have listened to the album multiple times. Kanye's life and this album are both a beautiful and disgusting mess, deal with it or dont listen.
The title also references Pablo.... multiple pablos. The pablo references in 'No More Parties in LA' include the art of pablo picasso (working on shoes), the fame of pablo escobar (on the news), and the slave role of steriotypical mexican house workers (I do not take credit for figuring this out). This explains that kanye feels many things, including creativity, fame and feeling trapped/ enslaved. It could also be a reference to the bible(I forget specifically who it could refer to but someone mentioned this somewhere). The point is that all of these meanings show that kanye cannot make a fluid concept album at this point in his life. His life is scattered, an extraordinary mess. He cant seem to control all these versions of himself at once, and the album seems to jump back and fourth between muliple personalities that kanye feels inside of himself. If you feel like an amazing song is ruined by a crude lyric, this just explains how kanye has beautiful and amazing things to show off, but also explains that he is compulsive and needs to release certain opinions in spurts of anger.
I dont know if any of what I have said makes much sense, and I could probably keep talking about just this one aspect of the album for a lot longer. My overall idea is that the imperfections of these songs and the links between them are reflections of kanye's imperfect and unstable life. He is trying to love his family, but has extreme hate towards others. He is trying to be faithful, but loves to sin. He is trying to make a beautiful gospel album, but cant help but make it a shocking spectacle of unecessary comments. But thats how his life exists, and that's how life exists in general. Life isnt cohesive; its random and sometimes impossible to deal with. Thoughts can be sensational, and horrible ones can intrude.
Because of all this, this is "the album of the life" as kanye proclaims. And life isn't a perfect piece of art, so this album shouldnt be either. And if all of this is intentional (which I believe it could be based on the ingenious of kanye in the past), then I consider this album a masterpiece on that basis alone."Reply
"I've never been that interested in Beyonce before, but when I hear James Blake, Kendrick Lamar, Father John Misty, Ezra Koenig and Jack White were all working on the same album I'd listen to it if the lead singer had tongue twice the size of their mouth and sang in Aramaic. If there was ever a Be...""I've never been that interested in Beyonce before, but when I hear James Blake, Kendrick Lamar, Father John Misty, Ezra Koenig and Jack White were all working on the same album I'd listen to it if the lead singer had tongue twice the size of their mouth and sang in Aramaic.
If there was ever a Beyonce album for me to like its this one, and I do. I'm not that bothered with the lyrical content to be honest but the songs are very well produced plus there's an awful lot of influences and variety on this thing. Very enjoyable to listen to, definitely worth checking out. "Reply