Listed below are the best albums of the 2020s (so far) as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 5 hours ago).
"I don't know how they can put out so much quality but they do and this is no exception. Slap after slap with no filler. The sounds of a band with a complete mastery of their output and an ability to do pretty much whatever they want."Reply
"(It's a Julien Baker album, it's a good album. One of the contenders for the championship belt of badass sad sack songwriters comes back with a whole lot more production punch than she had on her last couple albums. The result is a lush, at times overly so, but mostly gorgeous album that will abs...""(It's a Julien Baker album, it's a good album. One of the contenders for the championship belt of badass sad sack songwriters comes back with a whole lot more production punch than she had on her last couple albums. The result is a lush, at times overly so, but mostly gorgeous album that will absolutely have you sobbing in solidarity with her if you aren't careful.)
This is easily my most anticipated album of 2021 thus far. I adore Julien's debut Sprained Ankle, and, while I found her second album considerably less cathartic and powerful, I still quite liked it.
From her first 2 albums I felt that As a songwriter Julien is pretty miserable, not like she's bad, I mean she is very VERY good at just completely expressing utter despair and self-loathing like few songwriters I've ever heard. This is perhaps the main feature and most obvious aspect of her music in her career thus far. This aspect is so much on the forefront that sometimes I think her other strengths are overlooked. Lyrically she does know how to plunge the knife in and then twist it for maximum effect. Melodically she isn't an all time great, but she generally can write a good hook and a good and memorable melody. And she knows how to make just a very consistent and engaging emo album to sob along with.
In the lead up to this album I was feeling kinda meh and in the dumps and as a result I was very eagerly anticipating this album. When I heard it the night it was dropped I was initially lukewarm. Then I woke up and listened a couple more times and I started to warm to it a bit more. Now as I write this and I listen yet again, I am starting to really quite like it.
The obvious change in her production is what is probably going to get the most ink. And for good reason. Cuz this album is indeed MUCH more adorned with big synth parts and walls of electric guitar and keyboard and just a lot of embellishments that are trotting along beside Julien's familiar emotional voice and songwriting themes. This upscaling of musical...stuff... is generally well done. What the album clearly loses in terms of that intimacy and cathartic power that her first album had, it gains in terms of just a lot of beautiful moments of epic earcandy. The absolutely badass chorus of "Heatwave" is something that just couldn't happen without the new production angle and to say it works in enhancing the emotional punch of the song would be an understatement. There are other moments when the increased production touches work quite amazingly alongside Julien's songs.
There are also songs which feel somewhat overproduced and made me briefly miss that stripped down sound featured in "Sprained Ankle". An example of this arguably over-adorned style somewhat hampering the impact of a song is on "Relative Fiction". That song for me is good but coulda been great if not for those damn silly percussion sounds. Maybe that touch will grow on me, but for now I don't love it, feels a bit much especially with the big bass sounds and the several guitars also being layered on top of it with Baker's vocals also being multitracked, idk it just kinda rubs me the wrong way.
Still, the hits here and the overarching feel and flow of the album are indeed fabulous and there are some pristine and incredible moments sprinkled on this album. Tracks like "Heatwave", "Hardline", "Ringside", "Song In E", "Ziptie" are very powerful songs that are some of her best in her career thus far. While I don't love this like I love her debut, I think its a better album than her sophomore album and its great having a new Julien Baker album in my life to absorb when I'm feeling like my whole world has been bled of meaning and color. She's one of the best singer/songwriters of her generation and this album is quite solid and already has that familiar warmth connected with it in my mind that will make me revisit it often over the next long while.
"Blacked out on a weekday
Still something that I'm trying to avoid
Start asking for forgiveness in advance
For all the future things I will destroy
That way I can ruin everything
When I do, you don't get to act surprised
When it finally gets to be too much
I always told you you could leave at any time""[+]Reply
"'PAINLESS' is spare and brooding, with crunching electronic drums and fizzing alkali guitar and synths. I enjoyed myself overall, as I thought Yanya's writing had a harsh beauty to it, Wilma Archer's exec production was very consistent and I have a soft spot for the flourishes Bullion added to th...""'PAINLESS' is spare and brooding, with crunching electronic drums and fizzing alkali guitar and synths. I enjoyed myself overall, as I thought Yanya's writing had a harsh beauty to it, Wilma Archer's exec production was very consistent and I have a soft spot for the flourishes Bullion added to the sonic palette. Overall however, I have to agree with Arthurknight that it's really very good but perhaps doesn't surpass that."[+]Reply
"For such a major event, I’m surprised I have not listened to more music about the pandemic. Certainly some surface level references but nothing really conflicting with the event. That was until I heard “Dance Fever”. Florence paints such a vivid picture of the removal of live music by the plague....""For such a major event, I’m surprised I have not listened to more music about the pandemic. Certainly some surface level references but nothing really conflicting with the event. That was until I heard “Dance Fever”.
Florence paints such a vivid picture of the removal of live music by the plague. The music struggles with the loss of an artist’s entire livelihood and the longing for its return. “Choreomania” shows the ecstasy of movement with its pitter-patter drums and the increasingly exuberant vocals. “My love” is frantic with the loss of her emotional outlet. “Daffodil” is a gothic monster built through the growing crescendo of drums. The diversity of angles in which it’s covered just makes the concept stronger.
The Machine’s traditional instrument selection is fantastic. In particular, the harp becomes an elegant accent point. The best sound on the record is Welch’s voice. Her voice shoots into chorus just as naturally as it buries itself in growls. Truly impressive breath control throughout. Some tracks like “King” and “Restraint” are a bit flatter, but the album lacks a truly bad track. The movement can’t be stopped."[+]Reply
"Raye demonstrates a complete and total command of R&B, Soul, Blues, Rap, and EDM. What makes her stand apart from legions of other A-level performers is the way she blends these styles with a deeper understanding of what the music is saying, then combining it with her own original perspective, fu...""Raye demonstrates a complete and total command of R&B, Soul, Blues, Rap, and EDM. What makes her stand apart from legions of other A-level performers is the way she blends these styles with a deeper understanding of what the music is saying, then combining it with her own original perspective, fusing traumas both personal and collective. 9/10!"[+]Reply
"70-80/100 (Really solid dance punk album. Has some killer tracks to dance to and some that may make you feel very sad - whilst still dancing - and sadly some songs/interlude tracks that seem a bit pointless.) This was actually a very, very sad listen. I feel like this is an incredibly desperate, ...""70-80/100 (Really solid dance punk album. Has some killer tracks to dance to and some that may make you feel very sad - whilst still dancing - and sadly some songs/interlude tracks that seem a bit pointless.)
This was actually a very, very sad listen. I feel like this is an incredibly desperate, depressed, lost collection of songs. The words and songs seem to express the low down, hopeless feelings of people who have completely given up and accepted that they've lost any hope of redemption in their lives.
Well, I guess there are some silver linings in the form of love and an undying attempt to turn shit around. But I don't feel like these glimmers of hope seem to be going anywhere. They feel like daydreams, brief flights of fancy to take your mind off the gritty reality of life.
Basically, while listening to this there was a moment I went from kinda quasi-dancing and enjoying myself greatly to stopping still and feeling a sick sadness in my gut as I took in the misery in the vocalist and in the music. It's probably just a personal reaction, but it was very real for me.
Now as for the music its mostly really cool dance punk, high energy, funky, and cool. I love the creepy yet strangely affecting John Prine cover ("In Spite of Ourselves) especially love the squealing and crazy last half. I also love the extended instrumental jam of "6 Shooter", the song "Creatures" is the best fill-in for LCD Soundsystem that I've heard in a long while, the stupid fun of the opener "Ain't Nice" is strangely charming and pathetic all at once, and christ if "Boys & Girls" isn't the a towering track I don't know what is.
In this album there are quite a high amount of really great songs. But I am not a fan of some of the little throw-away songs. Some of these feel like interludes, but don't feel like they are necessary at all. I get nothing or close to nothing out of "Best In Show/Secret Canine Agent", This Old Dog" or "Cold Play". Maybe on further listens I'll get a better idea of the concept or flow they are stitching together with these tracks.
All in all I actually quite liked a majority of this album. This was my introduction to the band and I didn't know what to expect. This was a satisfactory enough listen that I may go and listen to more of their stuff. And any album with real stand out tracks like "Creatures", "In Spite Of Ourselves" "6 Shooter", "I Feel Alive" and "Girls & Boys" is a good album. This happens to be an album a bit weighed down by fluff. Still it packs an unexpected emotional punch."[+]Reply
"I adore Car Seat Headrest. Teens of Denial was one of the best indie albums of the '10s, but after an unimaginative re-record of Twin Fantasy in 2018 and five years passing since a bizarre DIY synthpop record, I and many others feared that the prolific Will Toledo and co. had finally run out of s...""I adore Car Seat Headrest. Teens of Denial was one of the best indie albums of the '10s, but after an unimaginative re-record of Twin Fantasy in 2018 and five years passing since a bizarre DIY synthpop record, I and many others feared that the prolific Will Toledo and co. had finally run out of steam. What a way to prove the doubters wrong -- a 70 minute prog rock opera that trades in biblical (and furry) themes. Godspeed space cowboy.
From my top 20 Albums of 2025: https://www.besteveralbums.com/thechart.php?c=83050&cbid=0&f=&fv=&orderby=Rank&sortdir=asc &page=1"[+]Reply