"When I started listening to this album and was midway through Chaos Space Marine I thought to myself there is no way they can keep this level of quality up for an hour and they really proved me wrong. They have decided to change their style up from the first album and create a more grandeur sound...""When I started listening to this album and was midway through Chaos Space Marine I thought to myself there is no way they can keep this level of quality up for an hour and they really proved me wrong. They have decided to change their style up from the first album and create a more grandeur sound and it really pays off. The rich instrumentation is a joy to listen to and so in depth that you can keep coming back and exploring more which is such a difficult feat to accomplish. The keyboard on this album is brilliant and is utilised just right to create the effect they are going for. The string arrangements are delicate and beautiful but also quick and aggressive and they aid in some fantastic tempo switches. Then there is the wind instruments which are performed phenomenally and are vital to this album as they create a lot of the sonic landscape on most tracks. Finally, the vocals and lyrics are outstanding and Isaac has massively improved his penmanship and vocal control. He weaves his way through his words creating a brilliant narrative on every song he is on and slowly builds up to these grand conclusions that are very rewarding for the listener. There is a lot of risks and experimentation on this album and I think it really pays off with the music sounding so rich and luxurious. There are no weak tracks and this album is consistently stunning. Overall, you could tell from their debut that this group had so much to offer and this demonstrates exactly that, as this record is just incredible. It is unfortunate to hear about Isaac leaving the band as this group is oozing potential and if they carried on the way they were going they could possibly be the greatest band of all time and possibly create the greatest album ever recorded as this one comes very close. "[+]Reply
"A pretty great collection of folk/americana tunes with some real instant-classics thrown into the mix. Great guitar work, and great singing on Adrianne's part."Reply
"Perhaps the greatest artist of his century and/or genre, Kendrick delivers another masterpiece that once again sounds like nothing he did before. In doing so, he made arguably his least commercial and least accessible album coming after his most accessible one. Took a few listens for it to click ...""Perhaps the greatest artist of his century and/or genre, Kendrick delivers another masterpiece that once again sounds like nothing he did before. In doing so, he made arguably his least commercial and least accessible album coming after his most accessible one.
Took a few listens for it to click but once it does, wow. A similar mind blowing feeling to TPAB. Deeply personal, deeply polarizing (something in here to piss off a person of any political background) and beautiful. Morale also reveals Kendrick in a way which he never has before. The pain, the egomania, and everything in between. I would not be surprised if we saw a decade hiatus after this."[+]Reply
"Album of 2022 They’ve managed to take the best parts of their previous hits (Archie, Marry Me , Dreams Tonite, and In Undertow) and mesh them into a variety of flavors on this album. So many ear worms in their discography to begin with, but they seem to have found the perfect production team to c...""Album of 2022
They’ve managed to take the best parts of their previous hits (Archie, Marry Me , Dreams Tonite, and In Undertow) and mesh them into a variety of flavors on this album. So many ear worms in their discography to begin with, but they seem to have found the perfect production team to cater to their indie pop/dream pop blend.
They’ve also shown that they’re brilliant instrumentalists on this album. Kerry’s keys bounce a lot more rather than support the guitars, but Alec’s guitar work service Molly’s incredible vocal range very fittingly. The additions of Sheri and Abbey on drums and bass, respectively, also give loft these songs past the micro-targeted twee pop that defined Alvvays’s earlier sound.
Molly’s overall vocal performance on this album is the best part, though, as she shows more range, more nuance, and seems to hit the right notes to simultaneously perk your ears up and make you smile and relax your eyes - I could listen to her all day.
The only ONLY knock against this album is that the final 3 songs aren’t nearly as strong as the first 11. And those 11 are very strong.
Best songs: Pharmacist, Does It Get Easier On Your Own?, Many Mirrors, Very Online Guy, Velveteen, Tile By Tile (this song in particular strikes every chord with me)
94/100"[+]Reply
"Black Midi’s songwriting skills, technical chops and musical creativity have all found their share of praise over the years, but never did I think they would coalesce and strengthen themselves so soon. Hellfire is phenomenal, a show-stopping showcase of the most daring band in the world taking th...""Black Midi’s songwriting skills, technical chops and musical creativity have all found their share of praise over the years, but never did I think they would coalesce and strengthen themselves so soon. Hellfire is phenomenal, a show-stopping showcase of the most daring band in the world taking their thrilling band of rock to the next level.
Every single one of the individual songs on Hellfire, possibly excluding the interlude ‘Half Time,’ is astonishing in its attention to detail. No stone is left unturned in bringing lush life to these accounts of sin. The performances, too, are exquisite. While Cameron Picton excels as always with two strong vocal performances, it is Geordie Greep who sounds most invigorated; his vocals on Hellfire are his strongest yet, ranging from Cavalcade-era crooning on ‘The Defence’ to Schlagnheim-y auctioneering in ‘The Race Is About to Begin.’ Morgan Simpson remains, as always, the best drummer in the world; his versatility, power and complexity on Hellfire continue to boggle the mind.
While Black Midi’s creative process does not contain ‘genre’ in its lexicon, I would argue that Hellfire fits fairly neatly into the category of progressive rock. However, they do not traffic in the sedentary sounds of modern prog on here. In many senses, this album is the purest essence of what progressive rock should be: not a stylized sound, but an ethos. Everything here is played with absurd technicality, but nothing is played for its own sake: all of these tremendous moving parts have a purpose of their own, and their inclusion furthers the musical experience. The tools Black Midi possess are utilized for the purpose of songcraft, and boy, does Hellfire have its fair share of songs. Each track is a miniature fable unto itself, again with the sole exception ‘Half Time;’ even those thirty seconds have a clear role of delineation within the wider anthology of misdeeds chronicled on this album.
If anything, this proves that Black Midi are among the greatest, most original bands of the 21st century. Comparisons to their friends in BC,NR’s masterwork Ants from Up There will no doubt abound, but the two groups have gone in separate artistic directions in spite of their personal kinship. Let us instead revel in the fact that we are blessed with not one, but two outrageously talented groups, each with wonderful discographies behind them and dazzling futures ahead."[+]Reply
"If this were a Radiohead album, it would be by far their worst. And wouldn't feel up to the standard of Radiohead's stellar discography. So I'm glad it isn't. But ignoring the Radiohead comparisons, it's a decent but unspectacular album in its own right. No real standout tracks, but my favourites...""If this were a Radiohead album, it would be by far their worst. And wouldn't feel up to the standard of Radiohead's stellar discography. So I'm glad it isn't. But ignoring the Radiohead comparisons, it's a decent but unspectacular album in its own right. No real standout tracks, but my favourites are The Opposite, Pana-vision, Speech Bubbles."[+]Reply
"First, don't want to ruin this experience for anybody by over hyping it. Take it in in a natural way. So, Beach House is my favorite. I contemplate my favorite album of all time as Teen Dream, Bloom, Depression Cherry, and now Once Twice Melody. This album blows me away with the sonics and sounds...""First, don't want to ruin this experience for anybody by over hyping it. Take it in in a natural way. So, Beach House is my favorite. I contemplate my favorite album of all time as Teen Dream, Bloom, Depression Cherry, and now Once Twice Melody. This album blows me away with the sonics and sounds they captured on this album. I heard this once so far in full and it fucking blew my mind. I know my tastes of music well and I know what I like. I've been seriously listening to music for about 13 years now and the other 14 I was listening but not as close. This is the best double album of all time, I don't like, I love every single song. Beach House explores different sonics on this one and it even has some sounds that Muse would come up with without Muse's technical abilities. The keyboards are very cool and beautiful sounding. Victoria is an artist and showcases her art on this one in a very creative way. Alex is great too but I don't like acoustic guitar but for some reason, I like it on this album when it has its 3-4 moments. "[+]Reply