I like the first two tracks more than the last two, though I did enjoy it on my initial spin. Though I admit my exposure to Enduserโs particular style of electronic music is something limited, but I enjoyed the textures and patterns quite well enough. Might explore more later.
Really cool shoegaze album with notable post-rock influences. Guitar work was fairly standard but the vocal performance was terrific and really held all of the surrounding feedback-y instrumentals together into surprisingly melodic cohesion. I dug it ๐
Crazy shit. It's like everything is melting together while lots of strange people are hiding, observing me and whispering about me. Suddenly they start shouting, asking for help, maybe to save them from the noise. I like the noise. Sometimes they sing too.
I listened to this on the bus and one time, for a milisecond I thought there was a rat in there, what scared me, but it was just the music.
Love it.
Crazy shit. It's like everything is melting together while lots of strange people are hiding, observing me and whispering about me. Suddenly they start shouting, asking for help, maybe to save them from the noise. I like the noise. Sometimes they sing too.
I listened to this on the bus and one time, for a milisecond I thought there was a rat in there, what scared me, but it was just the music.
Love it.
That's a terrific description ๐คฃ
glad you enjoyed it
My only experience with Gilberto in the past has been with Getz/Gilberto (which of course I adore), so even going in with high expectations, I think such expectations were surpassed. Although the mastering of the album is fairly precise and relatively polished, there is a striking intimacy to each of his guitar/vocal wonders (with their surrounding big band accompaniments; each feel so personal, not quite in the melancholy way of Nick Drake or Elliott smith, but more of a serene atmosphere with an air of romanticism and even an understated joy of the purest kind. Lovely record. Thanks brun!
Apologies for not getting around to this earlier; I had listened to it a few times earlier in the year, but decided to set aside some time to listen to it again specifically for this thread. Basically, it's OK. I adore Kelis (I think both Kaleidoscope and her greatest hits album have been on my overall at various times), but this completely falls flat for me. I was really excited when I heard she was putting out a record on Ninja Tune to be produced by Dave Sitek, but this is just conservative in all the worst ways. It doesn't take any chances, where even the worst Kelis albums have done so before. I mean, musically it's superior to her last two, but at least those albums were interesting (Kelis Was Here is an overlong mess, but it's got 'Aww Shit' and 'Bossy' and 'Little Star' and 'Handful' on it; Flesh Tone is largely garbage, but at least it sounded like she was having fun). I just don't really need a mature Kelis in my life. It's not a bad album, but it's not even close to being in my Top 100 (or Top 200, for that matter) of the year so far. If I was in the business of rating albums, this would be a solid 6/10. Nothing wrong with it, and the production is definitely warm and inviting, but overall it bores me, and that's something I never thought I'd say about a Kelis album.
Anyway, for whoever is next, take some smoooooooth '80s late-night heartbreak music...
Walking down a quiet city street at night, feeling the cool air flow by as you watch the last lights from the surrounding apartment buildings flicker out, losing yourself in your own introspection, contemplating love, loss, and heartbreak before realizing you've been walking for hours, full circle, all the way back to your residence; the sun is just starting to come up. You walk inside, still heartbroken, but perhaps with a bit of serenity now about you. Things will be alright in the end.
Walking down a quiet city street at night, feeling the cool air flow by as you watch the last lights from the surrounding apartment buildings flicker out, losing yourself in your own introspection, contemplating love, loss, and heartbreak before realizing you've been walking for hours, full circle, all the way back to your residence; the sun is just starting to come up. You walk inside, still heartbroken, but perhaps with a bit of serenity now about you. Things will be alright in the end.
Haha, that description was like a mirror into my soul. Glad you enjoyed the album, been addicted to it for the past few weeks.
Don't suppose you've got a link to a 320 of that Invincible album? I checked a track on YouTube and it was dope, but atm soulseek's only throwing up 192s. _________________ 2021 in full effect. Come drop me some recs. Y'all know what I like.
Haha, that description was like a mirror into my soul. Glad you enjoyed the album, been addicted to it for the past few weeks.
Don't suppose you've got a link to a 320 of that Invincible album? I checked a track on YouTube and it was dope, but atm soulseek's only throwing up 192s.
The bolded things are related to sound quality right? Is this something which really matters? Do albums with the smaller numbers sound different to the higher numbers?
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