Explore the overall rankings of the best albums in history, based on over 2 million album rankings across 61,000 chartsClick to see how the rankings are calculated.
Last updated: 8 hours ago
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"I only really discovered Radiohead 2 jears ago. Didn't like Yorke's voice at first. Then one day stuck in traffic, I listened to OK Computer from beginning to end... I still get goosebumps... the moment when the 'second' Yorke falsetto screams 'You know where you are' towards the end of 'Let Down...""I only really discovered Radiohead 2 jears ago. Didn't like Yorke's voice at first. Then one day stuck in traffic, I listened to OK Computer from beginning to end... I still get goosebumps... the moment when the 'second' Yorke falsetto screams 'You know where you are' towards the end of 'Let Down'... "Reply
"Everything has already been said about this album. Everyone has given their 2 cents about how great it is or how some have said that they cannot hear or comprehend DSOTM's greatness. This album is a stroke of genius from the heart beats that opened with Speak to Me, to the finishing heart beats t...""Everything has already been said about this album. Everyone has given their 2 cents about how great it is or how some have said that they cannot hear or comprehend DSOTM's greatness. This album is a stroke of genius from the heart beats that opened with Speak to Me, to the finishing heart beats to Eclipse. Almost like a cycle of human life….
Without a doubt, this album deserves to be preserved for millenniums to come..."Reply
"But the main thing for me is this...it's rock & roll. It doesn't matter how many big fancy sentences you can wrap around the medley on side 2 of Abbey Road...what matters is does it move you or not? It's cool either way, but no one wants to hear someone turn it into an incomprehensible scientific...""But the main thing for me is this...it's rock & roll. It doesn't matter how many big fancy sentences you can wrap around the medley on side 2 of Abbey Road...what matters is does it move you or not? It's cool either way, but no one wants to hear someone turn it into an incomprehensible scientific wordfest. Listening to and finding out from others what albums might be good to listen to (or what might be good to avoid) shouldn't be painful and overbearring. The reason why people don't like music critics is that they won't shut up! Just tell me if the record is any good or not, and in plain English, why. A site like this, IN MY OPINION, should be a sanctuary from all of that. Music fans talking about the music they've discovered and sharing it with like minded people in a language they can all understand. I don't want to hear that this album is a seminal work, or that this is turgid, or whatever. Do you like it? Does it rock you? Would you reccommend it to others? Is it really fair to consider people who like a band that you don't "irrational obsessives"? Or would it be better to just say that it's cool that you don't get them, just as many of the same people won't get Captain Beefheart?
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"I finally listened to this album two days ago. I hadn't sat down to do so before, so I figured I'd see what was all the hype. I enjoyed it for the most part, but didn't think much of it at the moment. I put my headphones away and went to get ready for bed. I calmly brushed my teeth, flossed, shav...""I finally listened to this album two days ago. I hadn't sat down to do so before, so I figured I'd see what was all the hype. I enjoyed it for the most part, but didn't think much of it at the moment. I put my headphones away and went to get ready for bed. I calmly brushed my teeth, flossed, shaved, and washed my face prior to heading back to my bedroom. I decided to pull out my laptop and review a few albums. I settled on listening to several Switchfoot albums, but I found that just going a few seconds into the first song caused me to grow very, very tired. I fell asleep soon after the first song ended and my review was never completed.
I had some interesting dreams that night. One of my dreams involved a giant talking tree named 'Joshua' and my struggle to fight him off as he grew hostile. Another dream involved some guy walking into a record store I was working at, slamming Refused's 'The Shape of Punk to Come' on the counter and asking me, "HOW MUCH?"; to which I responded with the price, but then he kept screaming at me about how he wanted it to rock his socks off. He came back later with his socks still on and proceeded to assault me for it.
I woke up pretty early and felt odd. I wasn't myself, but I couldn't figure out what was going on. I turned over a few times but couldn't shake the feeling off, so I turned my light on to see of anything was different about me. I looked down at my legs to see that I was, in fact, not myself. I all of a sudden had legs like a beetle, and it was hideous and horrifying. Nothing like this had ever happened to me and I was speechless. I felt the legs with my hands and I wanted to vomit. I shook it off like it was a bad dream and fell back to sleep.
My alarm went off and I wasn't able to reach my snooze button. I couldn't reach very far at all. I looked down to see that my covers were off and I now possessed the body of some disgusting insect, like a cockroach or a beetle. I exclaimed, "Oh, God! What is this? Why am I an insect? Why did this happen?"
I tried to stand up, but I couldn't get out of bed. I struggled to turn myself over but it took me what seemed like twenty minutes to do so. I finally turned over completely but fell off the bed in the process. I was a massive, human sized insect, and this really sucked. My brother apparently heard a thump and came to see what happened. He didn't see me at first, but going to the other side of the bed, he appeared to be terrified, jumped up, and exclaimed, "WHERE IS MY SHOE?!?"
He ran out of the room as I tried to pick myself up. 5 minutes later I finally got up and was able to kind of move around. Suddenly, I felt a hard blow to the back of my head. The blow came several times as my brother began beating me over the head with a shoe. I yelled, "Hey, it's me! I'm an insect now! Stop hitting me!!". My brother wasn't interested in what I had to say as he kept hitting me and yelling, "DIE YOU DISGUSTING BASTARD I HATE YOU STUPID THINGS YOU SHOULDN'T EVEN EXIST DIE DIE DIE!"
He hit me for another minute until he finally stopped, glared at me, and said, "WHERE IS MY BIGGER SHOE?!?". He ran out of the room and I looked around the room.
"Maybe I'll be back to normal tomorrow," I said as I gazed at the clock. It was 10:22. "OH GOD....I gotta go to work..."
I opened the door, stepped out, and checked to see if the coast was clear. Seeing nobody, I headed out the door and headed towards my office building. After walking about a quarter of a mile, I was hit over the head with a shoe. "DIE, YOU DISGUSTING PIECE OF SHIT!!" yelled the businessman-looking guy. He hit me a few more times before heading off some other direction. Walking a little bit further down the road I was hit a few more times by a few other people. Finally, I reached my office building and walked through the door.
Immediately, the 8 or so people in the main lobby were reaching for their shoes. I couldn't even get a word out before they all ran up and began to relentlessly slam the shoes over my head. I tried reasoning with them: "Guys! I work here! Stop it!"
After 8 minutes, they stopped, and I headed towards my desk and sat down. As an animator, my current task was to animate some walk cycles. I spent ten minutes trying to finish the last few frames before my boss entered the room. "Hey, boss, I almost have the walk cy..."
He began to hit me over the head with his shoe. I tried reasoning with him: "Hey! Boss! It's me, I work for you!" This seemed to register with him as he lowered his shoe.
"Oh, you're him...ok, well show me what you've gotten done so far." my boss said.
I hit the play button, and what happened next I could not explain. My character that I was working on had all the movements right, and his steps were flawless, but he was going backwards!
My boss began hitting me over the head again with his shoe. "THAT WILL NOT WORK FOR ANYTHING YOU WORTHLESS BASTARD!"
After 10 more minutes, he stopped, walked out of my workplace, and I continued to work in my task.
After several hours, my workday was finally over. A few shoes were thrown at me or slammed over my head on the way home, but I had gotten used to it. I didn't even bother doing my typical routine as I plopped down on my bed and tried to sleep. I was woken up quickly with my brother yelling, "DIE, YOU PATHETIC INSECT SCUM!" as he slammed a gigantic shoe over my entire body, and just leaving it there, assuming it had killed me. I still didn't fail to fall asleep...and I drifted..and drifted...just wanting this nightmarish day to end.
My alarm went off at 6:00. I reached over with no struggle to hit the snooze button as I tried to drift back off. I then realized that I had my own arm back. Ecstatic, I leaped out of bed and rushed to the bathroom mirror to see that I was myself again. Excited, I approached my brother and exclaimed, "HEY! I'M MYSELF AGAIN! ISN'T THIS GREAT?!?"
"DIE YOU MISERABLE SACK OF SHIT!" he exclaimed as he hit me over the head with his shoe several times.
"WHY DOES THIS KEEP HAPPENING?!?" I yelled as I struggled to get my brother to stop hitting me.
This is what I get for listening to 'Revolver'. I wouldn't recommend it unless you want to become a disgusting, mutant creature and get pummeled with shoes.."Reply
"What a great album this is! The music is so packed full of raw emotion that it makes it impossible to not fall in love with the passionate displays the group are putting into the music. The best demonstration of this is on Shine On You Crazy Diamond (both track 1 and 5) and the phenomenal Wish Yo...""What a great album this is! The music is so packed full of raw emotion that it makes it impossible to not fall in love with the passionate displays the group are putting into the music. The best demonstration of this is on Shine On You Crazy Diamond (both track 1 and 5) and the phenomenal Wish You Were Here. In terms of Pink Floyd songs it doesn't get much better than the title track with its emotive message and beautiful playing it is easy to see why it became one of their most popular songs. The instrumental work present across the whole release is exceptional as well with the guitar work on Shine On You Crazy Diamond being a personal highlight. It is the culmination of all the diverse instrumentation working together that creates what is greatest about this record and that is the atmosphere. The environment is established right from the first track and we are engrossed by it from this point on as well. It is just so powerful and brilliant that it makes this such an easy record to revisit as you just want to get lost in its atmosphere time and time again. Overall, this is an essential release in the history of music and in the career of Pink Floyd as this stands out as one of their greatest records. "Reply
"Was never a huge Bowie fan until hearing this record. It completely changed my opinion on him as a whole, I will probably do some more listening soon. Incredibly consistent album full of glorious 70's Rock. I enjoyed every second of it. Nothing negative I can really say. Killer record."Reply
"Unfortunately, one decision in the making of Sgt. Pepper leaves room for criticism and popular distaste. The band and (mainly) George Martin's decision not to put Strawberry Fields Forever or Penny Lane on the album simply because they had never done so before was indeed a dreadful mistake. With ...""Unfortunately, one decision in the making of Sgt. Pepper leaves room for criticism and popular distaste. The band and (mainly) George Martin's decision not to put Strawberry Fields Forever or Penny Lane on the album simply because they had never done so before was indeed a dreadful mistake. With either single included on Sgt. Pepper, especially Strawberry Fields, the album could have become something even greater."Reply
""In Rainbows" brings together the two different Radiohead sounds in perfect cataclysm. I personally enjoy all of Radiohead whether it was their earlier, guitar-driven sound, or their textural, electronic-based reinvention. As such, this record hits that sweet spot of having power rockers ("Bodysn..."""In Rainbows" brings together the two different Radiohead sounds in perfect cataclysm. I personally enjoy all of Radiohead whether it was their earlier, guitar-driven sound, or their textural, electronic-based reinvention. As such, this record hits that sweet spot of having power rockers ("Bodysnatchers" and "Jigsaw Falling into Place") that display their dominance of the craft alongside beautifully sculpted computer-pop ("All I Need" and "15 Step"). What really makes this album special is where those worlds collide to make music that is neither entirely organic, nor entirely robotic in its construction and execution. Songs like "Weird Fishes/Arpeggi" and "Videotap" build and cascade over themselves like hypnotic, musical poems while "Nude" and "Reckoner" are carefully-constructed and haunting to the bone. Lyrically, Radiohead has never written a better album. The material is referential, well thought out, personal, and biting all throughout the LP. "OK Computer" may have been amazing and "Kid A" a 180 degree success, but "In Rainbows", to me, is the most essential record in understanding why Radiohead are one of the best bands ever."Reply
"I am one of those people who have always thought that Kid A was superior to OK Computer. As impressive as OK Computer is, Kid A is the greater achievement because it was Radiohead totally reinventing themselves."Reply
"'The Velvet Underground And Nico' is arguably one of the two most groundbreaking and influential pieces of music ever to have been produced in the entire history of rock music. It is no exaggeration to say that alternative rock music was born the moment the Velvet Underground entered a recording ...""'The Velvet Underground And Nico' is arguably one of the two most groundbreaking and influential pieces of music ever to have been produced in the entire history of rock music. It is no exaggeration to say that alternative rock music was born the moment the Velvet Underground entered a recording studio.
Most notably, their influence can be heard in the progressive and new-wave movements of the 1970s through to the post-punk and shoe-gazing movements of the 1980s and 1990s and beyond.
The Velvet Underground's approach to their art was not as a commercial enterprise in order to satisfy the aspirations of record company executives and the public relations industry, but was deliberately intended to disturb and unsettle.
Their music self-consiously explored the inner depths and recesses of the human pysche. Unlike their mainly pop contemporaries, the Velvet Underground were classically trained musicians who engaged in elongated suites and complex jams. The cultural tradition that the band aligned themselves with was not the jaded faction of the hippy movement, but the progressive movement that was to follow in its wake.
The band were as far removed from hippy culture as it was possible to be, but paradoxically were also embedded within it to the extent that, like Frank Zappa, they were able to successfully garner a platform from which they critiqued and challenged the all-pervasive current that dominated it.
So although the album was recorded during the time of the hippy movement, their 'darker' programme represented its antithesis. In this sense, they originated the 'pessimistic' strand of psychedelic music (as opposed to San Francisco's optimistic strand).
Above all else, they originated a spirit of making music (independent, nihilistic, subversive) that ten years later will be labelled 'punk'.
'The Velvet Underground And Nico' recorded in the spring of 1966, includes an impressive number of masterpieces (mostly penned by Lou Reed and John Cale, and sung by Nico): the cold, spectral, autumnal odes of 'Femme Fatale', 'All Tomorrow's Parties', 'Black Angel's Death Song' and 'Heroin' are particularly stunning.
The latter piece symbolizes the dark underbelly of hippydom like no other piece of music has ever done. Its sheer magnificence is unsurpassed. When I first heard this on the radio, I knew from that moment on my life would never be the same again.
'European Son' pounds to a dissonant tribal beat and a cross-fertilization of musical textures add to the incredible mix.
A rich decadent spleen imbued with Indian raga, permeates 'Venus In Furs' which is immersed in a dark, almost oppressive atmosphere of decadence and oppulence.
German expressionism and French existentialism is evident throughout the entire recording, as is the exhaltation of an epic libido: Each song is exumed with a sexual and fetishistic undercurrent for which no precedent exists in the entire history of music. "Reply