"There are people who lump them into the microtonal genre. But that doesn’t do them justice by a long shot. You can listen to them a dozen times, and they’ll surprise you every single time, leaving you with a look of disbelief. Whether it’s their precision, their playfulness, their influences, or ...""There are people who lump them into the microtonal genre. But that doesn’t do them justice by a long shot. You can listen to them a dozen times, and they’ll surprise you every single time, leaving you with a look of disbelief. Whether it’s their precision, their playfulness, their influences, or their unconventional approach. In any case, they’re two absolute professional nerds who released their albums right at the moment when everyone thought AI was going to destroy everything."[+]Reply
"Oliva''s Blue Valentine Well that's one obvious point of reference, though comparisons to Billie's recent Hard-Soft are also apt- not so much necessarily that they sound really similar, but they have a similar thematic structure mixed with a very glistening, attractive sheen that will certainly a...""Oliva''s Blue Valentine
Well that's one obvious point of reference, though comparisons to Billie's recent Hard-Soft are also apt- not so much necessarily that they sound really similar, but they have a similar thematic structure mixed with a very glistening, attractive sheen that will certainly appeal to many (but also why a not insignificant people may find it underwhelming), but also is held back by a few inescapable fundemental flaws. After the very Aughties-style of her previous albums, which mostly mixed snarky and energetic Mall Punk inspired numbers with piano ballads, this takes a bit of a different turn towards trying to capture that distinctly 90s moody singer-songwriter style, mixing dreamy and stripped-down strum-happy numbers with a tougher foundation. There are a few different influences in here (the new Wave promised in the opening track is more sparse though can definitely be felt at points, especially in the quirky Penultimate track that feels like something off GUTS if it were remade by Thomas Dolby, some wistful yacht-rock/80s soft rock which She directly name-drops and the strange Garbage/Cardigans homage of My Way) it for the most part stays stylistically consistient, and yeah it can even feel like something a younger and much more direct Juliana Hatfield might have toyed with back in the day. It's also got an ambitous goal to upend the typical breakup album, in mainly wanting the two sides to show both the giddiness and uncertainty of falling in love mixed with the actual comedown, but sonically the two sides don't have enough contrast to give the impression that she's living both in the moment. The difference is just in the direct lyrical details, where as all the songs have an incredibly similar tempo and shape that evoke a lot of the same moods when they should come together as a more serpentine electrical shock, rarely emoting feelings beyond yearning and resignation. It never quite captures the early fire of romance, which is why the second "you seem so sad" half feels more authentic.
And while for the most part the songwriting is very consistiently solid if sometimes constrained by the very polished production (the only major whatdafuckisthis exception being what should've been the most hyped, the Robert Smith duet, where I can only feel is that having is name seemed awesome enough but also the most costly, so apparently they cold only afford one take on a Casio, it's so jarringly out of place on the album that it briefly sucks all the momentum it's been gaining), I also am noticing the best ideas and most attractive hooks are almost always placed very early in the song, which is a problem when they all seem to peak before they hit the chorus. It's why I can see The Cure has gotten a lot of individual praise, not only is it easily the best in capturing that melancholy 90s vibe but it's actually an ambitious number that keeps growing and expanding and taking the listener somewhere new, and end's up being the most profound. A lot may be noted about Olivia's maturing lyrics here, though really I think it's just a good thing they're clearly aging with her as songs as the previous many numbers about not being able to quit bad but exciting relationships, and instead constrasting the feeling of importance toward romance & love when it's something so inherently emphermal.
So yeah it's fine, previously I always found that her spunkier and spikier pop numbers were vastly superior to her ballads (which may have a lot to do with her vocal range), but this proves she can handle the quieter stuff. It just still feels like it's a little too tight-lidded to really let all the rawer feelings come out and thrive, it's a solid relationship post-morturm that probably wanted to have a much wider scope. I mean far be it for me to suggest fucking with the million dollar formula, I would like to see a producer's change-up sooner than later, I feel like with her growing Cachet she should find somebody who's willing to let her take more risks and be geniunely messy which could greatly help her get across the emotions she's clearly trying to evoke on these releases. This feels very much like a transitional album, not just in going from teenage-angst to young adulthood, but as a musician and performer (hopefully) as well. "[+]Reply
"Easily one of my favourite electronic/ambient techno albums of all time. Can tell a lot of time, effort and love has gone into this masterpiece. Available as a 24hz wave file direct from Bleep.com for the full experience"Reply
"This is probably Slayyyter's strongest LP offering so far, I love her aesthetic and her sound direction, she's definitely going in the right direction. I'm enjoying this album a lot and I think she is one of the more interested up and coming pop girls."Reply
"A masterful record and one I have no doubt Flea has wanted to make for a long time. Although I semi-dismissed it at the time of its release, I must say the album has now clicked for me and I understand its beauty. Through its confidence, singular focus and by continuing the jazz tradition of cove...""A masterful record and one I have no doubt Flea has wanted to make for a long time. Although I semi-dismissed it at the time of its release, I must say the album has now clicked for me and I understand its beauty. Through its confidence, singular focus and by continuing the jazz tradition of covering popular songs, Flea's Honora has earned a place in jazz and music history. My favourite cut Frailed is a 10-minute epic of unparalleled beauty and vision and is my favourite song of 2026. And although I'm a huge Red Hot Chili Peppers fan and was as excited as anyone for the return of John Frusciante, I have to admit that Honora is easily more focused a record than any Chili Peppers LP since Stadium Arcadium.
My album of the year "[+]Reply
"An astonishingly mature album that doesn't try to win you over right away, but rather grows on you over time and leaves a lasting impression. It also takes courage to record these songs without copying other indie bands. They did a great job of it."Reply