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sethmadsen wrote:
:lol:


You see, I was think of you, and thinking that even though you don't like U2 after ATYCLB, that maybe Lanois is either the cause of the problem, or a window into liking other things that are somehow connected but not U2.

I really like this one


Black Dub by Black Dub

And this one


Shine by Daniel Lanois
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Just finished this list

PRODUCED BY T-BONE BURNETT
https://www.besteveralbums.com/thechart.php?c=43734

1 Truth Decay - T-Bone Burnett 1980
2 Trap Door - T-Bone Burnett 1982
3 Time Step - Leo Kottke 1983
4 ...And A Time To Dance - Los Lobos 1983
5 How Will The Wolf Survive? - Los Lobos 1984
6 Downtown Marshall Crenshaw - 1985
7 King Of America - The Costello Show Featuring The Attractions And Confederates 1986
8 T-Bone Burnett - T-Bone Burnett 1986
9 Peter Case - Peter Case 1986
10 Love & Hope & Sex & Dreams - BoDeans 1986
11 Romeo Unchained - Tonio K 1986
12 Songs From The Film - Tommy Keene 1986
13 The Talking Animals - T-Bone Burnett 1987
14 By The Light Of The Moon - Los Lobos 1987
15 The Turning - Leslie Phillips 1987
16 La Pistola y El Corazรณn - Los Lobos 1988
17 The Indescribable Wow - Sam Phillips 1988
18 Hidden Charms - Willie Dixon 1988
19 Notes From The Lost Civilization - Tonio K 1988
20 Spike - Elvis Costello 1989
21 Mystery Girl - Roy Orbison 1989
22 A Black And White Night - Roy Orbison 1989
23 My Father's Face - Leo Kottke 1989
24 Shuffletown - Joe Henry 1990
25 Cruel Inventions - Sam Phillips 1991
26 Nothing But A Burning Light - Bruce Cockburn 1991
27 The Criminal Under My Own Hat - T-Bone Burnett 1992
28 Lily - Wendy Matthews 1992
29 King Of Hearts - Roy Orbison 1992
30 Break Like The Wind - Spinal Tap 1992
31 August And Everything After - Counting Crows 1993
32 Everything You Want (Nothing That You Need) - Seven Stories 1993
33 Go Slow Down - BoDeans 1993
34 A.J. Croce - A.J. Croce 1993
35 Martinis And Bikinis - Sam Phillips 1994
36 Dart To The Heart - Bruce Cockburn 1994
37 Bringing On The Weather - Jackopierce 1994
38 Pretty Little Lonely - Michael Petak 1994
39 Revival - Gillian Welch 1996
40 Bringing Down The Horse - The Wallflowers 1996
41 Omnipop (It's Only A Flesh Wound Lambchop) - Sam Phillips 1996
42 David Poe - David Poe 1997
43 Olรฉ - Tonio K 1997
44 Hell Among The Yearlings - Gillian Welch 1998
45 Blue Days Black Nights - Freedy Johnston 1999
46 Vacancy - Joseph Arthur 1999
47 O Brother, Where Art Thou? - Various Artists 2000
48 Come To Where I'm From - Joseph Arthur 2000
49 Evan And Jaron - Evan And Jaron 2000
50 Time (The Revelator) - Gillian Welch 2001
51 Fan Dance - Sam Phillips 2001
52 Road Movies - Minibar 2001
53 Motherland - Natalie Merchant 2001
54 A Wonderful World - Tony Bennett & K.D. Lang 2002
55 Ralph Stanley - Ralph Stanley 2002
56 Broken Promises - Rusty Truck 2003
57 A Boot And A Shoe - Sam Phillips 2004
58 Ollabelle - Ollabelle 2004
59 Future Perfect - Autolux 2004
60 Walk The Line: Original Motion Picture Soundtrack - Various Artists 2005
61 Speechless - Bruce Cockburn 2005
62 Back To Mine - Adam Freeland 2005
63 The True False Identity - T-Bone Burnett 2006
64 A Distant Land To Roam - Ralph Stanley 2006
65 Thunderbird - Cassandra Wilson 2006
66 Raising Sand - Robert Plant And Alison Krauss 2007
67 The Story - Brandi Carlile 2007
68 Tooth Of Crime - T-Bone Burnett 2008
69 Life Death Love And Freedom - John Mellencamp 2008
70 One Kind Favor - B.B. King 2008
71 Akiko - ็Ÿข้‡Ž้ก•ๅญ [Akiko Yano] 2008
72 Still - BoDeans 2008
73 Secret, Profane & Sugarcane - Elvis Costello 2009
74 Moonalice - Moonalice 2009
75 Women + Country - Jakob Dylan 2010
76 The Secret Sisters - The Secret Sisters 2010
77 National Ransom - Elvis Costello 2010
78 The Union - Elton John And Leon Russell 2010
79 We Walk This Road - Robert Randolph & The Family Band 2010
80 Junky Star - Ryan Bingham 2010
81 No Better Than This - John Mellencamp 2010
82 Country Music - Willie Nelson 2010
83 I'll Never Get Out Of This World Alive - Steve Earle 2011
84 Low Country Blues - Gregg Allman 2011
85 Jeff Bridges - Jeff Bridges 2011
86 Glad Rag Doll - Diana Krall 2012
87 Voice Of Ages - The Chieftains 2012
88 Storm & Grace - Lisa Marie Presley 2012
89 The Diving Board - Elton John 2013
90 Lost On The River - The New Basement Tapes 2014
91 Put Your Needle Down - The Secret Sisters 2014
92 Plain Spoken - John Mellencamp 2014
93 Ghostlight - Betty Buckley 2014
94 For Once And For All - Jack Clement 2014
95 The Phosphorescent Blues - Punch Brothers 2015
96 Tomorrow Is My Turn - Rhiannon Giddens 2015
97 The Great Pretenders - Mini Mansions 2015
98 Nothing But The Silence - Striking Matches 2015
99 Wonderful Crazy Night - Elton John 2016
100 Life Love Flesh Blood - Imelda May 2017
  • Quote
PRODUCED BY JOHN "MUTT" LANGE
https://www.besteveralbums.com/thechart.php?c=43751
I don't really know the first half of the list, and don't particularly like the incredibly commercially successful second half of the list, but I find it interesting nonetheless. From 1980 on, he didn't really make that many records. That Romeo's Daughter record sticks out as one that didn't get any traction, and it's a complete mystery as to how or why he made a record with Yo La Tengo as Condo Fucks?

1 City Boy- City Boy 1975
2 Mallard - Mallard 1975
3 In Living Black And White - Kevin Coyne 1976
4 Heat Treatment - Graham Parker 1976
5 Supercharge - Supercharge 1976
6 Horizontal Refreshment - Supercharge 1976
7 Young Men Gone West - City Boy 1977
8 Unavailable - Clover 1977
9 Max - The Rumour 1977
10 The Motors - The Motors 1977
11 Love On The Wire - Clover 1977
12 The Boomtown Rats - The Boomtown Rats 1977
13 White Music - XTC 1978
14 The Parkerilla - Graham Parker 1978
15 Playin' To Win - The Outlaws 1978
16 Savage Return - Savoy Brown 1978
17 Cabin Fever - The Michael Stanley Band 1978
18 Tycoon - Tycoon 1978
19 Book Early - City Boy 1978
20 A Tonic For The Troops - The Boomtown Rats 1978
21 Highway To Hell - AC/DC 1979
22 The Fine Art Of Surfacing - The Boomtown Rats 1979
23 The Day The Earth Caught Fire - City Boy 1979
24 Body Rhythm - Supercharge 1979
25 The Records - The Records 1979
26 Broken Home - Broken Home 1980
27 Back In Black - AC/DC 1980
28 4 - Foreigner 1981
29 For Those About To Rock We Salute You - AC/DC 1981
30 High 'n' Dry - Def Leppard 1981
31 Pyromania - Def Leppard 1983
32 Heartbeat City - The Cars 1984
33 Who Made Who - AC/DC 1986
34 Hysteria - Def Leppard 1987
35 Romeo's Daughter - Romeo's Daughter 1988
36 Waking Up The Neighbours - Bryan Adams 1991
37 The Woman In Me - Shania Twain 1995
38 18 Til I Die - Bryan Adams 1996
39 Come On Over - Shania Twain 1997
40 Up! - Shania Twain 2002
41 Dark Horse - Nickelback 2008
42 Fuckbook - Condo Fucks 2009
43 Hands All Over - Maroon 5 2010
44 Drones - Muse 2015
  • Quote
The obvious and indisputable greatest producers ever are Tom Dowd and Jerry Wexler of Atlantic Records. If you don't believe me, just look up their credits. Not to mention Tom Dowd was also the greatest engineer ever, considering he originated multi-track recording, among other Innovations.
  • Quote
bobbyb5 wrote:
The obvious and indisputable greatest producers ever are Tom Dowd and Jerry Wexler of Atlantic Records. If you don't believe me, just look up their credits. Not to mention Tom Dowd was also the greatest engineer ever, considering he originated multi-track recording, among other Innovations.



This will be obviously disputed...
_________________
I'm leaning on the threshold
Of her mystery
And crashing through the walls
Of dying history
  • Quote
Romanelli wrote:
This will be obviously disputed...
๐Ÿคฃ
  • Quote
rkm wrote:
This site, being what it is, now we should start arguing about who is the best producer of all time, and how [insert name] was rubbish after [insert album] and should've stopped making records.

It would be a hard thing to quantify, though. Producer, is such a slippery term. You could praise a producer for having a recognisable sound, or condemn them for forcing their sound on everything they do. Some producers' genius is purely in getting great performances out of an artist, and are otherwise invisible. Some are consistent, and some are shape-shifting over time.


Yeah, sometimes the best producers are the ones who have a very specific style and sound, and sometimes the best ones are the ones who didn't have any identifiable Style. I like a lot of both kinds. There's lots of both that I've always liked.
  • Quote
rkm wrote:
You see, I was think of you, and thinking that even though you don't like U2 after ATYCLB, that maybe Lanois is either the cause of the problem, or a window into liking other things that are somehow connected but not U2.

I really like this one


Black Dub by Black Dub


I've seen this album a few times now, definitely should check out.
  • Quote
bobbyb5 wrote:
rkm wrote:
This site, being what it is, now we should start arguing about who is the best producer of all time, and how [insert name] was rubbish after [insert album] and should've stopped making records.

It would be a hard thing to quantify, though. Producer, is such a slippery term. You could praise a producer for having a recognisable sound, or condemn them for forcing their sound on everything they do. Some producers' genius is purely in getting great performances out of an artist, and are otherwise invisible. Some are consistent, and some are shape-shifting over time.


Yeah, sometimes the best producers are the ones who have a very specific style and sound, and sometimes the best ones are the ones who didn't have any identifiable Style. I like a lot of both kinds. There's lots of both that I've always liked.


Sometimes big name producers with very identifiable sounds can overwhelm bands a bit. Nigel Godrich's work outside of Radiohead springs to mind. Dave Friedman when he's not producing the Flaming Lips. Maybe even when he is producing the Flaming Lips.
  • Quote
Michael1981 wrote:
bobbyb5 wrote:
rkm wrote:
This site, being what it is, now we should start arguing about who is the best producer of all time, and how [insert name] was rubbish after [insert album] and should've stopped making records.

It would be a hard thing to quantify, though. Producer, is such a slippery term. You could praise a producer for having a recognisable sound, or condemn them for forcing their sound on everything they do. Some producers' genius is purely in getting great performances out of an artist, and are otherwise invisible. Some are consistent, and some are shape-shifting over time.


Yeah, sometimes the best producers are the ones who have a very specific style and sound, and sometimes the best ones are the ones who didn't have any identifiable Style. I like a lot of both kinds. There's lots of both that I've always liked.


Sometimes big name producers with very identifiable sounds can overwhelm bands a bit. Nigel Godrich's work outside of Radiohead springs to mind. Dave Friedman when he's not producing the Flaming Lips. Maybe even when he is producing the Flaming Lips.


Very true. It's got to be a good matchup between producer and artist. With a certain type of artist, it's really appropriate to have the kind of producer who likes big extravagant productions with umpteen instruments. But some artists are better off with a producer who keeps it simple with just a few instruments.

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