Top 10+ Music, Movies, and Visual Art of the Week (2020 - 2026) - Music Diaries

AfterHours · 2020-01-03T12:42:55-05:00

WHAT IS THIS LOG??? This is a log where, over the course of a given week or set of weeks, I consistently track about 90% (or even as much as 100%, but not always) of the Rock, Jazz and Classical music I am listening to, and/or the Films, Paintings/Visual Art I am viewing. Sometimes I track all of it but when I am extra busy this is almost never the case. For the given week(s) I also rank all the selections. The rankings on this log only reflect how much I favored them during the given period of time, not "overall" or "all-time". Therefore, while higher rated works will more frequently out-perform works rated lower than them, this will not always be the case -- they will not always reflect the same rankings on my "Greatest" lists. Just because a work is rated above another does not mean I enjoy it more 100% of the time (just most of the time; closer to 100% the wider the ratings differential). Many factors can make me temporarily favor a lesser rated work over a higher rated one, including but not limited to: -Very often, a new work to me will rank higher than it usually might, even above others with higher ratings, due to being temporarily enhanced by the excitement of discovery. There can be a similar "excitement of discovery" when I've made a new realization about a familiar work, and especially if I've just upgraded it to a higher rating, or am considering doing so. -My mood or perhaps even something in my personal life during the given week(s) may cause me to temporarily favor a particular genre or expressive type. -I may be particularly focused on a genre or artist or type of art (etc) so my interest is more heightened towards those over others during the given week(s). -One of the factors taken into account for the rankings here is how much time I spent on a work and/or how much I listened to, viewed or evaluated the work during the given week(s). Ex: If I listened to Highway 61 Revisited 10 times but Velvet Underground and Nico only 1 time, there is a very good chance I was much more consumed by Highway 61 Revisited during that time frame, and it will likely out-rank it here, even if otherwise I usually would favor, rate and rank Velvet Underground and Nico above it. These kinds of factors are temporary and are ultimately not given permanent consideration in my overall ratings and rankings as they usually only apply for a matter of days or a week or two, so would tend to represent a minority of my experiences with a work. My overall ratings reflect the ranking and rating that work most consistently sustains over the course of time, not fleetingly. On this log, a higher ranking than expected for a lower rated work can be a legitimate reflection that I am strongly considering upgrading it. Similarly, a lower ranking than expected for a higher rated work can be a legitimate reflection that I am considering downgrading it. But neither of these are always the case -- just an indication that it might be. Sometimes, more revisits may be needed to make a final determination, especially if with a work that has been stably rated and ranked for a considerable period of time before that. To qualify for inclusion here, the work has to rate 6.8 or above -- or at least did so at some point during the given week(s). If I include an additional "Top 10+" for lower rated works (such as 4.8/10-6.7/10) then of course those can be included as indicated. Below the "Top 10+" list(s), you will find where I log any ratings changes to the music, films or paintings/visual art for the given week(s). This has usually been reserved for ratings changes to works rated 6.8/10+ (or upgraded to this), unless otherwise indicated. Ratings updates initially colored in BLUE are those I've revisited within the given week(s) or, if not, very recently before that (close enough). Ratings updates initially colored in RED are not based on a revisit of the work DURING the listed week(s) or very recently, but usually a result of ratings tweaks being made in comparison to others or it may be part of a "domino effect" of changes that can follow from a change in my ratings scale or a general reconsideration of an artist, type of work, genre, etc. Below that you will find where I track my "Top 50 Works of Art of the Year". These are what I favored the most over that year, whether the work is new or old to me. The higher the ranking, the more I favored that work and the more it dominated my interests over the course of that year. Again, this will not always reflect the same rankings as one will find on my overall "Greatest" lists, as it is for that year only, but will certainly tend to favor the higher rated works. Very rarely does anything below 8.8/10 end up winning for the year, and if it did, it was probably considered 8.8/10 or above at that time even if not any more. This log started back around 2008-2009 on a site called listology (that crashed later) and began as just a really good way to track what I was listening to or viewing and also became a good foundation from which to build my lists from as they were rapidly growing at that time (especially as these had expanded between rock, jazz, classical, cinema, and later, paintings). Updates could be difficult to keep up with as my lists expanded and this log became a good source to see them all in one spot so one didn't have to keep checking each individual list out to see if anything had changed. This log also soon became a good source from which a lot of interesting discussion would take place, and this remains my favorite reason for keeping it running. It is also just sort of a personal "game" (so to speak) with myself, to keep my interest and discipline peeked along the way, to help keep my mind "sharp" in thinking with and determining ratings/rankings along the way and across a huge scale of qualitative increments. Outside of that, the "Top 10+" rankings for each week or set of weeks, the "Top 50 of the year" rankings, and so on, are rather meaningless in the scheme of things, in that they're ultimately not too essential for the main lists that I work on but rather "notes" or a reflection of my thinking along the way. It's all terribly nerdy, of course, but it works for me, and over the years some users across listology and BEA seem to have found it of some interest too, and that community and discussion has been helpful for me in fine tuning my lists, my views, criteria, analyses, etc (and hopefully, helpful both ways, too). Ultimately, my favorite result is if the log leads to interesting discussion about the works themselves, about ratings/rankings, about discoveries in art, and the like. So if you feel inclined to share your thoughts or have a question, or have a recommendation, you are more than welcome to do so. I try to take up all discussion and answer all questions. Generally speaking, all are welcome (particularly those that are genuine, not trolling). Naturally, those questions best aligned to which works/genre(s) I'm most currently featuring on this log (which also displays my immediate, active interests), are (usually) those that get the better and quicker responses. If I am very focused on a particular art or genre, I am not usually all that good at discussing much about another, as I am best with those I am actively invested in, being inspired by and actively thinking about. While there are certain common denominators that make all art comparable, each art tends to require its own way of thinking and evaluating it in its own contexts, and I tend to get fairly immersed in this alone when I am seriously invested in a particular genre or type of work, therefore I find it difficult to shake that mindset and discuss other works as freely and with as much interest. That said, if you have something to say or ask about any of the various arts I pursue, whether I am actively logging it or not, just go for it. It can never hurt and I'm not here to stop or inhibit you from saying what you want when you want to say it. Even if I don't give a good answer right then and there, it's harmless to get it out there and we can always come back to it when it's more aligned to my active interests (and you can always remind me later too). One last note: I lead a fairly busy life and when I am replying or posting on BEA, it is usually in between things plus often from my phone (not the best for typing). So although I usually keep a BEA tab open throughout the day for quick access, I am not (usually) ACTIVELY on the site for more than short spurts of time here and there and am often hurried when I reply or say something. So forgive me if those replies can be haphazard (poorly written, punctuated, descriptively rushed, etc). They are usually a bit sloppy with me banking on the hope that I still got the gist of my main idea(s) across. You are always welcome to follow up if you want clarification or don't know what the hell I meant! I can usually explain something better if I return to it with a little more time or by the second or third crack at it (we hope), but I usually don't try and further clarify any of these unless someone continues the discussion or asks me to. My more official reviews/analyses for a given work (though infrequent) tend to be better, more well thought out, better detailed and specified, examples of what I actually think about said work(s) than my often haphazard replies or the notes in this log, which are usually more the "gist" or "general idea" or an "abbreviated version" of my thoughts. So take my more haphazard replies/notes with that in mind, and feel free to ask further if I haven't explained myself well enough. I do hope to add more official reviews/analyses in the future. _________________________________ Top 10+ Music, Movies, and Visual Art of the Week (2020) NOTE: This is a log of my favorite works of music, cinema and/or visual art for the given week(s). The rankings here will not necessarily parallel my overall rankings, as these are only what I favored for the given week(s). To qualify for inclusion, the work must be rated 6.8/10 or better (or at least was at some point during the week). This log will also include updated ratings for my various lists (below the "Top 10+" section) Below that, there will be a running listing of my "Top 50 Works of Art of the Year". This is simply a log of my favorite art over the course of this whole year, whether old or new to me. This list is cumulative, week-to-week, until its final standings at the end of the year. Recommendations and suggestions welcome. For my criteria, go here: http://www.besteveralbums.com/phpBB2/viewtopic.php?t=15503 Bold = Newly added Bold + Italics = Was already listed but recently upgraded/downgraded Top 10+ Music, Movies, and Visual Art of the Week(s): 1-1-2020 - 1-12-2020 The Doors - The Doors (1966) Blonde On Blonde - Bob Dylan (1966) Highway 61 Revisited - Bob Dylan (1965) The Third Man - Carol Reed (1949) A Genuine Tong Funeral - Carla Bley/Gary Burton (1967) Volunteers - Jefferson Airplane (1969) We Insist! Freedom Now Suite - Max Roach (1960) All Bitches Die - Lingua Ignota (2017) Let the Evil of His Own Lips Cover Him - Lingua Ignota (2017) ...NOT RATED YET ... but probably at least 7.5+ & excellent chance at 7.8+ with further listens Sunset Boulevard - Billy Wilder (1950) Millions Now Living Will Never Die - Tortoise (1996) History of Heat - Sadaf (2019) ...NOT RATED YET ... but probably at least 7.3+ & solid chance at 7.8+ with further listens Everybody Knows This is Nowhere - Neil Young (1969) Suspicion - Alfred Hitchcock (1941) Once Upon A Time In Hollywood - Quentin Tarantino (2019) ...Echoes Tarantino's influences throughout, such as Sergio Leone, Welles (Touch of Evil), Scorsese, old B movies (etc). The whole film plays with the idea of a "western within a western", and its nostalgic recreation of late 60s Hollywood makes several references to the present while also being the past. The ending in which Tarantino subverts history, replaces it with his own ultra violent resolution, thus giving the middle finger to his critics that have denounced him for this very thing, can be viewed from several angles. Here he seems to be using it to alter the course of history, as a force of "good", to rearrange the trajectory of the very period and sort of filmmaking that shaped his own, but this is also left very ambigious, open ended and allusory for the viewer to recreate how events may have transpired in this new "course of history", and thus rendering the whole period lovingly immortal instead of its actual horrific end. Here he seems to transform the "end of the 60s" (which Tate's murder symbolized) into an immortalization of it, lending extra creedence to the nostalgia trip we've partaken in with him in all the previous scenes (which seemed shaky in their necessity, or were they?). Is Tarantino also alluding to not just a salvaging of a bygone hollywood era but perhaps Polanski too thus rewriting the trajectory of his life and potentially altering a key historical precedent to the recent Hollywood climate to which Tarantino himself has been lambasted for ("#Metoo" etc)? Im not sure but the film begs many such possible questions/ambiguities and interpretations in its apparent motivations and in its many quotations (of Leone, Welles, through the revisionist characters and events, etc) and the many possible allusions stemming from this. This may all hold the potential for one of the better films of the decade, potentially very intriguing in the context of a swansong and the conflation of period, Hollywood, Tarantino's influences, personality and juxtaposition with the time-line and inspiration of his life and career. Quite an interesting work and extraordinary in ways, but overall I am somewhat torn on just how great it is. But as noted, there seems potential left for much more interpretation and significance depending on just how profoundly Tarantino has conflated these elements and influences with his own art and how well this holds up through multiple views (does it hold up AS cinema, IN the filmic language itself or is too much of this only relevant if you know the history, backstories etc?). At times Tarantino's integration seems significant while during stretches I wasn't sure, or perhaps missed the correlation... Well worth another viewing or more, with potential for upgrade. Are You Experienced? - Jimi Hendrix (1967) Miracle in Milan - Vittorio de Sica (1951) Pavilion of Dreams - Harold Budd (1978) Let My Children Hear Music - Charles Mingus (1972) Late For the Sky - Jackson Browne (1974) Laura - Otto Preminger (1944) Odd Man Out - Carol Reed (1947) A Better Tomorrow - John Woo (1986) This Year's Model - Elvis Costello (1978) Blood On The Tracks - Bob Dylan (1975) FAMILIAR ROCK/JAZZ ALBUMS - RE-RATED: Highway 61 Revisited - Bob Dylan (1965) 8.2/10 to 8.3/10 Let My Children Hear Music - Charles Mingus (1972) 8.3/10 to 8.2/10 Pavilion of Dreams - Harold Budd (1978) 8.3/10 to 7.9/10 NEWLY ASSIMILATED ROCK/JAZZ ALBUMS - RATED: All Bitches Die - Lingua Ignota (2017) 7.6/10 FAMILIAR FILMS - RE-RATED: The Third Man - Carol Reed (1949) 7.3/10 to 7.6/10 Miracle in Milan - Vittorio de Sica (1951) 8.1/10 to 7.6/10 Suspicion - Alfred Hitchcock (1941) Not Rated to 7.3/10 Laura - Otto Preminger (1944) 7.3/10 to 7.0/10 A Better Tomorrow - John Woo (1986) Not Rated to 7.0/10 NEWLY ASSIMILATED FILMS - RATED: Once Upon A Time In Hollywood - Quentin Tarantino (2019) 7.1/10 Odd Man Out - Carol Reed (1947) 7.0/10 TOP 50 WORKS OF ART OF THE YEAR (2019) PAST WINNERS: 1995 - 2018 (NOTE: My series of "Top 10 of the Week" lists only actually goes back to 2008. Prior to that are simply my noted favorite works of each given year without any attempt to keep further record) 2018: Symphony No. 9 in D Minor "Choral" - Ludwig van Beethoven (1824) 2017: Sistine Chapel (Ceiling & The Last Judgement) - Michelangelo Buonarroti (1512; 1541) 2016: Sistine Chapel (Ceiling & The Last Judgement) - Michelangelo Buonarroti (1512; 1541) 2015: Astral Weeks - Van Morrison (1968) 2014: Sistine Chapel (Ceiling & The Last Judgement) - Michelangelo Buonarroti (1512; 1541) 2013: Requiem - Giuseppe Verdi (1874) 2012: Citizen Kane - Orson Welles (1941) 2011: Citizen Kane - Orson Welles (1941) 2010: Symphony No. 9 in D Major - Gustav Mahler (1910) 2009: Nostalghia - Andrei Tarkovsky (1983) 2008: The Black Saint & The Sinner Lady - Charles Mingus (1963) 2007: Trout Mask Replica - Captain Beefheart (1968) 2006: Rock Bottom - Robert Wyatt (1974) 2005: A Love Supreme - John Coltrane (1964) 2004: Kid A - Radiohead (2000) 2003: Yankee Hotel Foxtrot - Wilco (2002) 2002: In the Aeroplane Over the Sea - Neutral Milk Hotel (1998) 2001: Astral Weeks - Van Morrison (1968) 2000: Symphony No. 9 in D Minor - Ludwig van Beethoven (1824) 1999: Violin Partita No. 2 in D Minor - J.S. Bach (1723) 1998: OK Computer - Radiohead (1997) 1997: The Bends - Radiohead (1995) 1996: 2001: A Space Odyssey - Stanley Kubrick (1968) 1995: Throwing Copper - Live (1995) TOP 50 WORKS OF ART OF THE YEAR (2019) 1. Rock Bottom - Robert Wyatt (1974) 2. The Doors - The Doors (1966) 3. Sistine Chapel (Ceiling & The Last Judgement) - Michelangelo Buonarroti (1512; 1541) 4. Ys - Joanna Newsom (2006) 5. Piano Sonata No. 32 in C Minor - Ludwig van Beethoven (1822) 6. Symphony No. 9 in D Major - Gustav Mahler (1910) 7. Blonde On Blonde - Bob Dylan (1966) 8. The Velvet Underground & Nico - The Velvet Underground (1966) 9. Das Lied von der Erde - Gustav Mahler (1909) 10. String Quintet in C Major - Franz Schubert (1828) 11. Mass in B Minor - Johann Sebastian Bach (1749) 12. Symphony No. 9 in C Major "The Great" - Franz Schubert (1826) 13. Symphony No. 5 - Gustav Mahler (1902) 14. Requiem - Guisseppe Verdi (1874) 15. Symphony No. 9 in D Minor "Choral" - Ludwig van Beethoven (1824) 16. Down Colorful Hill - Red House Painters (1992) 17. Symphony No. 5 in C Minor - Ludwig van Beethoven (1808) 18. Elektra - Richard Strauss (1909) 19. Don Giovanni - Wolfgang Amadeus Mozart (1787) 20. Symphony No. 41 in C Major - Wolfgang Amadeus Mozart (1788) 21. Dreamtime Return - Steve Roach (1988) 22. Electric Ladyland - Jimi Hendrix (1968) 23. Pulp Fiction - Quentin Tarantino (1994) 24. Piano Sonata No. 29 in B-flat Major "Hammerklavier" - Ludwig van Beethoven (1818) 25. Symphony No. 3 in E-flat Major "Eroica" - Ludwig van Beethoven (1804) 26. Winterreise - Franz Schubert (1828) 27. Trout Mask Replica - Captain Beefheart (1969) 28. The Blue Angel - Josef Von Sternberg (1930) 29. M - Fritz Lang (1931) 30. Jagged Little Pill - Alanis Morissette (1995) 31. Desertshore - Nico (1970) 32. Pelléas et Mélisande - Claude Debussy (1898) 33. Peter Grimes - Benjamin Britten (1945) 34. Variations in Dream-time - Anthony Davis (1982) 35. Symphony No. 5 in E Minor - Pyotr Ilyich Tchaikovsky (1888) 36. The Days of Wine & Roses - Dream Syndicate (1982) 37. Sonata in G minor for Piano and Cello, Op. 19 - Sergei Rachmaninoff (1901) 38. Exile On Main Street - The Rolling Stones (1972) 39. Loveless - My Bloody Valentine (1991) 40. Glagolitic Mass - Leos Janacek (1926) 41. Symphony No. 8 in G major - Antonin Dvorak (1889) 42. Quartet for the End of Time - Olivier Messiaen (1941) 43. Fidelio - Ludwig van Beethoven (1805; revised 1806-1814) 44. Dimension Gate - Aurora (1994) 45. Master Of Puppets - Metallica (1986) 46. Post to Wire - Heather Duby (1999) 47. Frigid Stars - Codeine (1990) 48. Hejira - Joni Mitchell (1976) 49. Astral Weeks - Van Morrison (1968) 50. Music for Strings, Percussion and Celesta - Bela Bartok (1936) TOP 50 WORKS OF ART OF THE DECADE (2010-2019) 1. Sistine Chapel (Ceiling & The Last Judgement) - Michelangelo Buonarroti (1512; 1541) 2. Symphony No. 9 in D Major - Gustav Mahler (1910) 3. Symphony No. 9 in D Minor "Choral" - Ludwig van Beethoven (1824) 4. Rock Bottom - Robert Wyatt (1974) 5. The Velvet Underground & Nico - The Velvet Underground (1967) 6. Citizen Kane - Orson Welles (1941) 7. The Doors - The Doors (1967) 8. Brazil - Terry Gilliam (1985) 9. Peasants' War Panorama - Werner Tubke (1987) 10. The Garden of Earthly Delights - Hieronymus Bosch (circa 1500) 11. In the Aeroplane Over the Sea - Neutral Milk Hotel (1998) 12. Ys - Joanna Newsom (2006) 13. Symphony No. 9 in C Major "The Great" - Franz Schubert (1826) 14. Requiem - Guisseppe Verdi (1874) 15. Down Colorful Hill - Red House Painters (1992) 16. Blonde On Blonde - Bob Dylan (1966) 17. Piano Sonata No. 32 in C Minor - Ludwig van Beethoven (1822) 18. Trout Mask Replica - Captain Beefheart & His Magic Band (1969) 19. Symphony No. 15 in A Major - Dmitri Shostakovich (1971) 20. Symphony No. 4 in E Minor - Johannes Brahms (1884) 21. Mass in B Minor - Johann Sebastian Bach (1749) 22. Touch of Evil - Orson Welles (1958) 23. Nostalghia - Andrei Tarkovsky (1983) 24. Faust - Faust (1971) 25. Symphony No. 5 in C Minor - Ludwig van Beethoven (1808) 26. Glagolitic Mass - Leos Janacek (1926) 27. The Black Saint & The Sinner Lady - Charles Mingus (1963) 28. A Love Supreme - John Coltrane (1964) 29. Metropolis - Fritz Lang (1927) 30. Symphony No. 9 in E Minor "From the New World" - Antonin Dvorak (1893) 31. Symphony No. 41 in C Major - Wolfgang Amadeus Mozart (1788) 32. Symphony No. 3 in F Major - Johannes Brahms (1883) 33. Symphony No. 3 in E-flat Major "Eroica" - Ludwig van Beethoven (1804) 34. Have One On Me - Joanna Newsom (2010) 35. The River - Bruce Springsteen (1980) 36. Even the Sounds Shine - Myra Melford (1994) 37. Variations in Dream-time - Anthony Davis (1982) 38. Lady of the Mirrors - Anthony Davis (1980) 39. Improvisie - Paul Bley (1971) 40. Philosophy, Medicine & Jurisprudence - Gustav Klimt (1907) 41. The Reminiscences of Judge Schulze (Parts II, III, & VII) - Werner Tubke (1967) 42. The Beethoven Frieze - Gustav Klimt (1902) 43. Vertigo - Alfred Hitchcock (1958) 44. Astral Weeks - Van Morrison (1968) 45. Werckmeister Harmonies - Bela Tarr (2000) 46. Afternoon of a Georgia Faun - Marion Brown (1970) 47. Ptah, the El Daoud - Alice Coltrane (1970) 48. Pulp Fiction - Quentin Tarantino (1994) 49. Taxi Driver - Martin Scorsese (1976) 50. Hex - Bark Psychosis (1994)

MadhattanJack Just to end the list Profile

AfterHours wrote:

Sleep Token…

A close friend adores them and puts at least two of their albums among the best ever. He has been strongly recommending them for months… But his taste is very hit and miss for my tastes and I’ve just been swamped with other things and I have yet to bite. Any one who knows my taste have a take on this band and if they should be strongly recommended to me or not?

Oddly enough, I can't find any custom charts here ranking albums recorded by masked bands. Maybe that's something I should do, except that I generally don't like masked bands, other than The Residents, and Pussy Riot, and Los Straitjackets... maybe Animal Collective too, and MF Doom, and Nash the Slash, and apparently Devo is considered a masked band by some people... Okay, so I like a lot of masked bands. There, I admit it! That said, the quality of Sleep Token's masks is actually well above average, and way better than Slipknot's, which is the first band everyone thinks of in the genre. The Rubberbandits were probably the worst, though. The pits. Just really, really shitty masks.

AfterHours Profile
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MadhattanJack wrote:

AfterHours wrote:

Sleep Token…

A close friend adores them and puts at least two of their albums among the best ever. He has been strongly recommending them for months… But his taste is very hit and miss for my tastes and I’ve just been swamped with other things and I have yet to bite. Any one who knows my taste have a take on this band and if they should be strongly recommended to me or not?

Oddly enough, I can't find any custom charts here ranking albums recorded by masked bands. Maybe that's something I should do, except that I generally don't like masked bands, other than The Residents, and Pussy Riot, and Los Straitjackets... maybe Animal Collective too, and MF Doom, and Nash the Slash, and apparently Devo is considered a masked band by some people... Okay, so I like a lot of masked bands. There, I admit it! That said, the quality of Sleep Token's masks is actually well above average, and way better than Slipknot's, which is the first band everyone thinks of in the genre. The Rubberbandits were probably the worst, though. The pits. Just really, really shitty masks.

Um… thanks as always MH? 🤣

…So based on these, *cough* “analogies”, Sleep Token are basically somewhere between Vampire Rodents Lullaby Land and Carla Bleys Escalator Over the Hill!! Got it ❗
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AFTERHOURS VERSUS SCARUFFISAURUS REX!!!!

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Revisiting recent, notable Scaruffi ratings changes

And various notable ratings discrepancies of plus or minus 0.5 or more, plus whatever else I may want to revisit for comparisons, to double check, etc

Rock/Jazz - Running Log

The Jazz Composer's Orchestra - Michael Mantler (1968) [aka, "The Jazz Composer’s Orchestra - The Jazz Composer's Orchestra (1968)"] 8.3/10 to 8.9/10 / SCARUFFI: 8.5/10 Tracks: 1: 7.2 / 2: 7.1 / 3: 6.3 / 4: 7.1 / 5+6: 8.2
Through Silver in Blood - Neurosis (1996) 8.2/10 to 8.5/10 / SCARUFFI RECENTLY: 8/10 to 8.5/10
Ascension - John Coltrane (1965) [First Recording, aka "Edition II"] 8.3/10 to 8.5/10 / SCARUFFI: 8.5/10
Spirit of Eden - Talk Talk (1988) 8.3/10 to 8.4/10 / SCARUFFI: 8/10 Tracks: 1+2+3: upgrade 7.5 / 4: 7.0 / 5: 6.8 / 6: 7.0
The Survivor’s Suite – Keith Jarrett (1976) 8.1/10 to 8.3/10 / SCARUFFI: 8/10 Tracks: 1: upgrade to 7.4 / 2: 7.5
Mu - Don Cherry (1969) [Parts 1 & 2] 7.5/10 to 8.3/10 / SCARUFFI: 9/10
Out to Lunch - Eric Dolphy (1964) 8.1/10 to 8.3/10 / SCARUFFI: 8/10 Tracks: 1: 7.3 / 2: 7.1 / 3: 6.5 / 4: 7.3 / 5: 6.7
Fresh Fruit For Rotting Vegetables - Dead Kennedy's (1980) Maintained 8.3/10 / SCARUFFI: 8.5/10
The Ascension - Glenn Branca (1981) Maintaining 8.2/10, possibly 8.3+ / SCARUFFI: 8/10 Tracks: 1: 6.1 / 2: 7.1 / 3: 6.0 / 4: 6.9 / 5: 7.9
A Genuine Tong Funeral - Carla Bley and Gary Burton (1967) 7.8/10 to 8.2/10, possibly 8.3+ / SCARUFFI: 8.5/10
Slow, Deep & Hard - Type O Negative (1991) 8.1/10 to 8.2/10 / SCARUFFI RECENTLY: 9/10 to 8/10
Kick Out the Jams - MC5 (1969) 8.4/10 to 8.2/10 / SCARUFFI RECENTLY: 8.5/10 to 8/10
Even the Sounds Shine - Myra Melford (1994) 8.1/10 to 8.2/10 / SCARUFFI: 8/10
Sound - Roscoe Mitchell (1966) Maintained 8.2/10, possibly 8.3+ / SCARUFFI: 8.5/10 Tracks: 1: 6.8 / 2: 7.3 / 3: 7.5
Let the Evil of His Own Lips Cover Him - Lingua Ignota (2017) Maintained 8.2/10, though dropped some in ranking… / SCARUFFI: 8/10
Children of God - Swans (1987) Maintained 8.2/10, though dropped some in ranking / SCARUFFI: 8/10
Ptah, the El Daoud - Alice Coltrane (1970) 7.9/10 to 8.1/10 / SCARUFFI: 8.5/10 Tracks: 1: 7.1 / 2: 7.0 / 3: 6.4 / 4: 7.6
We Insist! Freedom Now Suite - Max Roach (1960) Maintained 8.1/10 / SCARUFFI: 8.5/10
Let My Children Hear Music - Charles Mingus (1972) 8.2/10 to 8.1/10 / SCARUFFI: 8/10 Tracks: 1: 7.1 / 2: 6.8 / 3: 6.9 / 4: 7.1 / 5: 5.8 / 6: 6.4
Sahara – McCoy Tyner (1972) 7.9/10 to 8.0/10; 8.0/10 to 8.1/10 / SCARUFFI: 8/10
Ode - London Jazz Composer’s Orchestra (1972) Not Rated to 8.1/10 / SCARUFFI: 8/10 …Rating from years ago, never added, needs revisit
Third Ear Band - Third Ear Band (1970) 7.9/10 to 8.1/10 / SCARUFFI: 9/10
The Emotional Plague - Supreme Dicks (1996) 7.3/10 to 8.0/10 / SCARUFFI RECENTLY: 8/10 to 8.5/10
End of Silence - Henry Rollins (1992) Not Rated to 8.0/10 / SCARUFFI: 8/10 …Rating from years ago, never added at that time, still needs revisit…
Fun House - The Stooges (1970) 7.7/10 to 7.9/10 / SCARUFFI: 7.5/10
Vision Creation Newsun - Boredoms (1999) 7.9/10 to 8.3/10; 8.3/10 to 7.9/10 / SCARUFFI RECENTLY: 8/10 to 8.5/10 Tracks: 1: 7.3 / 2: 7.3 / 3: 5.5 / 4: 7.0 / 5: 5.2 / 6: 6.9 / 7: / 8: 5.8 / 9: 5.9
Heliocentric Worlds, Vol. 2 - Sun Ra (1965) Not Rated to 7.9/10 / SCARUFFI: 7.5/10 (decade page) or 8/10 (artist page) …Rating from years ago, never added, needs revisit
Extensions - McCoy Tyner (1970) 7.9/10 to 8.0/10; 8.0/10 to 7.8/10 / SCARUFFI: 8/10
Transition - Peter Michael Hamel (1983) 7.3/10 to 7.8/10 / SCARUFFI: 8/10
Sackcloth n’ Ashes - 16 Horsepower (1996) 7.6/10 to 7.8/10 / SCARUFFI RECENTLY: 7.5/10 to 8/10
California - American Music Club (1988) Maintained 7.7/10 / SCARUFFI: 8.5/10
Hot Animal Machine - Henry Rollins (1986) 7.9/10 to 7.7/10 / SCARUFFI RECENTLY: 8/10 to 8.5/10
Live at the Village Vanguard - John Coltrane (1961) 7.7/10 to 7.6/10 / SCARUFFI: 7.5/10
Croce - Father Murphy (2015) Under consideration… still 7.5/10? Will update… / SCARUFFI: 4.5/10 …7.5 rating from 10 years ago, may change… revisit(s) in progress… if it holds, 3.0 +/- remains among the very largest discrepencies with Scaruffi
In A Silent Way - Miles Davis (1969) Maintained 7.4/10 / SCARUFFI: 8/10
Bringing It All Back Home - Bob Dylan (1965) Maintained 7.4/10 / SCARUFFI RECENTLY: 6/10 to 6.5/10
Meditations - John Coltrane (1965) Not Rated to 7.4/10 / SCARUFFI: 7.5/10 …Rating from years ago, never added, needs revisit
Pithecanthropus Erectus - Charles Mingus (1956) Maintained 7.3/10 / SCARUFFI: 8/10
Entertainment! - Gang of Four (1979) 7.0/10 to 7.3/10 / SCARUFFI RECENTLY: 7/10 to 7.5/10
Light as a Feather - Chick Corea (1972) Maintained 7.3/10 / SCARUFFI: 7.5/10
Birth of the Cool - Miles Davis (1950) Maintained 7.3/10 / SCARUFFI: 8/10
Another Mind - Hiromi Uehara (2003) 8.0/10 to 7.2/10 / SCARUFFI: 7/10
Sketches of Spain - Miles Davis (1960) Nit Rated to 7.2/10 / SCARUFFI: 6.5/10 …Rating from years ago, never added, needs revisit
Interstellar Space - John Coltrane (1967) Not Rated to 7.0/10 / SCARUFFI: 7/10
Round About Midnight - Miles Davis (1956) Not Rated to 6.8/10 / SCARUFFI: 7/10 …Rating from years ago, never added, needs revisit

___________________

NOTABLE DISCREPENCIES WITH SCARUFFI

+/- 2.5 OR MORE
Have A Marijuana - David Peel (1968) (AH: 5.0/10; SCARUFFI: 8/10)
Croce - Father Murphy (2015) (AH: 7.5/10; SCARUFFI: 4.5/10)
Bangerz - Miley Cyrus (2013) (AH: 6.9/10; SCARUFFI: 4/10)
Apocalypse, girl - Jenny Hval (2015) (AH: 7.6/10; SCARUFFI: 5/10)

+/- 2.0 - 2.4

+/- 1.5 - 1.9
In the Aeroplane Over the Sea - Neutral Milk Hotel (1998) (AH: 8.9/10; SCARUFFI: 7/10)
Psychic...Powerless...Another Man's Sac - Butthole Surfers (1984) (AH: 7.5/10; SCARUFFI: 9/10)
Stateless - Dirty Beaches (2014) (AH: 7.5/10 / SCARUFFI: 6/10)

+/- 1.1 - 1.4
Moondance - Van Morrison (1970) (AH: 7.1/10; SCARUFFI: 8.5/10)
Laughing Stock - Talk Talk (1991) (AH: 8.3/10; SCARUFFI: 7/10)
Cop - Swans (1984) (AH: 6.8/10; SCARUFFI: 8/10)
Repeater - Fugazi (1990) (AH: 7.9/10; SCARUFFI: 9/10)
Fire of Love - Gun Club (1981) (AH: 7.9/10; SCARUFFI: 9/10)
Barrett - Syd Barrett (1970) (AH: 7.4/10; SCARUFFI: 8.5/10)
Surfer Rosa - Pixies (1988) (AH: 7.4/10; SCARUFFI: 8.5/10)
Telescopic - Edith Frost (1998) (AH: 6.9/10; SCARUFFI: 8/10)

+/- 1.0
Good - Morphine (1992) (AH: 8.0/10; SCARUFFI: 9/10)
Safe as Milk - Captain Beefheart (1967) (AH: 8.0/10; SCARUFFI: 9/10)
Bozo - Lida Husik (1991) (AH: 7.0/10; SCARUFFI: 8/10)
Songs the Lord Taught Us - Cramps (1980) (AH: 7.0/10; SCARUFFI: 8/10)
You The Night And The Music - Gallon Drunk (1992) (AH: 7.0/10; SCARUFFI: 8/10)
New York - Lou Reed (1989) (AH: 7.0/10; SCARUFFI: 8/10)
Filth - Swans (1983) (AH: 7.0/10; SCARUFFI: 8/10)
Tim - Replacements (1985) (AH: 7.0/10; SCARUFFI: 8/10)
Let It Be - Replacements (1984) (AH: 7.0/10; SCARUFFI: 8/10)
Sticky Fingers - Rolling Stones (1971) (AH: 8.0/10; SCARUFFI: 7/10)
Blood on the Tracks - Bob Dylan (1975) (AH: 7.0/10; SCARUFFI: 6/10)
Badmotorfinger - Soundgarden (1991) (AH: 7.0/10; SCARUFFI: 6/10)

+/- 0.9
The Good Son - Nick Cave (1990) (AH: 8.1/10; SCARUFFI: 9/10)
Nail - Foetus (1985) (AH: 8.1/10; SCARUFFI: 9/10)
Atlantis - Sun Ra (1967) (AH: 8.1/10; SCARUFFI: 9/10)
Third Ear Band - Third Ear Band (1970) (AH: 8.1/10; SCARUFFI: 9/10)
Uncle Meat - Frank Zappa (1969) (AH: 8.1/10; 9/10)
Underwater Moonlight - Soft Boys (1980) (AH: 7.6/10; SCARUFFI: 8.5/10)
Return of Red Emma - Lida Husik (1993) (AH: 7.1/10; SCARUFFI: 8/10)
Low Kick & Hard Bop - Solex (2001) (AH: 7.1/10; SCARUFFI: 8/10)
After the Rain - Michael Jones (1988) (AH: 7.1/10; SCARUFFI: 8/10)
If I Could Only Remember My Name - David Crosby (1971) (AH: 7.1/10; SCARUFFI: 8/10)
The Lemon of Pink - Books (2003) (AH: 7.1/10; SCARUFFI: 8/10)
Green Thoughts - Smithereens (1988) (AH: 6.6/10; SCARUFFI: 7.5/10)
Bringing it All Back Home - Bob Dylan (1965) (AH: 7.4/10; SCARUFFI: 6.5/10)

+/- 0.8
Lullaby Land - Vampire Rodents (1993) (AH: 8.2/10; SCARUFFI: 9/10)
Double Nickels on the Dime - Minutemen (1984) (AH: 8.2/10; SCARUFFI: 9/10)
Well Oiled - Hash Jar Tempo (1997) (AH: 8.2/10; SCARUFFI: 9/10)
Atomizer - Big Black (1986) (AH: 7.7/10; SCARUFFI: 8.5/10)
California - American Music Club (1988) (AH: 7.7/10; SCARUFFI: 8.5/10)
Hot Animal Machine - Henry Rollins (1986) (AH: 7.7/10; SCARUFFI: 8.5/10)
A Picture of Nectar - Phish (1992) (AH: 7.7/10; SCARUFFI: 8.5/10)
The Beatles - The Beatles (1968) (AH: 6.8/10; SCARUFFI: 6/10)

+/- 0.7
Fare Forward Voyagers - John Fahey (1973) (AH: 8.3/10; SCARUFFI: 9/10)
Hosianna Mantra - Popol Vuh (1973) (AH: 8.3/10; SCARUFFI: 9/10)
For Alto - Anthony Braxton (1968) (AH: 8.3/10; SCARUFFI: 9/10)
Mu - Don Cherry (1969) [Parts 1 & 2] (AH: 8.3/10; SCARUFFI: 9/10)
Dream Theory in Malaya - Jon Hassell (1981) (AH: 8.3/10; SCARUFFI: 9/10)
Half Machine Lip Moves - Chrome (1979) (AH: 7.8/10; SCARUFFI: 8.5/10)
Lost Works of Eunice Phelps - Maquiladora (1998) (AH: 7.3/10; SCARUFFI: 8/10)
Labradford - Labradford (1996) (AH: 7.3/10; SCARUFFI: 8/10)
At Action Park - Shellac (1994) (AH: 7.3/10; SCARUFFI: 8/10)
Telephone Free Landslide Victory - Camper Van Beethoven (1985) (AH: 7.3/10; SCARUFFI: 8/10)
On Fire - Galaxie 500 (1989) (AH: 7.3/10; SCARUFFI: 8/10)
Delete Yourself - Atari Teenage Riot (1995) (AH: 7.3/10; SCARUFFI: 8/10)
Marshmallows - The For Carnation (1996) (AH: 7.3/10; SCARUFFI: 8/10)
Live From a Shark Cage - Papa M (1999) (AH: 7.3/10; SCARUFFI: 8/10)
Balaklava - Pearls Before Swine (1968) (AH: 7.3/10; SCARUFFI: 8/10)
The Land of Rape and Honey - Ministry (1988) (AH: 7.3/10; SCARUFFI: 8/10)
Ornette! - Ornette Coleman (1961) (AH: 7.3/10; SCARUFFI: 8/10)
Fantasia For Guitar & Banjo - Sandy Bull (1963) (AH: 7.3/10; SCARUFFI: 8/10)
Ptoof! - Deviants (1967) (AH: 7.3/10; SCARUFFI: 8/10)
Fontessa - Modern Jazz Quartet (1956) (AH: 7.3/10; SCARUFFI: 8/10)
New York, NY - George Russell (1959) (AH: 7.3/10; SCARUFFI: 8/10)
Giant Steps - John Coltrane (1959) (AH: 7.3/10; SCARUFFI: 8/10)
Structures From Silence - Steve Roach (1984) (AH: 7.3/10; SCARUFFI: 8/10)
Saxophone Colossus - Sonny Rollins (1956) (AH: 7.3/10; SCARUFFI: 8/10)
Weasels Ripped My Flesh - Frank Zappa (1970) (AH: 7.3/10; SCARUFFI: 8/10)
Tweez - Slint (1989) (AH: 7.3/10; SCARUFFI: 8/10)
Whiskey for the Holy Ghost - Mark Lanegan (1994) (AH: 7.3/10; SCARUFFI: 8/10)
Crazy Rhythms - Feelies (1980) (AH: 7.3/10; SCARUFFI: 8/10)
1933 Your House is Mine - Missing Foundation (1987) (AH: 7.3/10; SCARUFFI: 8/10)
Conspiracy - Jeanne Lee (1974) (AH: 7.3/10; SCARUFFI: 8/10)
Far Cry - Eric Dolphy (1960) (AH: 7.3/10; SCARUFFI: 8/10)
Cosmic Tones For Mental Therapy - Sun Ra (1963) (AH: 7.3/10; SCARUFFI: 8/10)
Pithecanthropus Erectus - Charles Mingus (1956) (AH: 7.3/10; SCARUFFI: 8/10)
Birth of the Cool - Miles Davis (1950) [recorded 1950; released as LP 1957] (AH: 7.3/10; SCARUFFI: 8/10)
The Long View - Marty Ehrlich (2002) (AH: 8.2/10; SCARUFFI: 7.5/10)
Sylvan Esso - Sylvan Esso (2014) (AH: 6.9/10; SCARUFFI: 7.5/10)
Beware (The Funk is Everywhere) - Afrika Bambaataa (1986) (AH: 6.8/10; SCARUFFI: 7.5/10)
Paid in Full - Eric B & Rakim (1987) (AH: 6.8/10; SCARUFFI: 7.5/10)
Excitable Boy - Warren Zevon (1978) (AH: 6.8/10; SCARUFFI: 7.5/10)
The Guild of Temporal Adventurers - Kendra Smith (1992) (AH: 6.8/10; SCARUFFI: 7.5/10)
The Visitor - Jim O'Rourke (2009) (AH: 6.8/10; SCARUFFI: 7.5/10)
Good Old Boys - Randy Newman (1974) (AH: 6.8/10; SCARUFFI: 7.5/10)
12 Songs - Randy Newman (1970) (AH: 6.8/10; SCARUFFI: 7.5/10)
Common One - Van Morrison (1980) (AH: 6.8/10; SCARUFFI: 7.5/10)
With Fontella Bass - Art Ensemble of Chicago (1970) (AH: 7.7/10; SCARUFFI: 7/10)
Purple Rain - Prince (1984) (AH: 7.7/10; SCARUFFI: 7/10)
Private Dancer - Tina Turner (1984) [10 Track International Edition] (AH: 7.2/10; SCARUFFI: 6.5/10)
Sketches of Spain - Miles Davis (1960) (AH: 7.2/10; SCARUFFI: 6.5/10)

+/- 0.6
Saxophone Improvisations, Series F - Anthony Braxton (1972) (AH: 8.4/10; SCARUFFI: 9/10)
Geek the Girl - Lisa Germano (1994) (AH: 8.4/10; SCARUFFI: 9/10)
Spiritual Unity - Albert Ayler (1964) (AH: 8.4/10; SCARUFFI: 9/10)
Not Available - Residents (1974) (AH: 8.4/10; SCARUFFI: 9/10)
Freak Out! - Frank Zappa (1966) (AH: 7.9/10; SCARUFFI: 8.5/10)
15 July 1972 - Taj Mahal Travellers (1972) (AH: 7.9/10; SCARUFFI: 8.5/10)
Pavilion of Dreams - Harold Budd (1978) (AH: 7.9/10; SCARUFFI: 8.5/10)
Daydream Nation - Sonic Youth (1988) (AH: 8.6/10; SCARUFFI: 8/10)
Head Over Heels - Cocteau Twins (1983) (AH: 7.4/10; SCARUFFI: 8/10)
In A Silent Way - Miles Davis (1969) (AH: 7.4/10; SCARUFFI: 8/10)
Colors - Between the Buried and Me (2007) (AH: 7.4/10; SCARUFFI: 8/10)
666 - Aphrodite's Child (1971) (AH: 7.4/10; SCARUFFI: 8/10)
2 - Earth (1993) (AH: 7.4/10; SCARUFFI: 8/10)
Robin Holcomb - Robin Holcomb (1990) (AH: 7.4/10; SCARUFFI: 8/10)
Freedom Suite - Sonny Rollins (1958) (AH: 7.4/10; SCARUFFI: 8/10)
White Soul - Green (1989) (AH: 7.4/10; SCARUFFI: 8/10)
Buy - Contortions (1979) (AH: 7.4/10; SCARUFFI: 8/10)
Amsterdam - The Lofty Pillars (2001) (AH: 7.4/10; SCARUFFI: 8/10)
Head Over Heels - Cocteau Twins (1983) (AH: 7.4/10; SCARUFFI: 8/10)
A Burning Circle And Then Dust - Lycia (1995) (AH: 7.4/10; SCARUFFI: 8/10)
Day In The Stark Corner - Lycia (1993) (AH: 7.4/10; SCARUFFI: 8/10)
2 - Kraftwerk (1971) (AH: 7.4/10; SCARUFFI: 8/10)
Freedom Now Suite - Sonny Rollins (1958) (AH: 7.4/10; SCARUFFI: 8/10)
6 - Supersilent (2003) (AH: 8.1/10; SCARUFFI: 7.5/10)
Vade Mecum (Part I and II) - Bill Dixon (1993) (AH: 8.1/10; SCARUFFI: 7.5/10)
Reign in Blood - Slayer (1986) (AH: 6.9/10; SCARUFFI: 7.5/10)
3 Feet High and Rising - De La Soul (1989) (AH: 6.9/10; SCARUFFI: 7.5/10)
Tom Petty & The Heartbreakers - Tom Petty & The Heartbreakers (1976) (AH: 6.9/10; SCARUFFI: 7.5/10)
Johnny Comes Marching Home - The Del Lords (1986) (AH: 6.9/10; SCARUFFI: 7.5/10)
I-Feel-Like-I'm-Fixin'-to-Die - Country Joe and The Fish (1967) (AH: 7.6/10; SCARUFFI: 7/10)
Hounds of Love - Kate Bush (1985) (AH: 7.1/10; SCARUFFI: 6.5/10)

+/- 0.5
Faust - Faust (1971) (AH: 9.0/10; SCARUFFI: 9.5/10)
Novus Magnificat - Constance Demby (1986) (AH: 8.0/10; SCARUFFI: 8.5/10)
Bricolage - Amon Tobin (1997) (AH: 8.0/10; SCARUFFI: 8.5/10)
Cyclops Nuclear Submarine Captain - Dogbowl (1991) (AH: 8.0/10; SCARUFFI: 8.5/10)
Free Jazz - Ornette Coleman (1960) (AH: 8.0/10; SCARUFFI: 8.5/10)
Symphony For Improvisers - Don Cherry (1966) (AH: 8.0/10; SCARUFFI: 8.5/10)
Consumer Revolt - Cop Shoot Cop (1990) (AH: 8.0/10; SCARUFFI: 8.5/10)
Songs of Leonard Cohen - Leonard Cohen (1967) (AH: 8.0/10; SCARUFFI: 8.5/10)
A Rainbow in Curved Air - Terry Riley (1968) (AH: 8.0/10; SCARUFFI: 8.5/10)
In Den Ghaerten Pharoahs - Popol Vuh (1972) (AH: 8.0/10; SCARUFFI: 8.5/10)
The Emotional Plague - Supreme Dicks (1996) (AH: 8.0/10; SCARUFFI: 8.5/10)
Ys - Joanna Newsom (2006) (AH: 8.5/10; SCARUFFI: 8/10)
Variations in Dream-time - Anthony Davis (1982) (AH: 8.5/10; SCARUFFI: 8/10)
Indian War Whoop - Holy Modal Rounders (1967) (AH: 7.5/10; SCARUFFI: 8/10)
Unsane - Unsane (1991) (AH: 7.5/10; SCARUFFI: 8/10)
You Can't Pray A Lie - Laughing Hyenas (1989) (AH: 7.5/10; SCARUFFI: 8/10)
Ruby Vroom - Soul Coughing (1994) (AH: 7.5/10; SCARUFFI: 8/10)
The Firstborn is Dead - Nick Cave (1985) (AH: 7.5/10; SCARUFFI: 8/10)
In Praise Of Learning - Henry Cow (1975) (AH: 7.5/10; SCARUFFI: 8/10)
Phantasies And Senseitions - Bugskull (1994) (AH: 7.5/10; SCARUFFI: 8/10)
Blues For The Red Sun - Kyuss (1992) (AH: 7.5/10; SCARUFFI: 8/10)
May I Sing With Me - Yo La Tengo (1992) (AH: 7.5/10; SCARUFFI: 8/10)
Kill 'Em All - Metallica (1983) (AH: 7.5/10; SCARUFFI: 8/10)
Damaged - Black Flag (1981) (AH: 7.5/10; SCARUFFI: 8/10)
Prayer For The Halcyon Fear - Tiny Lights (1985) (AH: 7.5/10; SCARUFFI: 8/10)
Monster Walks The Winter Lake - David Thomas (1986) (AH: 7.5/10; SCARUFFI: 8/10)
King Kong - Jean Luc Ponty (1970) (AH: 7.5/10; SCARUFFI: 8/10)
Departure From the Northern Wasteland - Michael Hoenig (1978) (AH: 7.5/10; SCARUFFI: 8/10)
Warren Zevon - Warren Zevon (1976) (AH: 7.5/10; SCARUFFI: 8/10)
Streams - Sam Rivers (1973) (AH: 7.5/10; SCARUFFI: 8/10)
Removal of Secrecy - Rova Saxophone Quartet (1979) (AH: 7.5/10; SCARUFFI: 8/10)
Rocket to Russia - Ramones (1977) (AH: 7.5/10; SCARUFFI: 8/10)
The Problem With Me - Seam (1993) (AH: 7.5/10; SCARUFFI: 8/10)
Blanket Warm - Lullaby For the Working Class (1996) (AH: 7.5/10; SCARUFFI: 8/10)
Violent Femmes - Violent Femmes (1983) (AH: 7.5/10; SCARUFFI: 8/10)
Hole - Foetus (1984) (AH: 7.5/10; SCARUFFI: 8/10)
Goat - Jesus Lizard (1991) (AH: 7.5/10; SCARUFFI: 8/10)
Ladybird - Shit And Shine (2005) (AH: 7.5/10; SCARUFFI: 8/10)
Psychedelic Sounds of the 13th Floor Elevators - The 13th Floor Elevators (1966) (AH: 7.0/10; SCARUFFI: 7.5/10)
Between The Buttons - The Rolling Stones (1966) (AH: 7.0/10; SCARUFFI: 7.5/10)
Green River - Creedence Clearwater Revival (1969) (AH: 7.0/10; SCARUFFI: 7.5/10)
What's Going On - Marvin Gaye (1971) (AH: 7.5/10; SCARUFFI: 7/10)
Wish You Were Here - Pink Floyd (1975) (AH: 7.5/10; SCARUFFI: 7/10)
Closer - Joy Division (1980) (AH: 7.5/10; SCARUFFI: 7/10)
Stand! - Sly & The Family Stone (1969) (AH: 7.0/10; SCARUFFI: 6.5/10)
The Soft Bulletin - Flaming Lips (1999) [Original 13-track Vinyl Release] (AH: 7.0/10; SCARUFFI: 6.5/10)
To Pimp A Butterfly - Kendrick Lamar (2015) (AH: 7.0/10; SCARUFFI: 6.5/10)

/10 to /10
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Last edited by AfterHours on 1 hour ago; edited 72 times in total

DelBocaVista Profile

In case you missed it, "Freak Out!" (AH: 7.9) and Henry Rollins' "Half Animal Machine" now both 8.5. Also a little while ago he upgraded "Funhouse" to a 7.5, so same as your rating.

AfterHours Profile
The Zone

DelBocaVista wrote:

In case you missed it, "Freak Out!" (AH: 7.9) and Henry Rollins' "Half Animal Machine" now both 8.5. Also a little while ago he upgraded "Funhouse" to a 7.5, so same as your rating.

Thanks DelBoca!

I added those, among others and removed FH and some others that no longer applied.

Fwiw, my “7.9” for Hot Animal Machine is from years back and I just forgot to add it to my list back then. Still need to revisit it, haven’t listened to it for probably a decade or so…

If you notice any more missing, or other mistakes, please let me know!

Or even recs of albums that you feel myself or Scaruff the Magic Dragon *should* rate higher or lower by 0.5 or more, plus or minus. These may be considered as well.

Can’t guarantee I’ll get to everything this round of listening, but it will at least go into the “queue”

This applies to any and all of you BEA hooligans that may want to join in on the shenanigans!
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AfterHours Profile
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The Jazz Composer's Orchestra - Michael Mantler (1968)

Link

Notes for Analysis…

The socio-political climate surrounding the composition and recording of Michael Mantler’s The Jazz Composer's Orchestra (recorded January–July 1968) was one of the most turbulent, revolutionary, and chaotic periods of the 20th century.

The album’s explosive, avant-garde free jazz and dense orchestral tension directly mirrored three interlocking historical forces: the heights of civil rights radicalism, the anti-Vietnam War movement, and the push for artistic self-determination.

Global Political Violence and Uprisings:

The year 1968 was a historical flashpoint defined by systemic shocks. The album was tracked during a six-month window that witnessed the following…

The Tet Offensive: Launched in January 1968, this massive military campaign shattered American public support for the Vietnam War and supercharged the anti-war movement.

The Assassination of Dr. Martin Luther King Jr.: In April 1968, Dr. King’s murder sparked deadly riots across over 100 U.S. cities, fundamentally hardening the tone of Black political and cultural resistance.

Global Student Revolts: In May 1968, massive worker-student strikes paralyzed France, signaling a worldwide youth counter-culture rebellion against institutional authority. The raw fury of this climate is explicitly sonic on the album. For instance, saxophonist Pharoah Sanders unleashes a brutal, shrieking solo over a relentless march pattern on "Preview," evoking the terror and unrest of the streets.

Black Power and Free Jazz as Protest:

By 1968, the optimistic integrationism of the early Civil Rights Movement had transitioned into the Black Power movement. Free jazz became the definitive sonic weapon for this shift. Key African-American soloists on the album—including Cecil Taylor, Don Cherry, and Pharoah Sanders—viewed their radical, unconstrained improvisation as a literal reclamation of freedom and a rejection of Eurocentric, capitalist structures. The music deliberately shed conventional rhythms and harmonies, choosing instead to channel collective anger, grief, and liberation.

Institutional Rebellion:

The climate of 1968 was also defined by a fierce desire for institutional independence. Mantler and his then-wife, Carla Bley, formed the Jazz Composers Orchestra Association (JCOA) as a non-profit alternative to predatory corporate record labels. Major labels routinely exploited avant-garde musicians or refused to fund large-scale experimental projects.Operating like a political collective, the JCOA gave radical artists total control over their labor and distribution.

The line between Mantler’s orchestra and explicit political activism was virtually non-existent. Many of the exact same musicians on this album—such as bassist Charlie Haden, Carla Bley, and Roswell Rudd—immediately went on to form the Liberation Music Orchestra. That project famously focused on anti-war anthems and even included pieces directly mocking the chaos of the 1968 Democratic National Convention.

Mantler’s compositions successfully captured the friction of a young, multi-racial vanguard screaming against a crumbling establishment.

The Jazz Composer's Orchestra is a monumental exploration of tension, inward turmoil, and the search for freedom within strict boundaries. Thematically, it bridges European avant-classical traditions with American free jazz, using sweeping, brooding arrangements as a canvas for ferocious, shackle-breaking improvisations.

Structure Meets Chaos:

At its core, the album represents a dialogue between order and anarchy. Composer, trumpeter, and theorist Michael Mantler designed the compositions as frameworks—often vast and orchestral—that are intentionally tested and pushed to their breaking point by a who's who of avant-garde soloists (including Cecil Taylor, Don Cherry, and Pharoah Sanders).

The title, Communications, reflects an overarching theme of intense, sometimes fractured, dialogue between individual expression and the collective.

Emotionally, the album is heavy, brooding, and darkly romantic, yet imbued with a cynical edge . It masterfully captures the intense sociopolitical and artistic friction of the late 1960s. The emotional arc swings between introspective, somber valleys—like the gorgeous, mournful dialogue between bassist Steve Swallow and trombonist Roswell Rudd—and explosive, almost frantic expressions of anguish and liberation, particularly during the sprawling, unrelenting Cecil Taylor showcase on "Communications #11".

Key Soloist Contributions:

Communications #8 & #9: Don Cherry and Gato Barbieri deliver fiery, exploratory solos over roiling orchestral swells, while guitarist Larry Coryell pushes the sonic boundaries with fierce feedback.

Communications #10: This piece is morose and deeply inward-looking, allowing Roswell Rudd to wander through a dark, melancholic landscape.

Communications #11: The 34-minute finale is a harrowing, emotional freefall. Cecil Taylor unleashes a torrent of frantic, intense piano work that feels like someone desperate for release, leading to a gruesome and exhausting "landing" in part two.
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Facetious Profile
Somewhere you've never been

Waiting for the reverse Have a Marijuana where you upgrade Revolver to 8/10.

AfterHours Profile
The Zone

Facetious wrote:

Waiting for the reverse Have a Marijuana where you upgrade Revolver to 8/10.

Haha Facetious, your efforts over the years are commendable!

Even Abbey Rd 7.0, Sgt Pepper 7.1 and Skylarking “only” 7.3!

To be an 8 it would have to be on the order of something like Stereolab’s Transient Random-Noise Bursts with Announcements (8.2 maybe even 8,3+), or Roxy Music s/t (8.1) or Taking Tiger Mountain (7.8 or so) — 3 melodic, variegated, more or less Art Pop albums that approximate as best can be derived from my rankings what an 8 would have to be for a work like Revolver!

Did it jump to an 8 for you or still 7.5?
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AfterHours wrote:

Haha Facetious, your efforts over the years are commendable!

Even Abbey Rd 7.0, Sgt Pepper 7.1 and Skylarking “only” 7.3!

To be an 8 it would have to be on the order of something like Stereolab’s Transient Random-Noise Bursts with Announcements (8.2 maybe even 8,3+), or Roxy Music s/t (8.1) or Taking Tiger Mountain (7.8 or so) — 3 melodic, variegated, more or less Art Pop albums that approximate as best can be derived from my rankings what an 8 would have to be for a work like Revolver!

Did it jump to an 8 for you or still 7.5?

I feel like I’ve given this same response to you before (even the same albums cited maybe?) and we are both just living in a repeating time warp! 🤣

Thumbnail. Click to enlarge.

Not that I mind your persistence or the arguments you’ve made before for the album and wouldn’t ever mind hearing any reasoning for it being up among those such as what I mentioned.

I did upgrade it a couple decimals to 5.5 a while back and a 6 wouldn’t be completely out of the question (I know that’s no where near an 8!!)
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Misc….

I started adding some track ratings to some entries of the selections I am revisiting (above). I may do a lot more…

They are still being tweaked and not “official” until I actually add them to my Songs/Tracks list, which I’ll probably start updating with these soon.

For example I’ve already tweaked some tracks (above) for JCOA and Vision Creation Newsun… others on the way…

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If Vision Creation Newsun is a favorite, I would also recommend Dan Deacon’s 2009 album Bromst!
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