against another behemoth of the decade lol - 212 is ofc superb, but darken her horse is transcendent, really a perfect song.
the humongous chorus takes more than half the song to arrive, but worth the wait - not that the journey there is any sort of chore. _________________ My top songs of the 2010s
and
Spotify link
Her flow on this song is actually flawless. Probably the single greatest rap/house crossover ever, to boot. _________________ 2021 in full effect. Come drop me some recs. Y'all know what I like.
cestuneblagueOtana, but No HitoProfile Straight Outta Ballard
Azealia Banks is the poster child of thrwarted potential (admittedly a good amount of it by her own doing) in the 2010s, but damn 212 still sounds as crisp as it did nearly a decade ago. Gotta agree that it's one of the great genre mash-ups of this or any other decade. Austra is... nice enough, but 212 is something else entirely.
mickilennialThe Most Trusted Name in NewsProfile Detroit
Azealia Banks is the poster child of thrwarted potential (admittedly a good amount of it by her own doing) in the 2010s, but damn 212 still sounds as crisp as it did nearly a decade ago. Gotta agree that it's one of the great genre mash-ups of this or any other decade. Austra is... nice enough, but 212 is something else entirely.
I mean it's only a genre mashup in the sense that any jazz-funk song is a genre mashup. Hip house is and was an established genre.
Sure, whatever, if we're genre or linguistics policing here, a great cross of styles in a burgeoning sub-genre. Song is great however one classifies it.
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