Next 95 Music Albums of 2026
by MadhattanJack


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Beth Orton is known for a kind of spacey, ethereal, mostly downbeat, and almost dreampop-like sound with vocals that might be more suited to folk music, blues, or even country. This latest album (her ninth) doesn't disappoint, and indeed it might be her best one since 1999's Central Reservation. Production, musicianship, songwriting, lyrics and vocals are all superb, and while it might have benefited from one or two more uptempo numbers, that's an artistic choice that her fans will probably understand. (Better than I do, anyway.) The album cover makes it look more spooky than it sounds, but that's not necessarily bad. A very good album. [First added to this chart: 06/24/2026]
Year of Release:
2026
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17
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The third album from this pretty interesting lo-fi post-punk trio from Quebec, whose only issue is that they probably need a fourth member, ideally someone who can sing harmonies. They seem to like (or at least be influenced by) that "angular," "oblique" approach of the early-80s post-punk pioneers, without actually copying it. This one might grow on me, depending on how much food I give it. [First added to this chart: 05/04/2026]
Year of Release:
2026
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16
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3. (=)
Naive Melodies 
Compilation
The best tribute albums are actually "creative reinterpretation" albums, and this collection of Talking Heads covers by Black artists representing multiple genres certainly fills the bill in that regard. Very well done, though in most cases I was able to identify the song being played without having to look at the track listing, so maybe they've got some more work to do on that score. Moreover, there are also no versions of some of my own favorite Talking Heads tracks, like "Memories Can't Wait," "Found a Job," and "Electric Guitar" — but I'm sure that next time, they won't fail to personally consult me on the track selections like they apparently did this time. [First added to this chart: 04/27/2026]
Year of Release:
2026
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2
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This one may be a "grower" — it's the third album by an all-woman group (another one!) who describe themselves as "punk witches" and their music as "witch punk." I assume this is because they were tired of being described as "post-punk," since posts are just things that stick up out of the ground and can't cast magic spells or turn people into small amphibious lizard creatures like witches can. (Honestly, who wouldn't want to be a witch, if you could do stuff like that?) Anyway, it's a fun album, more so than their previous two, and it also sounds better and tighter production-wise. As I'm writing this (day of release!) it's still too early to know if there's going to be a single, but if there is it will probably be track 7, "The Information," since everyone needs more information. [First added to this chart: 04/27/2026]
Year of Release:
2026
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This is the second LP from a distinctly DIY post-punk band from Burlington, Vermont. Their previous album, 2024's Wild Guess, had a dragon on the album cover and a logo that made them look more like a black-metal act, so thankfully they seem to have fixed that this time around. There's a lot of potential here that could conceivably be brought further out by an experienced producer, but that could also backfire, so forget I suggested it. As it is, it's a cool record — not quite drop-everything-and-tell-all-your-friends-immediately cool, but still cool. [First added to this chart: 04/27/2026]
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2026
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5
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"Otonoma" is apparently a Japanese portmanteau word that means "the space between sounds." I'm not so sure... Anyway, this album isn't quite up to the high standard set by 2021's Soniscope, but let's be reasonable here. Midori Hirano is one of the finest piano-and-electronics neo-classical composers around. It's certainly a lot better than anything I could come up with, so who's complaining? This is high-quality stuff. Probably too good for the likes of me, anyway. [First added to this chart: 04/27/2026]
Year of Release:
2026
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3
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Another fine album (the seventh, I think) from Hoop, the somewhat quirky folk-rock singer from Santa Rosa, California who has apparently relocated to Manchester, England — at least for now. (I should probably do that too.) [First added to this chart: 07/08/2026]
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2026
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I thought Sofy was just another girlpop act. I was wrong. Sorry about that...
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2026
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9. (8) Down 1
The City Gates are a darkwave/coldwave band from Montreal, except that Montreal is too nice and beautiful a town for that kind of music — so they often fall short of being sufficiently morose and depressing to justify their own genre tags. That's a problem. They used to be more of a post-punk/shoegaze act, so... what happened? They still have a guitar player...? Are they trying to get ahead of a trend curve that nobody else is aware of? Surely, shoegaze will never go out of style — why, the very idea is simply absurd! Regardless, it's a good album, but I guess I just liked them better before. [First added to this chart: 05/15/2026]
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2026
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10. (9) Down 1
Spearmint still has the same lineup they had back in 1985, all their albums are good, and this one is no exception. It could use some bits of noise and chaos to liven things up maybe, but I guess 40 years is a long time, so making big changes like that now could be a bit stressful. [First added to this chart: 07/29/2026]
Year of Release:
2026
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Total albums: 95. Page 1 of 10
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