From Silence To Somewhere (track)
by Wobbler
Year: 2017
From the album From Silence To Somewhere (track #1)
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From Silence To Somewhere appears on the following album(s) by Wobbler:
- From Silence To Somewhere (track #1) (this album) (2017)
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Listen to From Silence To Somewhere on YouTube
From Silence To Somewhere ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
| ! | 03/31/2024 04:09 | JPin8497 | 4,692 | 80/100 |
| ! | 01/09/2024 20:27 |  AAL2014 | 35,372 | 76/100 |
| ! | 03/22/2023 01:26 | LosWochos | 310,586 | 80/100 |
| ! | 02/09/2023 01:03 |  Fischman | 12,943 | 73/100 |
| ! | 04/14/2022 18:20 | bonnequestion | 16,297 | 75/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 10% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 78.6/100, a mean average of 81.0/100, and a trimmed mean (excluding outliers) of 81.0/100. The standard deviation for this track is 8.9.
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From Silence To Somewhere comments
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Has a bass reminiscent to Squire, keys that are very much Wakeman-esk, guitars that are sounding like Howe, a Tull-ish flute around minute 8.
The build-up of the epic is also reminiscent to Yes pieces like Close to the Edge with pieces of Thick as a Brick and other masterpieces. After eleven minutes starts an ELP section. Followed by Tull. At a certain point, around the 15 minute mark, I hear Crimson and Genesis influences.
The usage of instruments is very early 70-ish too. I hear an organ, a synth, mellotron, woodwinds, minimoog, Hammond. Everything we like from early 70’s prog.
In the end, they crafted it into a cohesive and enjoyable whole. Nice. But not original at all.
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