Southern Cross (track) by Crosby, Stills & Nash
Year: 1982
From the album Daylight Again (track #3)
Southern Cross appears on the following album(s) by Crosby, Stills & Nash:
- Daylight Again (track #3) (this album) (1982)
- Carry On (track #19) (compilation) (1991)
- 2012 (track #5) (2012)
- Greatest Hits (track #4) (compilation) (2005)
- Crosby, Stills & Nash (1991) (track #62) (compilation) (1991)
Price
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Condition: Used
eBay
Condition: Used
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Southern Cross ratings
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
5/100  | 06/09/2025 14:03 | TradeShark | | 30/100 |
85/100 | 01/09/2025 06:24 | jtc91 | | 82/100 |
85/100 | 11/29/2024 11:53 | AndyLish79 | | 84/100 |
95/100 | 11/13/2024 16:41 | dukeboxkool | | 75/100 |
85/100 | 11/10/2023 08:04 | ootsp | | 82/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 2% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 84.8/100, a mean average of 85.0/100, and a trimmed mean (excluding outliers) of 88.0/100. The standard deviation for this track is 18.5.
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Southern Cross comments
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Romanelli 08/21/2013 20:53
No one seemed to notice that Stephen Stills all of a sudden became Jimmy Buffett. This is the best song from that period.
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