I'm Not Afraid (track)
by Roger Hodgson
Year: 1984
From the album In The Eye Of The Storm (track #6)
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I'm Not Afraid appears on the following album(s) by Roger Hodgson:
- In The Eye Of The Storm (track #6) (this album) (1984)
Condition: D'occasion
Condition: Ottime condizioni
Condition: Ottime condizioni
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I'm Not Afraid ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
| ! | 12/11/2023 18:11 | MetaKoopa99 | 5,724 | 91/100 |
| ! | 06/10/2022 08:47 | 73,920 | 68/100 | |
| ! | 10/16/2018 08:59 | byuzak | 32,769 | 78/100 |
| ! | 03/19/2018 11:08 | 13,203 | 89/100 | |
| ! | 02/08/2018 21:25 | ruquito124 | 1,603 | 77/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track has a Bayesian average rating of 75.1/100, a mean average of 74.0/100, and a trimmed mean (excluding outliers) of 74.0/100. The standard deviation for this track is 8.9.
I'm Not Afraid comments
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A tad on the clunky side to start; the melody definitely suffers in the first half from interrupting itself during what is otherwise a catchy yet brooding cut. But it really starts to redeem itself in the second half once it settles into a good prog-pop rhythm, and the finale works well with the instrumentation providing the climactic atmosphere. Nice song, could have been cleaned up a bit to be even stronger.
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