Spellbound (track)
by Siouxsie And The Banshees
Year: 1981
From the album Juju (track #1)
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Spellbound appears on the following album(s) by Siouxsie And The Banshees:
- Juju (track #1) (this album) (1981)
- Nocturne (track #13) (1983)
- Very Best Of Siouxsie & The Banshees (track #11) (compilation) (2002)
- Once Upon A Time: The Singles (track #9) (compilation) (1981)
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Condition: Brand New
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Condition: New
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Condition: Brand New
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Spellbound ratings
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
80/100  | 11/17/2025 18:25 | Exist-en-ciel | | 69/100 |
85/100 | 08/10/2025 11:50 |  Igtonumama | | 81/100 |
85/100 | 07/15/2025 18:52 | culwin | | 75/100 |
90/100 | 06/07/2025 07:59 |  AAL2014 | | 76/100 |
90/100 | 05/30/2025 04:02 | jtc91 | | 82/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 1% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 87.4/100, a mean average of 87.0/100, and a trimmed mean (excluding outliers) of 88.2/100. The standard deviation for this track is 11.2.
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Spellbound favourites
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Spellbound comments
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AAL2014 06/07/2025 08:04
Great song. Clearly would have been a standout on any of the previous three Siouxsie records, but the production and the song’s placement as an opening hook makes it that much more remarkable.
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