Flowers Of Romance (track)
by Public Image Ltd.
Year: 1981
From the album The Flowers Of Romance (track #4)
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Flowers Of Romance appears on the following album(s) by Public Image Ltd.:
- The Flowers Of Romance (track #4) (this album) (1981)
- The Greatest Hits, So Far (track #5) (compilation) (1990)
- Live In Tokyo (track #5) (1983)
- The Public Image Is Rotten: Songs From The Heart (track #4) (compilation) (2018)
- Plastic Box (track #23) (1999)
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Flowers Of Romance ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
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Showing latest 5 ratings for this track. | Show all 28 ratings for this track.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
| ! | 03/18/2026 22:04 | Exist-en-ciel | 160,957 | 71/100 |
| ! | 02/21/2026 11:14 | markl73 | 7,030 | 78/100 |
| ! | 11/26/2025 02:49 |  imacgill | 32,705 | 81/100 |
| ! | 01/31/2025 19:53 | mash | 4,548 | 92/100 |
| ! | 03/28/2024 17:12 | TradeShark | 4,948 | 30/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 4% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 81.2/100, a mean average of 80.7/100, and a trimmed mean (excluding outliers) of 83.1/100. The standard deviation for this track is 16.4.
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Combining Middle-Eastern and African influences, and devoid of Jah Wobble's bass, Lydon's nuerosis and nihilism is emphasized to the point of claustrophobic intensity. Martin Atkins drums, funk syncopation and Lydon's muezzin-like invocations, create an exoteric and harrowing maelstrom of alienating sounds.
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