I made an account on RYM this past month, mostly just to talk at another wall about improvised music.
Similarly, though I don't really enjoy putting numbers or even words to music, I recently began reviewing for freejazzblog.org to try to spread awareness (through perceived authority lol) and promote discussion of some of my improvised favorites from the current year. You can read my first two reviews here and here; I intend to submit a couple a month. Next one will be on three Astral Spirits releases.
I made an account on RYM this past month, mostly just to talk at another wall about improvised music.
Similarly, though I don't really enjoy putting numbers or even words to music, I recently began reviewing for freejazzblog.org to try to spread awareness (through perceived authority lol) and promote discussion of some of my improvised favorites from the current year. You can read my first two reviews here and here; I intend to submit a couple a month. Next one will be on three Astral Spirits releases.
Thanks, you two! I promise I won't post all of them, but I'm pretty proud of the one that got published today on three solos from Astral Spirits.
And Tap, one of the ones I'm writing right now is Clayton Thomas/Burkhard Beins' Rhythm Complication, which I think might be right up your alley (it's mostly more people from the Splitter Orchester).
Does anybody else ever question if mass society hates more music than they enjoy.
Like cuz they are too harsh on criticizing it or because they minimize it's value or they like crap music... this really could be interpreted 50 ways, care to elaborate?
Not really, I wanted it to be somewhat broad. It was more of a blanket question (including all the things you mentioned). Seems like there's a lot. _________________ Doubles & Conch
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