Say It's Alright Joe (track)
by Genesis
Year: 1978
From the album ...And Then There Were Three (track #9)
Listen on Spotify
Say It's Alright Joe appears on the following album(s) by Genesis:
- ...And Then There Were Three (track #9) (this album) (1978)
- 1976-1982 (track #26) (compilation) (2007)
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Listen to Say It's Alright Joe on YouTube
Say It's Alright Joe ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
| ! | 01/24/2026 11:15 | Imaybeparanoid | 51,869 | 69/100 |
| ! | 01/14/2026 22:46 | Gedster | 364 | 72/100 |
| ! | 12/07/2025 21:35 | Exist-en-ciel | 77,942 | 70/100 |
| ! | 08/26/2025 13:33 |  ExTeaSea | 12,449 | 85/100 |
| ! | 07/31/2025 19:21 | machiaj | 8,977 | 74/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track has a Bayesian average rating of 75.8/100, a mean average of 75.1/100, and a trimmed mean (excluding outliers) of 75.8/100. The standard deviation for this track is 12.0.
Say It's Alright Joe comments
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A very sweet and charming song with poppy feels, pulled off better than Many Too Many, in my opinion. The lyrics about a drunk bar regular confiding in the bar's piano player, Joe, is very touching, and the keyboard overdubs the sprinkle throughout the tender verses are a nice touch. The transitions between the soft, acoustic verses and loud, synth-heavy choruses are a bit stark, but both parts of the song are enjoyable to listen to. Some might argue it's a little too bare-bones, and the ending kind of comes out of nowhere after this big flourishing chorus, but I don't think that harms the feel of the song too badly. I'll give it an 80, though its probably the closest of the "80" songs to an 85.
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