The Lady Lies (track) by Genesis
Year: 1978
From the album ...And Then There Were Three (track #10)
The Lady Lies appears on the following album(s) by Genesis:
- ...And Then There Were Three (track #10) (this album) (1978)
- 1976-1982 (track #27) (compilation) (2007)
- BBC Broadcasts (track #15) (compilation) (2023)
Price
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Condition: Like new
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Condition: Used
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The Lady Lies ratings
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
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| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
65/100  | 27 hours ago | machiaj | | 74/100 |
85/100 | 04/05/2025 21:26 | FrancK | | 83/100 |
80/100 | 12/12/2024 06:59 | matterhornrider | | 86/100 |
75/100 | 06/02/2024 05:10 |  AAL2014 | | 76/100 |
80/100 | 04/12/2024 20:32 | LosWochos | | 80/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 17% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 78.1/100, a mean average of 78.4/100, and a trimmed mean (excluding outliers) of 78.4/100. The standard deviation for this track is 11.5.
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Squonk007 10/15/2021 12:41
I don't get this one and for me it's the weakest on the album by a long way. The lyrics are poor for a Genesis track and it's overlong. Maybe trying too hard in revisiting past themes.
A pretty musically interesting song, reintroducing the bluesy swing (almost medieval in parts) that was previously felt on Deep in the Motherlode, but it doesn't really make any improvements elsewhere. For the second longest song on the album, the lyrics just aren't interesting at all, a rather cliched retelling of a man who rescues a woman from a demon when the woman herself is actually the demon. Overall, it just feels a little too-drawn out, and it points it feels the lyrics aren't even trying to rhyme, notably in the chorus. It does feature a pretty damn awesome synth solo in the middle, but that's easily the highlight of the song. This also might be the best song on the album if you're looking for great bass work for Rutherford, but not really for anything else. I think shortening this one up a couple minutes and removing a lot of the filler lyrics could have made this one a lot stronger.
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