Dislocation (track)
by Ultravox

Dislocation by Ultravox
Year: 1978
From the album Systems Of Romance (track #7)
Average Rating: 
75/100 (from 15 votes)
  Ratings distribution   Average rating history

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Systems Of Romance (10 tracks) « Previous track (#6)
Quiet Men
This track (#7)
Dislocation
Next track (#8) »
Maximum Acceleration

Dislocation appears on the following album(s) by Ultravox:


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Dislocation ratings

Average Rating: 
75/100 (from 15 votes)
  Ratings distribution Help Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AV
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01/18/2026 11:02 Exist-en-ciel  Ratings distribution  168,09471/100
 
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01/16/2025 21:26 dihansse  Ratings distribution  68,35776/100
 
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04/15/2024 18:44 phmusic  Ratings distribution  71,779100/100
 
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10/20/2023 17:25 Jboy56  Ratings distribution  39,18378/100

Rating metrics: Help Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
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This track has a Bayesian average rating of 75.4/100, a mean average of 75.0/100, and a trimmed mean (excluding outliers) of 75.0/100. The standard deviation for this track is 21.8.


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Dislocation comments

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Rating:  
100/100
From 07/17/2019 13:44 | #239766
What a fantastic track. Remember it’s still 1978 when it got composed. Sure, Kraftwerk is already around and they did something similar with their TEE spoken word performance called “Hall of Mirrors” but obviously lyrics were not Kraftwerks strength. John Foxx would later edit and re-record this song (it’s on “Impossible” of 2008) without matching this original. In the lyrics Foxx once again shows that he does not write lyrics but poetry: a concatenation of surrealistic images (And Foxx was very familiar with the artistic world and its most interesting representatives) and descriptions of situations where it seems as if the world we know through our senses is suddenly behaving in a different manner. We are misled by our senses: the deserted, empty street could be a train station. Events that are absolutely innocent in themselves (The I - character talks to someone while being in a half - sleep and realizes afterwards that he has had a conversation with a complete stranger) seem to be very different at second sight. As Foxx is doing so often, here he also dislocates things, persons and events hence creating an atmosphere of uncertainty and detachment. Very ballardian and surely very surreal. The alienated sounds (the hollow percussion, the choir or is it just one man humming monotonous) serve the images that are produced by the lyrics of the song. The merit of the production is to make a – pretty minimal - sound carpet that is just as intriguing as the text. Only the leading bass synth gets emphasis. Brilliant in every way.
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