"Rational and emotional, cheerful and deeply sad, it's amazing how this album integrates all the contradictions in a musical masterpiece. Best indie album we have heard since Carrie & Lowell and, if you want, since Funeral. Most of us agree and time will probably consolidate this position."Reply
"“Dragon New Warm Mountain I Believe in You” is a broad display of Big Thief’s talents. The band is very skilled at changing between their styles. Indie rock, folk, and alt country tracks appear next to each other without feeling out of place. Lenker adds a lot of personality to the song writing. ...""“Dragon New Warm Mountain I Believe in You” is a broad display of Big Thief’s talents. The band is very skilled at changing between their styles. Indie rock, folk, and alt country tracks appear next to each other without feeling out of place. Lenker adds a lot of personality to the song writing. It’s elevated by little quirks like the yelp on “Little Things” or the enthusiasm of “That's my grandma” on “Red Moon”. Unfortunately, these pleasant details are swallowed up in the pure mass of tracks. Between the 20 whole tracks, the charm lessens and the ear fixates more on critical qualities. The commitment to the verse chorus verse structure really wears down the sharpness. It would have greatly helped to throw in an instrumental or try more breaks. A pleasant album but in need of refinement."[+]Reply
"Okay so this record is a mess. Some songs are pretty enjoyable: United in Grief is a solid opener, N95 makes for a good single, and Count Me Out and Crown demonstrate a comfortable grip on new terrain for Lamar. The Beth Gibbons track Mother I Sob is a nice way for the album to wind down, and a r...""Okay so this record is a mess. Some songs are pretty enjoyable: United in Grief is a solid opener, N95 makes for a good single, and Count Me Out and Crown demonstrate a comfortable grip on new terrain for Lamar. The Beth Gibbons track Mother I Sob is a nice way for the album to wind down, and a remarkably exciting bridging of worlds, only highlighted further by the need to specify who gibbons even is for his audience (albeit a slightly cringe sight). Auntie Diaries, although the supposedly controversial track – and it is, no doubt – is musically quite compelling. Lamar clearly has lived experience that makes him intimately aware of the trans experience, and his use of gendered language I read as far more fluidly conscious of performativity than others have credited the track with. However, deadnaming Caitlin Jenner is pointless and undermines the song's centre, and ending the track with some bizarre equivocation about who can say slurs is just trash. Additionally, the kind of highly gendered lyrics throughout the rest of the album (a considerable amount deals with metoo in odd ways), leads to conflations in places. Worst is in We Cry Together, which I personally left with a sour taste in my mouth and remain unclear as to what degree the song is satire. At least when MF Doom did this in "Can I Watch?" it was funny, here it's just rehearsed and recorded abusiveness. Kodak Black's inclusion just makes that ambiguous line between commentary and misogyny worse, not to mention Lamar's trap forays in the album being terrible. Although, there is an interesting synthesis set up in Crown, where Lamar repeats "I Can't Please Everybody" over and over. For someone who has often produced astute analysis of America's institutional racism, while maybe – to put it nicely – stumbling in the post-Trump social landscape, Mr Morale encapsulates the weird state of an artist heralded by fans (though Lamar likes to remind us a lot of this, which says something) as a Saviour. He's really far from that, and it's okay."[+]Reply
"Bit like the previous comment. I have looked forward to this more than anything in a while and I think it probably needs a few spins. Obviously great but how much so we'll see. I'm worried they've over egged the production slightly and relegated Molly's vocals somewhat in places."Reply
"There are a bunch of degens gambling at a horse track where the announcer keeps getting distracted - every other thing he says has nothing to do with the race at all, but is instead panicking about the rise of fascism and dangers of climate change. Nobody even notices. Then 2 religious extremist ...""There are a bunch of degens gambling at a horse track where the announcer keeps getting distracted - every other thing he says has nothing to do with the race at all, but is instead panicking about the rise of fascism and dangers of climate change. Nobody even notices. Then 2 religious extremist groups bomb the whole place simultaneously just as the race ends. There was no communication between the terrorists, the attacks have just become so common that the coincidence isn't even noted. Half of the debris and bomb fragments and body parts and shrapnel get auctioned off before the auctioneer stops for a quick meth/crack break to sell off the other half of the aftermath even faster. One corporation wins all of it and makes a collage out of the juiciest bits and sells it to an art collector for double what it spent. All of this gets reported on the news, but the closest any viewers get to empathy is in the middle of furiously masturbating when they orgasm so hard that they die and go to hell. They love it down there, the torture just keeps strengthening them until they're ready to take on heaven. So they get up there and slaughter everything handily before returning to earth and possessing all of the fascist leaders and all of the liberal leaders who finally see eye to eye. We have world peace for about 5 seconds until they decide the best way to deal with our problems is to burn through all of the fossil fuels as fast as we can and fill the oceans with plastic straight from the factories. They meet in this huge ballroom where they alternatively dance the flamenco and fucking waltz until long after all their skin falls off of their old dinosaur bones. And by waltz, I really do mean waltz. Others in faraway lands outside the ballroom are thrashing around, but not to music. They're just on fire. Most of them still don't even realize it.
That's what's going on sonically anyway. Lyrically? Don't ask me, I have no idea what's being sung about this time. I can't even say that I "like" it. I appreciate it. I'm "feeling" it. I sit in awe of it, I don't move to it. How could you move to it? What would you be doing, the flamenco, then waltz, in between headbanging (b/c that's literally what the music is switching between)? Like if the pyramids were outside my house I'd probably look at them multiple times a day and wonder how exactly they got there. That's this record - pyramids in between "Cavalcade" and "For The First Time" and I just listen to it a couple times a day and sit there and wonder how the fuck we got here. In a perfect world, we wouldn't be "vibing" to this. This wouldn't even exist because nothing would prompt the insanity and desperation and hopelessness behind it. If people there could hear it, they'd laugh and sarcastically ask, "what planet is this from?" The answer of course would be this planet. Enjoy your Hellfire."[+]Reply
"Amazing album. I love how each track feels inspired in its own unique way: none of them is filler by any stretch of the imagination and in every song there's always something interesting going on rhythmically and/or harmonically. There are many different atmospheres and moods shifting through the...""Amazing album. I love how each track feels inspired in its own unique way: none of them is filler by any stretch of the imagination and in every song there's always something interesting going on rhythmically and/or harmonically. There are many different atmospheres and moods shifting through the album: the already familiar A Moon Shaped Pool-esque calmness (Pana-Vision, Speech Bubbles, Open The Floodgates), a more complex, claustrophobic, anxiety inducing mood (A Hairdryer, Thin Thing), a new kind of funkiness (The Opposite, The Smoke) and a more straight-up rock sound (YWNWITA, WDKWTB). Some may find that the diversity between the songs kinda makes the album a bit uneven and scattered. However, I think that the songs flow pretty well into each other thanks to a very good production. "[+]Reply
"A luxurious odyssey into various soundscapes that explore the most common themes in the duo's history together. What a stellar album with a phenomenal rollout. The past few months really have been a treat."Reply
"It's no Lemonade but it's pretty cool, especially the back half. It all flows together nicely like an endless dance club night out haha. Have been to a few haha, dancing in public isn't for me but I can see the appeal. They could literally just play this entire album and it'd be about the same as...""It's no Lemonade but it's pretty cool, especially the back half. It all flows together nicely like an endless dance club night out haha. Have been to a few haha, dancing in public isn't for me but I can see the appeal. They could literally just play this entire album and it'd be about the same as the nonstop dance music in your average club haha. "[+]Reply