""Nevermind" by Nirvana is currently ranked by the Rolling Stone magazine as the 17th greatest album of all time. This is due entirely to ignorance and bias. First off, the main riff of "Smells Like Teen Spirit" is stolen from Venom. Venom is Metallica's biggest influence, along with every other e..."""Nevermind" by Nirvana is currently ranked by the Rolling Stone magazine as the 17th greatest album of all time. This is due entirely to ignorance and bias. First off, the main riff of "Smells Like Teen Spirit" is stolen from Venom. Venom is Metallica's biggest influence, along with every other early-mid 80's black, death, and thrash metal band. Among extreme metal enthusiasts, Venom's "Black Metal" album is widely considered to be among the very best the genres have to offer, on which the song "Countess Bathory" can be heard. Its riff has the same exact melody of the main riff of "Smells Like Teen Spirit."
Besides the fact that it's stolen and therefore invalid to begin with, the song's lyrics couldn't be worse:
a mulato
an albino
a mosquito
my libido, yeah
hey [x3]
Don't forget the other chorus:
hello, hello, hello, how low [x2]
Most choruses on this album are nonsensical 2-3 word phrases like this. The song does have a great solo, and even an intro! Even if the intro is just the main riff (still stolen) in acoustic form. Sadly, this is more than I can say for the rest of the album.
"Come As You Are," the 2nd most popular song from this album, is also stolen. This time it's stolen from Killing Joke, another band widely considered to be responsible for influencing an entire genre. The song is called "Eighties," and while the melody isn't identical, it's still the same notes, the same sound, but just slightly switched up. There's also the fact that the "chorus" of "Come As You Are" is just 1 simple word, repeated a few times....
The next most popular song on the album might be "Lithium." At least it's not stolen, but there's no great riff to speak of anyway. this one's chorus goes, "yeah yeah yeah yeah yeah yeah......" He says it 24 times. Oh, this is also another of Nirvana's songs that has more than 1 chorus. The 2nd chorus goes like this, "I [X] you, I'm not gonna crack." Substitute "X" for simple go-to words like "kill," "like," "miss," and "love." Repeat 8, yes EIGHT, full times.
It seems to be popular for its soft verses followed by hard choruses. I'll dare to say that The Pixies have done it better on Doolittle. I'm not quite sure how I could do this, but it might have something to do with the fact that the "loud rocking choruses" here are meaningless and empty repetitions of "yeah" that gives me the gall....
I don't even believe Kurt Cobain himself liked the album. I take the message of the song "In Bloom" to be "this is pop trash, but you morons are all going to sing along with it, aren't you?" the chorus:
he's the one
who likes
all our pretty songs
and he
likes to sing along
and he
likes to shoot his gun
but he
knows not what it means [x3]
when I say "yeah"
It's also got this to say in one of its very short verses:
we can have some more
nature is a whore
He isn't much of a poet, is he? You might think that I'm biased and just quoting the very worst of it to make it look bad, but honestly the rest of it isn't much better. Let's take a look at "Breed" for example. The song's structure isn't, "intro, verse 1, bridge, solo, chorus, verse 2, chorus, outro," or something similar that you'd expect from a great song.... This one goes, "chorus 1, chorus 2, chorus 1, chorus 2." To each their own, I suppose. Besides that though, let's take a look at these choruses:
I don't care, I don't care, I don't care, I don't care, I don't care
care if it's sold
I don't mind, I don't mind, I don't mind, I don't mind, I don't mind
don't have a mind
Ugh, actually enough of that one. Next chorus:
even if you have
even if you need
I don't mean to stare
we don't have to breed
we can plant a house
we can build a tree
Ugh, ditto for this one. It seems like giving it too much credit to even call it poetry's all time low. First grade grammar and vocabulary to boot. It doesn't get any worse. The nouns, like most on the album, couldn't be any more generic. The verbs couldn't be any more common. I'm not even talking about the overuse of the verb "is" or its forms. When they're using other verbs, they're as ineffective as "plant," and "build." These words are actually bigger than the average word he uses as well. The lines of this simple chorus (4-5 words long) are longer than the lines of his average verse.
Take "Polly" for example. The chorus:
Isn't me
have a seat
let me clip
dirty wings
let me take a ride
cut yourself
want some help
please myself
got some rope
haven't told
promise you
I'll be true
let me take a ride
cut yourself
want some help
please myself
Mostly 2-3 word phrases using exclusively elementary school vocabulary. The music behind it is just as simple. There is little to no bass or drums. The guitar is the same 3 second melody played from the first to the very last second of the song. It's truly terrible. The verses are all 4 short lines each, and just go to show that he can't rhyme and have meaning at the same time. This is one of the few times where he chooses meaning over rhyme, and it's just disturbing:
she asked me to untie her
a chase would be nice for a few
Notice how it's still simple.... The verses do devolve though, somehow. It's incredible that they could become any weaker, but in "Territorial Pissings" (huge words for this album, by the way!) the verses are a single sentence each. I'll nominate this one for the worst verse of all time while I'm at it:
never met a wise man, if so it's a woman
Thinking about it, it becomes clear why he usually sticks to collections of 2 and 3 word phrases. "If, then" statements don't even work like that, didn't anyone tell him to maybe change the lyrics? How do you logically come to the conclusion that, given something that has never happened, if it were to happen, it would have happened in such a way as to make the statement that it never happened still technically true? It's just logically impossible. He also seems to forget mid sentence what tense he's using. How many things could possibly be wrong with 1 verse, especially seeing as how it's just 1 sentence? It's just awful. I challenge anyone to find more wrong with any verse in history (per word of the verse).
The album closes with a weird, experimental track. Kurt admits influence from John Lennon, but hasn't anyone noticed the connection with this final song? How could it not immediately bring to mind the last track of "Revolver" (what I believe to be The Beatles' best album, why The Rolling Stone has it below "Pet Sounds" I can only guess to be because they didn't want 2 Beatles albums in a row on their list....).
There's not much more I can say about the rest of the songs that wouldn't sound like I'm repeating myself more than it already does. I will point out the fact that "Stay Away" ends with the less-than-poignant:
god is gaaaaaaaaaaaaaaaaaaa-ay
I guess it rhymes with the previous lyric "stay away"? It's laughable, really. Part of me almost feels like these guys are too stupid to even honorably poke fun at, and I wouldn't if it wasn't so highly rated (or if I cared in the slightest for honor). Something just needs to be said though....
"Nevermind" is by far the most overrated album of all time and this needs to get out. It deserves far less credit than it gets. Its popularity is due to 90's teens in their "I DON'T CARE, WHATEVER! NO MOM, GIVE ME SOME DAMN SPACE WHY DON'T YOU? LIKE, NO I DON'T WANT ANY COOKIES! I'M GOING THROUGH SOME SERIOUS *&^% RIGHT NOW! NOBODY UNDERSTANDS ME!" phase that only pathetic, angsty, immature children can go through. It deserves no more recognition than any Backstreet Boys album has gotten.
I'm sorry if the truth was too hurtful, but it's not "just opinion" any more than "Jimi Hendrix is a better guitarist than my grandmother" is an "opinion." It's an unforgivable insult to every album above it on the greatest list in Rolling Stone magazine. I'm asking society to please rethink it. Is it too soon to criticize it yet? Will I have to wait another generation? Do yourself a favor, get out of denial, and accept the facts already: Nevermind sucks. The world will be a much better place."Reply
"One of the greatest albums of the 90s and perhaps of all time, Radiohead truly demonstrated it's maturity and ability to create great music with this album. Unlike most Radiohead albums, which generally challenge the listener to delve into their minds( Kid A, Ok Computer, Amnesiac) this album bri...""One of the greatest albums of the 90s and perhaps of all time, Radiohead truly demonstrated it's maturity and ability to create great music with this album. Unlike most Radiohead albums, which generally challenge the listener to delve into their minds( Kid A, Ok Computer, Amnesiac) this album brings the listener to the deepest parts of their souls. An introspective album that captures darkness, beauty, and range of emotions of the human condition. Radiohead may have strayed very far from this sound in their future albums, but that only adds to the gravitas and significance of this emotional journey.
Best Tracks: Fake Plastic Trees, Street Spirit Fade Out, High and Dry
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"Pure classic. And a milestone for Shoegazing and heavy distortion Alternative music. I must say that this album isn't for everyone, it isn't an easy album to listen to the first time and enjoy. And if you enjoy this record, you enjoyed it the more you played it. Even if you may not think this alb...""Pure classic. And a milestone for Shoegazing and heavy distortion Alternative music. I must say that this album isn't for everyone, it isn't an easy album to listen to the first time and enjoy. And if you enjoy this record, you enjoyed it the more you played it. Even if you may not think this album is a masterpiece or its overrated in the underground market. You cannot denie the influence it has has over the past decade and two, there simply isn't any band that has ever pulled off something like this and succeeded, let alone pull out genius and brilliance. Even though this album can drag on, it will still throw beautiful dream-like melodies at you even when its under a wall of distorted guitars, but still managed to make me love it anymore. Whenever I find a quality I dislike about this record, it immediately turns into a quality I love about this record. Because it's just all so beautiful to me. "Reply
"Fast moving, the flicker of a slide show, dismal in places and down right dead in the grey in others. This was the biggest show for them. They broke the barriers more so than the 'Out Of Time' one. 'Drive' is obviously longing for something and if it had been written by one of the Pitchfork's 201...""Fast moving, the flicker of a slide show, dismal in places and down right dead in the grey in others. This was the biggest show for them. They broke the barriers more so than the 'Out Of Time' one. 'Drive' is obviously longing for something and if it had been written by one of the Pitchfork's 2010's darlings it would be proclaimed the greatest song ever. Nostalgia is practically fuming from it. While it isn't an advisable instruction, 'Try Not To Breathe' proves the chops are their for the big stadium filling tour. Also the album which contains 'Everybody Hurts' which, while in a different sense than 'Drive', gives off a sense of nostalgia (sometimes) and can't be denied alongside 'Man On The Moon' and 'Nightswimming'. Brilliant closer with 'Find The River' as well, the yearning and lovely strings really bring pictures of someone who has messed up badly and truly regrets everything. I can forgive the ugly album cover for that.
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"Someone unfamiliar with Pearl Jam might confuse this with a greatest hits album. This is just about as good as debut albums get. Certainly top 5 debut of all time. Very emotional, powerful stuff from these guys. Their best."Reply
"The song Mayonaise is one of the great songs of all time, and I personally hate the condiment mayonnaise. The rest of the album is a blast, as well. I can't play it with my wife around, though--she seems to think it's noisy and boring."Reply
"What can I say about this one that hasn't already been said? Other than its my preference from their catalog and by extension, one of my favourites from the decade itself. Amongst the crushing and dense milieu of Cobain's self-deprecation, he consistently instills an idea. This idea being; the on...""What can I say about this one that hasn't already been said? Other than its my preference from their catalog and by extension, one of my favourites from the decade itself. Amongst the crushing and dense milieu of Cobain's self-deprecation, he consistently instills an idea. This idea being; the only aspect that fundametnally separates people into the depressed and the untroubled is distraction. And how it controls everything around us; the people & things we surround ourselves with, just distractions, the motivations & purposes we give ourselves & others are nothing but distractions. To exist and all we amount to, is to be distracted. And to be disillusioned is to succumb to personal ruin.
That is something I've firmly believed even before I listened. For that exact reason, I hope this document is held as the masterpiece it is as the years pass us by."Reply