Gravity Eyelids (track)
by Porcupine Tree
Year: 2002
From the album In Absentia (track #5)
Gravity Eyelids appears on the following album(s) by Porcupine Tree:
- In Absentia (track #5) (this album) (2002)
- XM (track #3) (2003)
- House Of Blues - Los Angeles 2003 (track #3) (2021)
- Los Angeles 30th July 2003 (track #3) (2020)
Upcoming concerts
Listen to Gravity Eyelids on YouTube
Gravity Eyelids ratings
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
90/100  | 08/20/2025 16:41 | Kettwig | | 92/100 |
55/100 | 07/27/2025 13:42 | wizardalien | | 72/100 |
85/100 | 06/29/2025 15:30 |  ExTeaSea | | 86/100 |
85/100 | 04/04/2025 14:08 | AndyLish79 | | 84/100 |
70/100 | 01/27/2025 14:45 | yes340 | | 79/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 3% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 83.1/100, a mean average of 83.0/100, and a trimmed mean (excluding outliers) of 83.7/100. The standard deviation for this track is 10.9.
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Gravity Eyelids comments
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Criminally underrated.
Probably the weakest song on the greatest album of all time; it's kind of plodding. Some great moments but it doesn't warrant the amount of space it's given (unlike .3, which invokes strong emotional responses for the duration). The buildup towards the end really salvages the song.
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