High Water (track)
by Uncle Tupelo
High Water appears on the following album(s) by Uncle Tupelo:
- Anodyne (track #10) (this album) (1993)
- Live At Lounge Ax / March 24, 1994 (track #14) (2020)
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High Water ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
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Showing latest 3 ratings for this track. | Show all 27 ratings for this track.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
| ! | 04/16/2026 20:16 | Fevernova | 34,540 | 82/100 |
| ! | 04/12/2026 08:24 | Exist-en-ciel | 171,956 | 71/100 |
| ! | 02/08/2026 00:40 | 35,595 | 76/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 11% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 78.2/100, a mean average of 79.1/100, and a trimmed mean (excluding outliers) of 79.1/100. The standard deviation for this track is 13.5.
High Water forum mentions
High Water comments
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One of Uncle Tupelo's calling cards was their ability to identify with the middle-class everyman, the frustration one feels at losing an economic game he never wished to participate in, as in Jay Farrar's lyrics: "You can't break even / You can't even quit the game." Farrar's singing is complemented perfectly here by Max Johnston's outstanding work on lap steel guitar. A great, and much underappreciated, song.
