Fifteen Keys (track) by Uncle Tupelo
Fifteen Keys appears on the following album(s) by Uncle Tupelo:
- Anodyne (track #9) (this album) (1993)
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Fifteen Keys ratings
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
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Showing latest 5 ratings for this track. | Show all 23 ratings for this track.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
55/100  | 02/05/2024 11:56 |  ForegroundNoise | | 64/100 |
75/100 | 02/05/2022 20:17 |  Rug | | 81/100 |
75/100 | 10/12/2021 13:06 | Fertu | | 82/100 |
100/100 | 06/01/2021 06:15 | MaxStorm98 | | 99/100 |
75/100 | 04/10/2021 21:29 |  ssteve | | 78/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 18% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 78.1/100, a mean average of 78.9/100, and a trimmed mean (excluding outliers) of 78.9/100. The standard deviation for this track is 12.0.
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Fifteen Keys comments
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buzzdainer 08/19/2016 22:46
I really don't know that the "fifteen keys" Jay Farrar sings of in this song are all about, though I've always wondered if it is in some way a metaphor for responsibility and trust. A wise person I once knew told me his "key" theory of life, which is that the more keys a man has on his keychain, the more trustworthy he is (because he's been entrusted with things that people keep locked up). I have no idea if Jay Farrar was thinking about anything like that when he wrote this song, but I always think about that when I hear it. This one doesn't get a ton of love on this site, but it's one of the album's best--one that makes great use of Max Johnston's lap steel.
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