Station To Station (track)
by David Bowie
Year: 1976
From the album Station To Station (track #1)
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Station To Station appears on the following album(s) by David Bowie:
- Station To Station (track #1) (this album) (1976)
- Stage (track #6) (1978)
- Christiane F. Wir Kinder Vom Bahnhof ZOO (track #6) (1981)
- Live Nassau Coliseum '76 (track #1) (2017)
- The Collaborator - The Legendary Broadcasts (track #19) (compilation) (2016)
- Welcome To The Blackout (Live London '78) (track #21) (2018)
- Glastonbury 2000 (track #15) (2018)
- Who Can I Be Now? (1974-1976) (track #65) (compilation) (2016)
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Station To Station ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
Showing latest 5 ratings for this track. | Show all 505 ratings for this track.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
| 02/03/2026 15:27 | Robert_fripp | 823 | 86/100 | |
| 01/29/2026 21:05 |  Norshammar | 1,432 | 87/100 | |
| 01/27/2026 20:32 | kinginsomniac12 | 5,498 | 100/100 | |
| 01/23/2026 16:31 | kabalter | 13 | 86/100 | |
| 01/23/2026 15:15 | martintho | 68,474 | 74/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 1% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 90.7/100, a mean average of 90.0/100, and a trimmed mean (excluding outliers) of 91.0/100. The standard deviation for this track is 12.0.
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Station To Station comments
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This is probably the most prog song that bowie did around this period in his career. Great track
AAL2014 06/25/2022 03:00 | #286648
This is one of the very best of David Bowie’s many masterpieces.
The slinky, lurching groove of the first half mixed with Bowie’s catchy-in-an-ear-bending-way melody (with such creative and cacophonous harmonies!) is unlike any of his other work. The back half feels like a true explosion, in thanks largely to the wonderful arrangement and Bowie’s paranoia drenched bellowing.
This song is monstrous in its monolithic nature. It simply feels like a living, breathing entity.
I absolutely love this song. Send it to Mars.
Well i guess i will have to keep on tryin' cause i don't get the greatness of this yet but i believe that you are all right you know and maybe one day i will feel it to: the genius herein.
Coming off the back of Ziggy only 3-4 years earlier and then dabbled with his Plastic Soul on Young Americans the year before, Bowie continues to shift and weave and deliver something new.
The intro to this song with the gradual build up of guitar riffs counteracting and complementing each other is superb. Followed by the song proper with the introduction of the vocal from the Thin White Duke - great vocal and lyrics. Before we get the third song in one with the melodic and lively "It's too late" section.
This is majestic.
One of Bowie's many, many masterpieces.
Onater 12/22/2016 02:21 | #180691
"It's not the side-effects of the cocaine; I'm thinking that it must be love."
Grzywa 02/27/2016 13:42 | #160855
This is what I consider real progressive rock. Breathtaking transitions.
DeusExMackia 12/04/2015 20:15 | #153901
Every line of this song could be quoted as being some of the best words ever put to music.
And speaking of that music, it's goosebump inducing, superbly original and sounds like nothing else ever released.
Changes pace a lot in the space of one song.
I wasn't sure what to think of the first half.
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