Everything In Its Right Place (track)
by Radiohead

Everything In Its Right Place by Radiohead
Year: 2000
From the album Kid A (track #1)
Average Rating: 
93/100 (from 1,476 votes)
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Kid A (11 tracks) « Previous track
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Everything In Its Right Place
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Kid A

Everything In Its Right Place appears on the following album(s) by Radiohead:


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Everything In Its Right Place ratings

Average Rating: 
93/100 (from 1,476 votes)
  Ratings distribution Help Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AV
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Rating metrics: Help Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
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This track is rated in the top 1% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 92.8/100, a mean average of 91.3/100, and a trimmed mean (excluding outliers) of 92.9/100. The standard deviation for this track is 14.3.


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Everything In Its Right Place comments

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Rating:  
100/100
From 11/11/2014 23:48 | #126751
In 10/8 or some variant thereof - my favourite time signature.

Taken singly, the ideas aren't terribly ground-breaking - aphex twin already used something equivalent to a kaoss pad to dehumanize vocals on windowlicker, and massive attack used the slow menace of gradually opening resonant filters on angel (yes, there it was a bass rather than rhodes that was filtered, but they're tonally similar, especially given the structure of the two songs). At any rate, its the execution of it all, more than its novelty, that makes it work.

Radiohead's peculiar talent (or one of them anyway) is their ability to reveal malevolent ambiguities in what might otherwise be conceived as platitudinous or tautological. In this case, Yorke sounds visionary and ecstatic when he sings 'everything' but then he is changed into something frightened and/or sinister as he sings 'in its right place.' This conveys that, while on its surface the prescription 'everything in its right place' seems sensible enough, in reality it has a kind of invisible violence. This trend continues through the album - you never get to see Kid A's monsters, and that's exactly what makes them so scary. (Edited)
Helpful?  (Log in to vote) · 5
Rating:  
100/100
From 03/08/2016 06:07 | #161544
Within the span of four notes, Everything In Its Right Place throws you into a world of erratic vocal manipulations, enveloping synths, and mounting tension, masterfully conveying a fragmented mental state and successfully introducing Kid A's desolate, icy tone. (Edited)
Helpful?  (Log in to vote) · 7
Rating:  
100/100
From 03/21/2013 12:46 | #69345
I can't believe how unique this song is from anything else I've heard, and what an opener! It took me a couple of years to get into Kid A, but when I first got it, there was no going back, and this song is but the beginning of something cold, distant yet beautiful. (Edited)
Helpful?  (Log in to vote) · 5
Rating:  
100/100
From 01/31/2016 21:04 | #158340
That really unique sound of the opening synths is one of the most beautiful sounds I've ever heard. I can't even imagine the reactions of people who had fallen in love with OK Computer and The Bends and were now hearing this for the first time. I wish I had listened to their albums in chronological order. (Edited)
Helpful?  (Log in to vote) · 4
Rating:  
100/100
From 02/02/2014 05:27 | #102034
One of the best openers to any album ever. Period. (Edited)
Helpful?  (Log in to vote) · 7
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