Driving The Last Spike (track)
by Genesis

Driving The Last Spike by Genesis
Year: 1991
From the album We Can't Dance (track #3)
Average Rating: 
82/100 (from 62 votes)
  Ratings distribution   Average rating history

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We Can't Dance (12 tracks) « Previous track (#2)
Jesus He Knows Me
This track (#3)
Driving The Last Spike
Next track (#4) »
I Can't Dance

Driving The Last Spike appears on the following album(s) by Genesis:


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Driving The Last Spike ratings

Average Rating: 
82/100 (from 62 votes)
  Ratings distribution Help Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AV
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Showing latest 5 ratings for this track.  | Show all 62 ratings for this track.

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04/18/2026 15:31 Pavloss  Ratings distribution  2,37860/100
 
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Rating metrics: Help Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
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This track is rated in the top 3% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 82.2/100, a mean average of 82.6/100, and a trimmed mean (excluding outliers) of 83.3/100. The standard deviation for this track is 12.5.


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Rating:  
95/100
From 08/04/2020 00:29 | #256659
Much like Domino from the previous album, Driving the Last Spike is a 10-plus-minute pop track that draws from prog influences, though perhaps not as strongly as Domino. You wouldn't guess that from the first couple minutes, which sound like any ordinary easy-listening pop hit, but it kicks it right into second gear at the three-minute mark with some kick-ass guitar and keyboard riffs and Collins' frantic drumming. The moment doesn't last long enough, as it eventually reprises the intro and turns into a regular driving pop tune for the final couple minutes, but at least it comes with a lot more vigor than the relatively boring introductory minutes. The lyrics about a British railway worker contrasting his internal struggles and doubts with the toil of his labor along the railroad tracks wax pretty poetic, though I do think they play second fiddle to the music in this instance. In short, a good song with some excellent moments and others not so much, but those excellent moments do capture a piece of that Genesis magic.
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