Forget Me Nots (track)
by Patrice Rushen
Year: 1982
From the album Straight From The Heart (track #1)
Listen on Spotify
Forget Me Nots appears on the following album(s) by Patrice Rushen:
- Straight From The Heart (track #1) (this album) (1982)
- Straight From The Heart (track #10) (this album) (1982)
Condition: Very Good
Condition: Used
Condition: Used
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Listen to Forget Me Nots on YouTube
Forget Me Nots ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
| ! | 11/18/2025 22:42 | Exist-en-ciel | 30,821 | 70/100 |
| ! | 06/10/2025 09:48 | TradeShark | 4,948 | 30/100 |
| ! | 10/15/2024 17:19 | dukeboxkool | 6,565 | 75/100 |
| ! | 04/05/2024 18:51 | Kettwig | 15,059 | 92/100 |
| ! | 11/20/2023 11:20 | 44,193 | 79/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 2% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 83.8/100, a mean average of 83.6/100, and a trimmed mean (excluding outliers) of 89.6/100. The standard deviation for this track is 23.0.
Forget Me Nots favourites
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Forget Me Nots comments
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I don't like a lot of disco, but this one hits the spot.
Post-disco at its finest, and a bass line that could bring world peace if everyone could hear it.
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