Sure. Reminds me of Godspeed, Flying Saucer Attack, Mogwai's contemplative pieces. Obviously, it falls under the ambient umbrella as well especially stuff like Eno/Budd's Pearl in terms of mood.
Sure. Reminds me of Godspeed, Flying Saucer Attack, Mogwai's contemplative pieces. Obviously, it falls under the ambient umbrella as well especially stuff like Eno/Budd's Pearl.
Well yeah it definitely has some elements that are reminiscent of Post-Rock, but calling it "one of the best Post-Rock albums" seems very unfair to me. But to each his own.
Well yeah it definitely has some elements that are reminiscent of Post-Rock, but calling it "one of the best Post-Rock albums" seems very unfair to me. But to each his own.
How is it "very unfair"? Just curious.
MercuryTurn your back on the pay-you-back last callProfile St. Louis
I love you, Repoman! (Like a brother) Great review and I'm happy you love it. Tim Hecker's discog is pretty amazing, if you get a chance to delve further into it. You may have already. But after Ravedeath, definitely give Dropped Pianos, Harmony In Ultraviolet, Haunt Me Haunt Me Do It Again, and Virgins a spin or 10. :))
Because it's not a Post Rock album. It's ambient drone. There are definitely sections of it that are reminiscent of a Post-Rock atmosphere, but it's not a Post-Rock album. Not even close. So to call it "one of the best" of a genre it doesn't even belong to just seems unfair to me.
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MrFrogger
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