R&B From The Marquee
by Alexis Korner's Blues Incorporated

R&B From The Marquee by Alexis Korner's Blues Incorporated
Year: 1962
Overall rank: 26,009th   Overall chart history
Average Rating: 
74/100 (from 19 votes)
  Ratings distribution   Average rating history
Accolades:
Award Top albums of 1962 (102nd)
Award Top albums of the 1960s (1,603rd)
Award Best albums of all time (26,009th)

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Alexis Korner’s Blues Incorporated - R&B From The Marquee - UK -Ultrasonic Clean
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Blues Incorporated - R&B From The Marquee CD (New/Sealed)
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ALEXIS BLUES INCORPORATED KORNER - R&b From The Marquee - CD - Extra Tracks
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Alexis Korner's Blues Incorporated bestography

R&B From The Marquee is ranked 2nd best out of 4 albums by Alexis Korner's Blues Incorporated on BestEverAlbums.com.

The best album by Alexis Korner's Blues Incorporated is Red Hot From Alex which is ranked number 24670 in the list of all-time albums with a total rank score of 38.

Alexis Korner's Blues Incorporated album bestography « Higher ranked (24,670th)
Red Hot From Alex
This album (26,009th)
R&B From The Marquee
Lower ranked (63,085th) »
Alexis Korner's Blues Incorporated

(N.B. Bestographies include all albums by an artist (and their variations), but do not include albums ranked outside the top 100,000).

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R&B From The Marquee track list

  Track ratings The tracks on this album have an average rating of 76 out of 100 (all tracks have been rated).

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R&B From The Marquee rankings

Rankings summary
Overall rank: 26,009th | 1960s rank: 1,603rd | 1962 rank: 102nd

R&B From The Marquee collection

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R&B From The Marquee ratings

Average Rating: 
74/100 (from 19 votes)
  Ratings distribution Help Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AV
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.

Showing latest 5 ratings for this album.  | Show all 19 ratings for this album.

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RatingDate updatedMemberAlbum ratingsAvg. album rating
 
80/100
 
01/22/2026 19:41 PapaShiz86  Ratings distribution  11,16579/100
 
60/100
 
12/21/2025 05:05 Olli  Ratings distribution  6,75563/100
 
75/100
 
09/08/2024 20:52 duelek  Ratings distribution  1,73776/100
 
75/100
 
10/03/2022 15:18 Jboy56  Ratings distribution  4,26878/100
 
55/100
 
02/21/2022 02:55 Gendjar  Ratings distribution  4,71556/100

Rating metrics: Help Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)

This album is rated in the top 16% of all albums on BestEverAlbums.com. This album has a Bayesian average rating of 74.0/100, a mean average of 75.0/100, and a trimmed mean (excluding outliers) of 75.0/100. The standard deviation for this album is 10.6.

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R&B From The Marquee favourites

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R&B From The Marquee comments

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Rating:  
75/100
From 10/03/2022 15:18 | #290132
Kool Blues
Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)
Rating:  
85/100
From 01/21/2021 01:42 | #264755
An incredibly good album for a Brit white-boy blues band in 1962, and even out of historical context, just a really enjoyable listen. It's mostly about two remarkable talents--Cyril Davies, the undisputed king of Brit blues harp and also a great singer, and Long John Baldry, 6'7" tall, openly gay, with a great blues voice. Davies sings four tracks, and Baldry three, I think. Dick Heckstall-Smith, the great sax player, also appears (though Davies hated having a sax in the band), but doesn't shine here like he later did in Graham Bond's band. Legendary and wonderful.
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