Baby Blue (track) by フィッシュマンズ [Fishmans]
Year: 1996
From the album 空中キャンプ [Kūchū Camp] (track #2)
Baby Blue appears on the following album(s) by フィッシュマンズ [Fishmans]:
- 空中キャンプ [Kūchū Camp] (track #2) (this album) (1996)
- 若いながらも歴史あり 96.3.2@新宿Liquid Room (track #7) (2021)
- 空中 ベスト・オブ・フィッシュマンズ [Kūchū Best Of Fishmans] (track #5) (compilation) (2005)
- Aloha Polydor (track #3) (compilation) (1999)
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Baby Blue ratings
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
60/100  | 05/30/2025 21:44 |  II | | 67/100 |
100/100 | 10/18/2024 01:13 | MaxStorm98 | | 99/100 |
60/100 | 07/22/2024 20:18 |  ForegroundNoise | | 64/100 |
80/100 | 12/18/2023 19:14 | RockingRoll666 | | 80/100 |
75/100 | 09/04/2023 13:49 | platus | | 76/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 2% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 84.5/100, a mean average of 86.9/100, and a trimmed mean (excluding outliers) of 86.9/100. The standard deviation for this track is 10.9.
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One of Fishmans' best songs imo. On the surface, it's a really chill, laid-back track with a nice pulsating bassline and synths and sparkly guitar playing. When you read up on the lyrics, however, they paint a different picture of the song. Sato's falsetto, especially during the parts where the strings kick in, is one of the most beautiful things I've heard and it showcases the song's bittersweet nature.
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