Roads (track)
by Portishead
Roads appears on the following album(s) by Portishead:
- Dummy (track #7) (this album) (1994)
- Roseland NYC Live (track #10) (1998)
- New Collection (track #3) (compilation) (2008)
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Roads ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
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Showing latest 5 ratings for this track. | Show all 383 ratings for this track.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
| ! | 3 days ago | stareaterogni0n | 5,824 | 70/100 |
| ! | 05/25/2026 09:27 | libbyshuss | 963 | 78/100 |
| ! | 04/08/2026 01:21 | SethGunde | 2,438 | 69/100 |
| ! | 04/02/2026 22:10 | daCritic | 37,910 | 75/100 |
| ! | 03/29/2026 23:02 | Cheddar | 5,249 | 79/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 1% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 90.1/100, a mean average of 89.3/100, and a trimmed mean (excluding outliers) of 90.5/100. The standard deviation for this track is 13.0.
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Goliath 11/02/2018 09:54 | #223711
One of the most haunting and amazing tracks you'll ever find.
JulianR 03/07/2018 00:34 | #210256
What a beautiful track! THAT is how you use a strings section! absolutely gorgeous
soundguardian 05/21/2013 03:19 | #76771
Pure desperation exudes from Beth Gibbons' mouth as the sweeping, emotive strings fill the air. It's all synchronized and held together by a stellar rhythm section consisting of a Rhodes piano, bass, and drums. There is embellishment consisting of various programming, guitar and a Polynesian nose flute of all things.
This may not have been the intent of the artists, composers, and producers behind the creation of "Roads", but the slow oscillating Rhodes piano and guitar parts seem to reflect a feeling of uncertainty, dolorously straying from a balanced equilibrium, which I feel suits the topic of the piece perfectly. It, in turn, heightens the emotional impact of the piece on the listener whether he or she realizes it or not. That's the brilliance to the surprising complexity of Portishead - attention to details.
The deep lyricism augments the enchanting aesthetic of this piece. The continuous internal 'battle' for fulfillment that every person faces manifests itself as a losing contest of self vs The World. Humans often seek balance through others and materialistic possessions, a method to procure happiness, but ultimately this results in isolation ("no one on their side"), and an unfeasible struggle between one's self and societal norms / expectations. Once someone attains a niche in life and society, he/she can easily feel that that niche is attained by sacrificing their authenticity. Beth Gibbons cries 'how can it feel this wrong?', which is probably rhetorical. Naturally, because when people reach that niche they never truly find balance within themselves, and their happiness in life is shot. It goes without saying that individuality and veracity are imperative characteristics of the human condition, but sometimes the standards set forth by governmental and communal institutions undermine these.
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