Part I - Acknowledgement (track)
by John Coltrane
Year: 1965
From the album A Love Supreme (track #1)
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Part I - Acknowledgement appears on the following album(s) by John Coltrane:
- A Love Supreme (track #1) (this album) (1965)
Upcoming concerts
Listen to Part I - Acknowledgement on YouTube
Part I - Acknowledgement ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
| ! | 12/11/2025 17:56 | Exist-en-ciel | 47,492 | 70/100 |
| ! | 11/27/2025 13:06 |  HoldenM | 7,678 | 91/100 |
| ! | 11/20/2025 03:41 | plasmicmist | 7,423 | 90/100 |
| ! | 11/19/2025 06:53 |  Norshammar | 1,046 | 90/100 |
| ! | 11/07/2025 14:38 | bonnequestion | 16,078 | 75/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 1% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 89.6/100, a mean average of 89.4/100, and a trimmed mean (excluding outliers) of 90.1/100. The standard deviation for this track is 11.8.
Part I - Acknowledgement favourites
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Part I - Acknowledgement comments
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AAL2014 07/10/2022 01:22 | #287231
The moment A Love Supreme fully kicks in and all of the classic quartet begin to groove, it’s clear that each player is integral to making this sound and this message come to fruition. Elvin with his near Latin flavorings and McCoy with his prominent yet delicate piano drippings in particular really standout for me as this sensational record gathers steam.
Don't follow the bible but I follow this sound, this is the musical equivalent of rapture.
So this is avant-garde jazz... nice.
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