Overfloater (track)
by Soundgarden
Year: 1996
From the album Down On The Upside (track #14)
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Overfloater appears on the following album(s) by Soundgarden:
- Down On The Upside (track #14) (this album) (1996)
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Overfloater ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
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Showing latest 5 ratings for this track. | Show all 55 ratings for this track.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
| ! | 06/30/2026 11:34 | Siromynian | 17,775 | 71/100 |
| ! | 05/27/2026 03:26 | Exist-en-ciel | 165,986 | 71/100 |
| ! | 02/06/2026 20:10 | HotZappsBoogaloo | 8,939 | 82/100 |
| ! | 10/28/2025 22:42 | kinginsomniac12 | 6,024 | 100/100 |
| ! | 10/08/2025 16:56 |  AAL2014 | 39,927 | 76/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track is rated in the top 6% of all tracks on BestEverAlbums.com. This track has a Bayesian average rating of 79.6/100, a mean average of 80.3/100, and a trimmed mean (excluding outliers) of 80.3/100. The standard deviation for this track is 9.9.
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This is one of the best songs on the record. Takes a while to grow on you but once it clicks, you'll be glad it did. Cornell's vocals shine as always, and as with many other songs on this album, his use of effects on his voice are done in a manner that works well within the context of the song.
The other part of the two-headed monster in Soundgarden is Matt Cameron's drumming, and he doesn't disappoint here, helping drive the song from its reserved opening to a tumultuous conclusion. He anchors some very underrated riffs/grooves typical of Cornell's unusual writing style when compared to other bands in the Seattle scene.
Lyrics are interesting and up for interpretation as many of Cornell's tend to be.
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