How Can I Stop (track)
by The Rolling Stones
Year: 1997
From the album Bridges To Babylon (track #13)
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How Can I Stop appears on the following album(s) by The Rolling Stones:
- Bridges To Babylon (track #13) (this album) (1997)
Upcoming concerts
Listen to How Can I Stop on YouTube
How Can I Stop ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
Showing latest 5 ratings for this track. | Show all 29 ratings for this track.
| Rating | Date updated | Member | Track ratings | Avg. track rating |
|---|---|---|---|---|
| 02/05/2026 08:07 | spinout | 39,017 | 83/100 | |
| 06/18/2025 18:51 | Garyf1972 | 8,018 | 62/100 | |
| 09/30/2024 02:31 | juanr1096 | 71,455 | 79/100 | |
| 03/17/2024 17:41 | phmusic | 62,861 | 100/100 | |
| 11/06/2023 17:44 | matterhornrider | 22,774 | 86/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some tracks can have several thousand ratings)
This track has a Bayesian average rating of 71.8/100, a mean average of 70.3/100, and a trimmed mean (excluding outliers) of 70.3/100. The standard deviation for this track is 15.5.
How Can I Stop comments
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The Stones save the best for last, at least in my opinion. Keith's absolutely beautiful closing track is simply gorgeous. A lovely melody curls itself around some nice intimate instrumentation to give us one of Keith's best, if not his best latter day Stones track.
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